Always fun chatting with Skip Cohen about the photography business. This is a chat about Embracing new tech in photography. Being a Lumix Luminary has moved me from being the last to jump into new technology to getting to try out new things that are changing faster than you can imagine.
Embracing new technology. Weekend Wisdom with Skip Cohen Listen here
With new ways of processing and capturing images in camera there are more tools at our beck and call then ever before. If you aren’t checking out some of the new ways to leverage these tools in your business you may be falling behind… Many cameras are now more like a computer with a lens attached. Time-lapse captures have never been easier with in-camera processing. 4K video allows you to capture video and pull still frames that can easily be printed to twenty inches. Again the 4K video can be leveraged to give you the opportunity to choose your focus point after the fact. I’m sure there are a number of cameras capable of many of the things I’m sharing here but, I’m familiar with the Panasonic Lumix cameras. The GH4, GX8, G7, FZ1000, LX100 and others are changing the way photographers work and the way photography is growing into the future.
Check out the podcast and let me know what you think…
I enjoy photographing musicians and entertainers. Whether it be a studio or location shoot for marketing or CD covers or live performances there are challenges to be met. In a studio or controlled environment creating the lighting that tells the story and eliciting emotion and expression is the challenge. During a live performance, lighting is what it is and the emotion is always there but the challenge becomes capturing the right moment when all the pieces come together.
Whether it be a studio or location shoot for marketing or CD covers or live performances there are challenges to be met. In a studio or controlled environment creating the lighting that tells the story and eliciting emotion and expression is the challenge. During a live performance, lighting is what it is and the emotion is always there but the challenge becomes capturing the right moment when all the pieces come together.
I love a challenge.
Here are some images from a location photo shoot for the Saith band (here’s lead singer Nathan’s web site). I was hired by Valerie Romanoff (Sedona/New York Musician) to capture here working with the band over in Jerome at the Spirit room. And here’s bass player Dom’s web-site.
In between sets we needed to make a band/group photo. The awning out front with everyone standing on the bench with a little fill flash was just the ticket.
Here’s one of my favorites of Valerie. It shows her in her element. Action and energy! The Lumix GX8 and the 7-14mm Lumix G Vario f4.0 lens was perfect for getting in all the action from a very close position.
Another fav… Shows the sparkle in her eyes and smile!
Images in this post were captured with the Lumix GH4 and 35-100mm Lumix Vario f2.8 lens (except for the ‘dancing guitar’ image) I’m still enjoying the smal, lightweight form factor of the Lumix line of pro camera gear. It allows me to be low key in live situations but still gives me the quality I need!
Just a reminder I am a Lumix Luminary and am sponsored by them for speaking to photography groups. That means I get to try out a lot of the new gear too!
Yours in Creative Photography, Bob
PS – Need a speaker for your photo group or organization? Get in touch and let’s see what we can put together! Contact info is right at the top of the page. Here are some of the programs I teach.
Here’s a different time lapse from the same location as a few days ago at Sound Bites Grill. Was able to set the tripod up on the deck that overlooks this wonderful scenery in Sedona.
This time I set the camera behind a red rock stone column in order to stay out of the gusts of wind that caused some extra work on my last time lapse at this location. I also unclasped the camera strap and tied down the camera for even more stability. I was able to do this quickly because I have the Peak Design Camera Strap. I really enjoy the ability to quickly be able to remove the camera strap when shooting video or time lapse images. This cuts down on the wind profile of the gear leading to to steadier capture. It also make it easy to change the type of strap if I’d rather use a wrist strap instead of over the shoulder. This is a pretty cool system with lots of options.
But I digress… How about the video Bob? Here you go…
Sunset time lapse in Sedona
I used similar settings as the last time lapse on the Lumix GX8 capturing a frame every three seconds processing out to a 4K video .MP4 in camera at 24 frames per second. Then taking that video into Adobe premiere Pro to add some Ken Burns movement through the scene.
I was hoping that the clouds your view scudding across the scene were going to be there as the sun snuck beneath the horizon and giving spectacular color, but alas, it did not. Such are the vagaries of predicting the weather.
Of note, as you study this time lapse be aware of the look of the red rocks after the sun has gone down and the sky begins to move toward cobalt blue and the density range begins to tighten up. This is an ideal time to capture the red rocks as the light is being reflected off of clouds and there’s lots of depth and dimension and beautiful color. I can’t tell you the number of times I will be at a scene with other photographers and they pack it up and leave moments after the sun sets. I wait that extra fifteen to twenty minutes AFTER the sun goes down to get much more intense images. Does it always work? Nope. but way more often than you might think and the rewards are worth it. I’ll address this in more detail in a future post.
