new head shot

It was time to update my head shot. Don’t want to be like the cobbler that has no shoes.

The gear

I set my Lumix G9 with DG Nocticron 42.5mm f/1.2 lens on a tripod. I used the modeling lights of my Paul C Buff White Lightning 1200 flashes (no longer manufactured as I bought these lights when I first started around 25 years ago. Which is a testament to Buff lighting longevity!) Camera right had a 42 inch umbrella about 60 degrees off axis. Camera left another Buff light with no umbrella and a seven inch reflector for the background light.

Settings

Studio head shot

1/80th second f/1.2 ISO 200. Camera was triggered by Panasonic’s Image App on my phone which allowed me to set focus and see what the camera sees. Great for making a self portrait.

Color or Black and White

Black and white processed with Nik Silver EFEX Pro

Using Adobe’s Photoshop the file was processed in color with very light retouching. Removed a couple stray hairs along with a wild eyebrow hair. Nik Silver EFEX Pro (part of the NIK collection) was used for conversion to black and white.

Which do you like better? Color or black and white?

Yours in Creative Photography,          Bob

 

ppa ipc image prep

ppa ipc image prep

For those that compete (or want to compete) at the International Photographic Competition (IPC) through the Professional Photographers of America (PPA) an important part of the process is presenting your image properly. There are twelve elements on which the images are judged. One of them is image presentation.

Think of it like this. Have you ever had an image that you thought was quite good? Then framed it and it looked even better? That is what you should try to make your image do when putting together your submissions.

Here is a video to give you one way to put together a presentation for a black and white image. This example is showing a double keystroke. The final image could be done with a single keystroke as well. As an artist it is your choice for the color (or tone) of your keystroke as well as the width. Coming soon, I’ll share some ideas on working with color images.

If you have any questions on PPA image competition, don’t hesitate to ask. I wish you the best in your competition journey.

Yours in Creative Photography,        Bob

PS – The subject is Craig Christopherson a wood and metal sculptor. See some of Craig’s work here on Instagram. Image was made with the Lumix G9 and 42.5mm f1.2 Leica lens. You can see how I went from the original capture to the final post processed image in my blog on post processing with Adobe Photoshop and Skylum Luminar 4 software.

tuesday painterly artist kelly schneider part two

tuesday painterly artist kelly schneider part two

Tuesday Painterly Artist – Kelly Schneider

PPA – Photographic Craftsman & Certified Professional Photographer

The work in these Painterly Posts are usually a bit more on the obvious painting side using the digital tools we have. Today’s artist is one I’ve been following for a while and while it is not specifically a painting style the work in my opinion transcends photography into a realm of it’s own. I’ll leave you to decide… Let me know what you think of Kelly’s work.

© Kelly Schneider Art image© Kelly Schneider

Easier or harder to become a pro these days?

“I think it is easier, assuming you commit and invest in yourself to do it,” stated Kelly. Today, you can take a pretty awesome shot and even do what used to be very intense post processing on a smart phone. Kids 10 years old are producing some pretty decent images and sharing them to the world in minutues. That’s something that could have taken hours or days just 20 years ago. The challenge to me is again, how do you produce “SALIENT” images that others are not able to do or cant do alone with a smart phone. I think it is easier to become one of the millions of professionals photographers out there… but harder to separate yourself and become more relevant. Thus, to produce work that is in demand and that people find of real value,” concluded Schneider.

© Kelly Schneider image© Kelly Schneider

Why teach others?

“I am a natural teacher. I love getting in front of others and having a positive impact on their views or knowledge on something and even more so when their eyes open and start to learn a new skill. It is a passion. If you have heard of the Keirsey-Bates temperament test, I am an ENFJ and that puts me in the Teacher idealist. (ref. https://keirsey.com/temperament/idealist-teacher/) Basically, I truly enjoy watching clients smile and even tear up when they see their final images. I also get emotional when I see smiles on a student’s face when they become AWARE that they get it… they see it… and they can do it.”

Where do you see professional photography in 10 years?

“To be frank, I think the future has two fundamental paths… and I think both will be exists. Not so good path: Photographers who are not keeping up with technology and establishing a “constantly learning” modality in their work will become part of the vast ocean of others out there struggling to find themselves in a way that gets clients to find them… in that photographer’s “purgatory” where they are good, but not SALIENT or relative enough.”

© Kelly Schneider art portrait© Kelly Schneider

Good path: Those who have persevered. Those willing to take the leap, to accept and embrace innovation, and not just thinking that because they WERE great, they will always be great. They will survive and continue to provide a service and product that there will always be clients willing to pay for. There are multiple integrated elements in becoming and staying a relevant “SALIENT” professional photographer. From your personality in dealing with and interacting with others, to your day to day running of your business. This includes your vision and standards you set and adhere to. Only one of them is in taking the image.”

What do you enjoy most as a professional photographer?

