libby photo study

As I was having lunch in Durango, Colorado I noticed the animation of our bartender. I explained that I was a photographer on a busman’s holiday and would she mind posing and giving me a few different expressions? She agreed. I had an image pop into my head that is like something below.

libby photo on white

This is in process. Thoughts??

libby photo version color

Adding some clouds…

libby image black and white

Black and white version.

Feedback invited. Working title is ‘Three faces of Libby’.

Image captured with the Lumix GX7 and the 35-100mm f2.8 Vario lens. It’s a very compact camera that is not intimidating to those who you wish to be subjects on the fly…

Yours in Creative Photography,      Bob

sunday photo art quote 10/19

John Sexton creates exquisite black and white photographs. He worked with Ansel Adams for a number of years through 1984 at the time of Adams passing. Today’s quote invites us to think about the creation of an image after the capture. Unless you have complete control over the lighting there is no way a camera can replicate what the eye can see and work after teh fact can help express what was seen by the photographer.

john sexton quote

“For me the printing process is part of the magic of photography. It’s that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.” John Sexton

I understand this well. I remember trying to pull a good print after hours of trying differing amounts of dodging and burning in the darkroom. And as they said on the ABC sports commercial feeling, “…the thrill of Victory and the Agony of Defeat…”

We now have the ability to be able to process the images in a repeatable fashion using the computer and software programs. The possibilities of creating the image in our ‘minds eye’ is better than ever. I often hear newer photographers say I want to have the image ‘natural’ as it comes out of the camera. Using artificial lighting or Photoshop techniques is ‘cheating’. I suggest that these photographers have yet to understand that the camera does not record as the eye sees and that there is a need to make allowances for that in order to get the 3 dimensions in front of our eyes represented in two dimensions on the print.

There is also the point that many decisions have already been made that distort reality by the photographer choosing what lens to use. How the view is cropped in camera. What aperture and shutter speed were chosen. The time of day the image was made. All of these choices are already ‘cheating’ what another person would see if they were on the scene. Also remember the eye has the magnificent ability to open and close its aperture (pupil) depending upon where it is looking in the scene. If it looks to the sky it instantaneously closes down to see detail in the bright white but will immediately open up to allow shadow detail to come forward. The camera only has one aperture to look through.

So I ask this question. Are you a natural light photographer who doesn’t want to cheat as I was when I first started? Or, are you a professional photographer willing and able to learn and use all the tools available?

Yours in Creative Photography,       Bob

still playing

The flower garden at the B&B at which I’m staying has some beautiful blooms… So I’m playing and experimenting with the Lumix GX7, 35-100mm f2.8 and and Vello extension tubes.

rose petal photo

Rose petals close-up with extension tubes. Opening up the shadows and lowering the highlights with the GX7’s in camera curves setting.

backlit leaf study photograph

I always enjoy details revealed when photographing flora with back lighting.

Have you played lately??

Yours in Creative Photography,       bob

 

lumix play black & white

Camera presets.

Never used them with any success before getting into the micro 4/3rds system with Panasonic Lumix cameras. I’m out on holiday in Santa Fe, New Mexico and putting the Lumix GX7 through it’s paces. One of my favorite presets is Illustrative Art. But, with a tweak. Turning it to black and white. It leads to a high contrast image with a bit of a glow on the highest contrast areas. Here take a look at these images…

copper tanks black & white photo

Copper tanks at the Blue Corn Cafe & Brewery Restaurant in Santa Fe, New Mexico

copper tank handles photo

Copper tank handle detail. Love the shape and form that comes forward using this technique.

black and white photo of door and wall santa fe new mexico

Downtown Santa Fe door and wall with wall. Textures galore!

One thing to remember when using in-camera presets is to save images as a jpeg. I usually shoot in RAW plus jpeg so I can have the best of both worlds. If you only save in RAW you will see the processed black and white image on the back of your camera and upon download momentarily on your computer as the viewing jpeg info is stripped away leaving you only the RAW information.

Travel is a great way to get the creative juices flowing… When and where is your next road trip?

Yours in Creative Photography,       Bob

open

Are you open to PLAY!??

Play means time to learn and test. On a road trip and looking out the window and you know how much I like neon and the back of this open sign invited some attention from the Lumix GX7 and the 20mm pancake f1.7 lens. This is a very low profile set up for street photography. Here’s a couple…

open sign photo

I really liked the Orange glow against the blue sky.

open sign image

Different angle leads to different feeling in the photo.

neon open sign photo

And flipping the image changes things totally.

How do you play? Are these award winning photos? Nope. But I learned a few things playing with color and exposure that will help me in the future…

Yours in Creative Photography,      Bob