airline to atl and back part two

Yesterday I shared a few images from the window seat and today here are a few more. As a Panasonic Lumix Luminary (check out the Lumix Lounge) I get to work with a lot of different pro and advanced amateur camera gear. On this trip it was going to be very quick run to Atlanta, and back to Sedona, through Phoenix within 72 hours so I wanted to travel light. Camera-wise I couldn’t get much more compact than the camera I’ve dubbed the ‘Pro’s Point & Shoot’ the Lumix LX100. Lot’s of powerful features in a solid, easy to use piece of machinery. All images were captured with the LX100.

sunset window view

You need to change the exposure compensation quite a bit to make this sunset image work. Easy to do as the Exposure compensation is on a metal knurled dial right by your thumb. Up to three stops under or over.

cloud vista from above

I like this view of clouds from above. The layers feel like it might be some kind of lunar landscape. And who knows? It just might turn into one in an art piece…

jet wing over clouds with sun

Working the wing to silhouette over a cloud back with flare from the sun.

Sometimes you just need to push yourself by limiting yourself to find the capabilities of a camera. I hadn’t spent any quality time with this camera before this trip cause I had some other favorites always at hand. Because of this if you have any questions about which Lumix camera might be the best for your needs get in touch and I can share some ideas. [email protected]

Yours in Creative Photography,          Bob

airline to atl and back

Love looking out from the window seat at 33,000 feet. The views and cloud formations can change at a moments notice! I am inspired now that I am flying quite a bit to capture images. Main inspiration comes from Julianne Kost and her book Window Seat – The Art of Digital Photography and Creative Thinking

On this quick trip to Professional Photographers of America headquarters in Atlanta for a committee meeting I was able to grab some pretty interesting images. Some can stand alone but I have a feeling that most will enter my files as textures and forms and vistas for my art creations.

Here’s a few of the captures…

sun rays over clouds at 33,000 feet

Sun rays over clouds

jet wing over clouds

Jet wing over clouds

 phoenix skyline from airport at sunset

Phoenix skyline from airport at sunset

 

I used the Lumix LX100 which I have dubbed the “Professionals Point & Shoot” camera. It has fast glass opening to f1.7-2.8. 25-75mm Leica DC Lens. Full video capability including 4K Photo capture. I really enjoy that all camera controls are ‘Old School’ in addition to the menu capabilities. All settings are available via dials on the exterior of the camera including aspect ratio, exposure compensation, focus settings, aperture and more. It’s a rugged little camera that is almost pocket size.

The LX100 was the only camera I brought with me on the trip and I wasn’t disappointed with what I was able to capture. It’s a sweet little machine.

Yours in Creative Photography,    Bob

gx8 panorama

Playing some more with the in-camera panorama stitching on the Lumix GX8 again… This time in the Village of Oak Creek with Bell Rock and Courthouse Butte as the stars of the show. I used the 20mm f1.7. This combo worked very well when keeping the lens pointed straight ahead. If you tilt the camera up there will be a bit of bending of the horizon.

village of oak creek sedona photo

Here’s the original capture SOOC with a minus 2/3rds of a stop exposure adjustment to bring down the sky to a deeper blue. One of the benefits of being able to see what you camera is capturing I could tell that it was going to be a bit overexposed before shooting.

village of oak creek photo

Here’s the finished image with a bit of post production. Darkened the road. Removed a couple vehicles. Increased saturation a little. Added some contrast with Google’s NIK Detail Enhancer. The only place I ran into a stitching evidence was after applying the Detail Enhancer the blue portions of the sky showed the beginnings of unwanted lines. Using a Layer Mask took care of that problem.

This image could easily print to 14 X 42 inches and probably larger if I wanted to work at it a bit and depending on what material I was printing on.

Yours in Creative Photography,       Bob

panoramas in camera

I dig clouds!

This time of year Arizona can lay out a pretty nice palette for us to enjoy. It’s called monsoon season and thunderheads will pop up in the afternoon and put on a show. I gather all kinds of cloud formations for use in my artwork. I decided to challenge the Lumix G7 (new baby brother to the GH4) to see how well it could do in capturing some panoramic photos of the sky in camera. In the past I’ve found that sometimes the lack of definition in sky scenes made it difficult and I would find stitching errors there occasionally. So I shot some soft cloud formations and some harder edged formations and here’s what happened…

cloud photo panoramic lumix g7

I really thought that the camera might have problems with the lack of definition with this panoramic cloud capture. No problem at all!

lumix g7 clouds

Overall did a great job on this one. There was one small area on the left that I had to look hard to find a small stitching error that was easily rectified with the Patch Tool from Adobe Photoshop

P1030444_lumix_g7_clouds

Here was another that had an error. It was off to the right and was in the transition area from bright clouds to very dark clouds. After a quick crop this is what’s left.

lumix g7 camera panorama

And, not to forget that the camera can create panoramas in different directions. No stitch errors on this or about 10 other files I let the G7 create.

My overall thoughts on the new panorama stitching in the G7 gets high marks. I always recommend using good camera technique. I point my body to the direction where I want to end up. Then using stomach muscles turn back to the start of the panorama and slowly pivot using the stomach to make the movement to capture the image. If it is a very important pano I will always shoot it several times just in case. Many times an in camera stitching error can be traced to operator error of not capturing the scene smoothly. Even though you can play back the panoramic image at a larger size on the camera you might miss small errors that wouldn’t show up in another pass with the camera.

Yours in Creative Photography,     Bob