“When I was 18 and serving in the US Navy, the process of Capturing Life’s Journey and sharing it with others…”

KS Fine Arts Web Page https://www.ksfinearts.com
Portfolio: https://www.500px.com/kellyschneider
Instagram: http://instagram.com@ksfinearts

Kelly’s Bio

kelly schneider portraitBorn and raised in Coronado California he joined the US Navy in 1980 and served for 29 years. During his US Navy travels including 137 countries, he began “capturing” life around him. In 2010, Kelly began his pursuit of professional portraiture, growing and developing his skills in creating “salient” portraits focused on weddings portraiture and boudoir.

Over time, Schneider has become passionate about teaching others. He earned a Master’s degree in Human Systems Integration from the Navy Post Graduate School in Monterey California. He completed the Executive leadership course at both UC Berkeley and Duke University and is a MDPPA Board of Directors member for 2019.

Kelly and his wife Kalina (also a gifted photographer and active PPA member/Maryland PPA member) have been hosting workshops both in the US and in Europe. Kelly Schneider Fine kalina schneider portraitArts ksfinearts.com focuses on Boudoir and Fine Art portraiture and workshops.

Schneider is writing his first book “The Salient Portrait – the science behind it and how to achieve it” and it is a core element of all his workshops and training events. He earned the Best Portrait of the Year award in 2017 for MDPPA and Best Portrait Photographer for the State of Maryland for 2017 and 2018 and Wedding Photographer of the year for 2018 as well as earning two Fujifilm Masterpiece Awards in 2019.

Kelly is married Mrs. Kalina Schneider from Katowice Poland. Kalina and Kelly currently call Accokeek, MD home with their two kids – a beagle and a terrier!

 

tuesday painterly artist kelly schneider

tuesday painterly artist kelly schneider

Tuesday Painterly Artist – Kelly Schneider

PPA – Photographic Craftsman & Certified Professional Photographer

The work in these Painterly Posts are usually a bit more on the obvious painting side using the digital tools we have. Today’s artist is one I’ve been following for a while and while it is not specifically a painting style the work in my opinion transcends photography into a realm of it’s own. I’ll leave you to decide… Let me know what you think of Kelly’s work.

image © Kelly Schneider

Elegant Shades of Red © Kelly Schneider

Kelly’s Start

Kelly got his start while traveling in the US Navy starting a business called Captured Journeys Photography. He shares, “Initially, I knew so little about photography and anyone doing it that I was not influenced except that I wanted to get great images!  After a few years, I realized that if I was ever going to really grow my game and produce good work, I needed to invest in my craft and my skills. That is when I started looking at true professionals who were masters. I realized I knew next to nothing!” Schneider notes an early influence for stepping up his game was Trey Ratcliff of Stuck in Customs fame.

A True Professional

When asked what makes a true professional photographer Kelly said, “I think being a true professional has little to do with how many hours or if it is a full-time thing. A true professional is someone who has dedicated and committed themselves with all facets of a skill or craft and invested in both time and resources to grow and develop their knowledge, skill, and ability to be recognized for their work. Being a true professional and doing it full time is another layer. It is just a measurement of how much time you are doing it, not how much of a master you are while doing it.”

© Kelly Schneider

KS Fine Arts Portrait

Changes in Photography

Changes in professional photography are coming fast and furious and while Kelly recognizes the single most impact in photography comes from those photographers who can leverage the changes.  “The single most impacting element in learning photography (outside of the core ability to “SEE” light and render wonderful and powerful images, is the capacity to learn and use more complex and advanced technology in your photography.” According to Kelly. “Those who have a natural and gift for awesome photography will find themselves fading into the “non relevant” layers of photographers if they don’t embrace and learn how to bring new and exciting technology into their game. From the expanded things a photographer can do with such little effort with lighting and tech, is making it harder and harder to separate yourself from the over 44 million practicing photographers in the USA.

image © Kelly Schneider

Elegant Stylized Portrait © Kelly Schneider

To be Continued

I’ll continue this post with Kelly next week when we find out why Kelly teaches other photographers his techniques and where he sees photography going in the next ten years…

KS Fine Arts Web Page https://www.ksfinearts.com
Portfolio: https://www.500px.com/kellyschneider
Instagram: http://instagram.com@ksfinearts

Kelly’s Bio

kelly schneider portraitBorn and raised in Coronado California he joined the US Navy in 1980 and served for 29 years. During his US Navy travels including 137 countries, he began “capturing” life around him. In 2010, Kelly began his pursuit of professional portraiture, growing and developing his skills in creating “salient” portraits focused on weddings portraiture and boudoir.

Over time, Schneider has become passionate about teaching others. He earned a Master’s degree in Human Systems Integration from the Navy Post Graduate School in Monterey California. He completed the Executive leadership course at both UC Berkeley and Duke University and is a MDPPA Board of Directors member for 2019.

Kelly and his wife Kalina (also a gifted photographer and active PPA member/Maryland PPA member) have been hosting workshops both in the US and in Europe. Kelly Schneider Fine kalina schneider portraitArts ksfinearts.com focuses on Boudoir and Fine Art portraiture and workshops.