Lately I’ve been capturing time lapse sequences of sunsets here in Sedona, Arizona. And by photographing them I seem to have reprogrammed my brain for the way it sees light change. Almost as if by capturing and working with images that compress time into a shorter period I am extending my vision of light and time.
Let me explain.
Because of this new awareness I am now seeing the shadows slowly crawl across a scene as if I am becoming hyper-aware of the changes. Capturing a time lapse makes you take time to slow down because it takes a fair number of images created over a relatively long time period to have enough material. In a sense it becomes a meditation.
Now in this particular case it was a bonus to set the camera up then retire to the bar to observe the changes taking place which was a fun way to work/play on a personal project. My wife and I got to enjoy a glass of happy hour wine and one of their stellar appetizers. (it was the calamari, cooked perfectly and served with a sweet/spicy sauce over a bed of carrots and light greens)
Images captured with the Lumix GX8 & 12-35mm f2.8 Vario lens. Time lapse was processed in camera then imported to Adobe Premeire CC 2015 for processing slight movement. I was hoping that the clouds you saw in the beginning of the video would have hung around and colored up to spectacular… and they did as they moved out of the frame. Color was bright salmon to the south… Oh well, still nice movement of light on the red rocks.
Time lapse Photography – Sound Bites Grill & Snoopy Rock
aka – Snoopy Goes to Sleep
I get to spend quite a bit of time at Sound Bites Grill, being the house photographer. So I am very familiar with the view. And as many times as I see the sun set on the red rocks I am always amazed at how each sunset differs from the one before. On this day with no clouds to help I decided to concentrate on the comic feature built into the red rocks a Charles Schultz character called Snoopy.
Snoopy Rock Time Lapse Video
The initial images were captured with the Lumix GX8 with a 35-100mm f2.8 Vario lens. The settings were for an image captured every 3 seconds. The video was processed in-camera in the GX8 to 4K video with playback speed at 12 frames per second. I had previously processed the 916 images into a 4K 24 fps video and felt it was too fast.
One problem that I wasn’t aware of during capture (cause I was having dinner at the bar) was there were some very severe wind gusts shaking the camera. That’s not a good way to view video. Adobe Premiere Pro CC 2015 to the rescue. Opened the file in Premiere Pro then added the graphics and music. Even more important used the Warp feature to examine and fix the shaky wind buffeted footage to rock steady. Also added a slight Ken Burns effect zooming slowly into the image featuring Snoopy that is possible because of the 4K size files that still leaves you plenty of quality on an HD timeline.
As an added benefit to shooting time lapses there are individual images to choose from to create stills from the same scene. Here’s one with just a bit more color correction in Adobe Camera Raw and Photoshop.
Snoopy Rock still photo at sunset.
I’m really enjoying the ease with which time lapse videos can be made with the Lumix cameras. You don’t need to take the subsequent video into and additional processing program but that enables the addition of information and flourishes depending on your final output.
Take an electric guitar. Acoustic guitar. A bass guitar. A small sax… and a large one. Throw in someone who knows how to play the drums. Add in a voice that is pure magic and the namesake of the band. And what do you get?
A really good time listening to Southern Soul!
What is SOUTHERN SOUL? A sweet blend of blues/gospel/americana/r&b with a splash a cayenne pepper.
Saturday night Miller and the Other Sinners performed at Sound Bites Grill and I had the fun job of photographing them for the ‘SBG Wall of Fame’. This group really rocked the house with a bluesy sound that had everyone bouncing in their seats.
Sound Bites Grill Wall of Fame image for Miller and the Other Sinners
I used two cameras for the event.
I used the Lumix GH4 with a 35-100mm Vario f2.8 lens for the individual band member captures. I generally shoot at ISO 3200 in aperture priority with a minus 2/3rds of a stop exposure compensation in RAW. This will generally get me an exposure between 1/60th & 1/100 of a second. Taking the images into Adobe Camera Raw with just a little push up of the shadows slider and a reduction of the highlights I am able to get the entire dynamic range of the scene.
The second camera is the Lumix GX8 with a wide f2.8 12-35mm Vario zoom. These images are of the whole band and used for press releases and marketing. Same basic settings on the camera. A great feature of shooting with these cameras is the Live View function as you are seeing the image as it is being captured so it’s easy to make tweaks to the settings before firing the shutter.
Marketing images are created in color but I specifically do the BW conversion myself so the best quality will be printed rather than someone at the publication just pushing the greyscale button. NIK Silver FX Pro 2 is the go-to software plug-in.
Knowing how the images are going to be used dictates how images are processed. I always try to create the best image file for the job at hand. Remember to ask questions in order to be able to provide the best product.
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
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Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
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Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.
Embracing new technology. Weekend Wisdom with Skip Cohen Listen here
