Having a camera with you all the time allows you to see a quick moment and record it. This enables you to learn how different objects look in different lighting situations. I do a fair amount of commercial photography and product and often clients are looking for a natural setting photograph that has the feel as if not set up for an ad. Making little studies like this keeps me sharp when figuring out details for future shoots.
Captured with the Lumix GH4 and 35-100mm Vario f2.8 lens 1/15 sec f2.8 ISO 1600
I really enjoy the warmth of this image. Light was coming from the sky through sliding glass doors. The repeating orange light gives this a lot of depth. If I was photographing this for a client I would have added some more controlled light onto the wine bottle with very soft edged highlights and perhaps have added a glass of wine to the set-up.
But since I was there enjoying the music and having dinner with my wife I didn’t push it toooooo much.
When I first started photography I never put a filter on my lens cause I thought it would be ‘cheating’.
When I started using a darkroom it was to create ‘realistic’ photos.
Enter Photoshop and it was just another way to get ‘real’ photos.
Now that I’ve been photographing for thirty-plus years with twenty-plus of them as a pro I listen in wonderment as some photographers belittle newer cameras or Photoshop techniques when creating images as ‘cheating’.
All of the things mentioned here are just tools. The tools help a photographer attain his or her vision to put a final image on a receptor for show. Whether that receptor is a print or a screen doesn’t matter. It is the final image not the journey to it that matters.
Many folks trot our Ansel Adams as the quintessential ‘straight photographer’. He couldn’t have been further from it than the distance between here and the moon. The Zone System, changing exposure, development times, ISO ratings, paper grade choices, enlarger bulb choices and many more techniques went into the final images created by Adams.
Today’s quote is from Pete Turner a wonderful photographer known for his rich ‘in your face’ color images.
“I am steadily surprised that there are so many photographers that reject manipulating reality, as if that was wrong. Change reality! if you don’t find it, invent it!” Pete Turner
Turner used all the tools available to push his images to an art realm. Pushing color to it’s limits. Sharp focus? Not necessarily! Check out his work for some inspiration to be freer with your camera captures and how you see and share your world through photography.
Nowadays I don’t give a rats butt about how I get the image. Camera, Photoshop, computer are all tools I use. Working hard to share the vision that only I have.
What’s in your head that you’ve been afraid, or unable, to let the world see because you didn’t use the tools available to their full capabilities?
A couple days ago I shared some images from working with Pash Galbavy when she was doing a model posing for a life drawing class. She was posing in the Butoh style, something I had never heard of before documenting this class. See the post here.
One of the great features of the Lumix cameras that doesn’t get spoken about too often is the ability to shoot time lapse sequences. I mounted the Lumix FZ-1000 on a tripod and set it to capture an image every 30 seconds. I was looking to tell the story of the life drawing class and how this particular session of Butoh posing was done.
Pash and the artists at work in the Life Drawing Class over a couple hour period.
These images were given a quick process to control color and contrast and saved to 600 pixel jpegs. For the time lapse 94 images were used at 7 frames a second giving a 13 second film output as an H.264 codec which produces a .MOV file. They were assembled using Time Lapse Assembler a free program for MAC or PC. One thing to remember when creating a time lapse movie that a normal playback speed is using 24 frames per second. which means you often need to capture images about every 1-3 seconds over a long period of time to have a longer final film.
Pretty amazing what we get to learn as photographers…
I was asked by a model friend, Pash Galbavy, (see her site and work with other artists here) to help document a life drawing modeling session she was doing utilizing Butoh posing.
Butoh posing?? What the heck is that? And the continuing education of this photographer goes on…
Butohis a form of Japanese dance theatre that encompasses a diverse range of activities, techniques and motivations for dance, performance, or movement. Following World War II, butoh arose in 1959 through collaborations between its two key founders Hijikata Tatsumi and Ohno Kazuo. The art form is known to “resist fixity” and be difficult to define. If you’d like to learn more check Wikipedia here.
Pash Galbavy of Sedona at Elephantine in an art rendition using textures and colors photographed at the same time.
Pash wore clay and twined straw into her hair to enhance the Butoh look.
Pash is absolutely amazing as a model. She’s able to hold poses for a long period of time with no motion
yet still able to bring emotion forward.
Images were captured with the Lumix GH4 and the Lumix Vario 35-100mm f2.8 lens. ISO’s were from 1600 to 3200…
Images were then taken into Adobe Photoshop where I added layers of color textures from photos and used Blend Modes, Selections and Masks to create the final artwork. In working this way I have numerous renditions with different amounts of color. or lack thereof for each of these images. This is the technique I’ve dubbed ‘Photo-Synthesis’.
Yours in Creative Photography, Bob
PS – If you are ever in the Sedona, Arizona area and need a life model who is incredibly talented make sure you see if Pash is available. She’s truly a work of art in her own right with her posing ability.
I wish for you the ability to see beyond what your eyes see and to respond to what is in your heart…
Yours in Creative Photography, Bob
PS – If you want to upgrade from Woody’s free Photoshop Tip of the Week you can use the code ‘Coates15’ to save 15% off the bi-monthly subscription price which gives you access to new longer tutorials and access to download some of Woody’s brushes.
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
Learn Photoshop in a fun environment. Aaron Nace applies the right amount of fun with easy to understand and follow tutorials. Actions and brushes are included with lessons!
Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
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A High Speed Smart Camera Remote
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Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.