Schneider is writing his first book “The Salient Portrait – the science behind it and how to achieve it” and it is a core element of all his workshops and training events. He earned the Best Portrait of the Year award in 2017 for MDPPA and Best Portrait Photographer for the State of Maryland for 2017 and 2018 and Wedding Photographer of the year for 2018 as well as earning two Fujifilm Masterpiece Awards in 2019.

Kelly is married Mrs. Kalina Schneider from Katowice Poland. Kalina and Kelly currently call Accokeek, MD home with their two kids – a beagle and a terrier!

 

 

gaelle buswell singer at sound bites grill

gaelle buswell singer at sound bites grill

Sound Bites Grill Entertainer
Gaelle Buswell

Great Show

First I want to say what a great show it was at Sound Bites Grill in Sedona, AZ. I photograph musicians at this venue on a regular basis, and it’s a great space. Gaelle is from France, and she brought her A game with her for the performance. I look forward to a return engagement should it happen to come this way.

gaelle buswell sings at sound bites grill sedonaGaelle Buswell Live on stage at Sound Bites

Photographing a Live Performance

I want to talk to you about capturing images from a live performance. In the studio, you have control of the lighting, posing, and expression of your subject. Not so much when the performers are live on stage. The lighting is what the lighting is, and while it was set for a specific place on stage, the entertainers often are moving in and out of the preset light pattern. Expressions can be all over the place with closed eyes, weird mouth positions, and strange body positions. To get the best captures that are flattering to the subject you need to study the movements of the performer before beginning to photograph. If you do this, you will start to notice what type of body language will happen with certain kinds of songs. When does the performer close their eyes? And better yet when will they be open? Where is the light best? The study will get you more and better images than if you just start firing away.

Processing the Files

Once you have the capture, it’s time to finesse it in post-processing. There are always improvements to be made. Control of the highlight and shadows. Getting the best color for the situation can be a bit of work because of the LED lighting not having a full spectrum. This can give some bizarre color tones on the skin, and even if everything else is excellent, an unflattering skin tone can kill a shot. Many times I will double process an image and combine. One copy is prepared for the background and the other for the skin tones. Using Layer in Photoshop and adding Masks allow complete control.

original image of gaelleOriginal image of Gaelle after ACR Process and before tweaks

You can compare the image above with the photo on the top of this post. You will see with a little dodging and burning along with a tiny bit of cloning there are fewer distractions from the performer. Let me know if you can see what the differences are. There are five.

Black and White

I always process out my images to black and white. One is for my clients use in PR situations. Providing BW images will lead to better quality in print, especially newspapers rather than letting the Paper just do a desaturation. The other reason is viewing a black and white image tells you if your tonal values are on because you are not distracted by the color.

gaelle in black and whiteGaelle in black and white

Camera Gear

As always I am using Lumix Micro 4/3rds camera gear. The camera is Lumix G9 with the LUMIX G X VARIO LENS, 35-100MM, F2.8 ASPH Instead of using the Leica f2.8-4.0 12-60mm when I am shooting in scenes with this much contrast and moving performers I want the speed and control f2.8 of the fixed aperture lens.

Yours in Creative Photography,     Bob

 

 

musician photography

musician photography

Studio Photography of a Harp Musician

I enjoy working with creative people. It’s a blast. Creative folks tend to bring an extra little something to the photo session. I was working with Sedona musician Peter Sterling the other day. He had some specific thoughts on the session we were photographing for some headshots and CD cover art.

Once an idea is put forward, then it’s time to tweak the lighting to create the mood and feeling needed. We started with a high key background then went to a low key background with more dramatic lighting.

One of the first images from the session. * setup described below harpist photoHarpist Peter Sterling

Above and below are unretouched photos on a high key background. Peter was an excellent subject as he made excellent eye contact with the camera and was easy to get relaxed. He made my job pretty easy!

peter sterling harp player photoI liked this one as a different look but wasn’t thrilled with the foot pad and stool. I wanted to crop in but it has a very casual feel, and it keeps growing on me.

photo of peter sterling harp music performerMoved to a black background and worked on a more moody look. Peter asked me to retouch this one, and I like it a lot! ** the setup described below

photo of peter sterling harp music performer black and whiteWhen I do final retouching for artists, I always include a black and white version. This is often way better than sending off a color image and letting the newspaper or magazine do the conversion.

* White seamless backdrop with a Fiilex 360ex Variable LED light with 24×36 inch softbox as main light (camera right) Camera left another light with a smaller softbox used as fill.

** Black seamless backdrop and lights as above but adjusted for more drama. A 5-inch Fiilex Fresnel attachment was added to another light for the background

Images were captured with the Panasonic Lumix G9 and the Leica DG Vario-Elmarit 12-60mm f2.8-4.0 lens and processed in Adobe Photoshop

Yours in Creative Photography,     Bob