Today’s post is by a guest photographer from Argentina. He says they are running into many of the same issues we photographers have here in the US. Here is NIcholas Tinelli’s take on the longevity of still image creation.
Let me know what you think after you have read the post.
Yours in Creative Photography, Bob
We will never stop photographing!
Nowadays, video seems to be more popular on a commercial level, with websites and social networks invaded by ads of all kinds, photography sometimes remains on the sidelines. The fact is that although modern cameras also make video, it is difficult for many professional photographers to keep up with the times and offer this type of service to be more competitive in the market. I also believe that the photographer and the videographer are two very distinct figures, or you do one thing or the other. Few people can handle both things well.
So? Is photography in its last days?
I would say definitely no.
First of all there is always a need for new images and if, as a photographer, you can adapt to new technologies and specialize in a niche using the marketing tools available today, you still have a chance to live on your passion full time. Presenting your work well as a professional will not miss the opportunities to grow and create lasting business relationships over time.
Nothing Stops Photography – Graphic by Nicholas Tinelli
It must also be said that photography has undergone a great evolution over the years, not only technological, but also cultural, and is increasingly consolidated among the visual and communicative arts. Many photographers find space as artists and have the opportunity to show their projects to the public. It is extraordinary to be able to see many more photographic works printed in high museum-quality than in the past. In addition to the impact they have on the public, sometimes decisive for environmental and social issues. Just think of a photographer like the Canadian Paul Nicklen, who puts photography at the service of the environment.
Documentary Photography
Let’s not forget photography as a means of documentation. It has allowed us to record our recent past and continues to do so today, faster and with more and more people connected to each other who can show their little reality. It is a story, ours, that is also written in pictures and we will always need it. Just think how many photos we accumulate every day with our smartphones to document intimate family moments.
It’s something we can’t live without. And if it will not be by profession, we will continue to carry it on even just as a passion.
For this reason, I believe, we will never stop photographing.
Nicholas Tinelli
Bio: Nicholas Tinelli is a Travel and Portrait Photographer based in Buenos Aires. He runs photography courses and workshops in Argentina and is passionate about writing. Check out Nicholas’s work here. https://nicholastinelli.com
One of my favorite parts of the 100-400 is being able to add the 2X teleconverter MC20. While I lament the f/13 aperture I enjoy the extended reach. The field of view is similar to a 1600mm lens on a full frame 35mm camera. Makes getting more frame-filling images when photographing wildlife a whole lot easier.
100-400mm with 2x teleconverter on FotoPro Tripod
Here’s a close-up I was able to get of a dragonfly. It’s pretty amazing that it even shows the facets in the eyes. The camera was mounted on a Fotopro Eagle E6L Tripod with built-in gimbal head for easy adjustments as the little critters maneuver between reeds.
Moon
I was enjoying the dark skies of Sedona from my back patio. Just for fun I grabbed the 100-400mm 2X combo on the OM-D E-M1 Mark III and shot the moon.
Incredible detail handheld 1600mm field of view.
Lens fully extended. Handheld at 1/400th of a second. After cropping down to the square I ended up with a file size about 2200 pixels.
PlatyPod tripod is a utility tool I’ve started using more often. I bought mine about a year and a half ago and set it aside for a bit, as it was not front of mind. I started using it again and found quite a few new and different ways to support my camera and lights. Now, the Ultra model stays clipped to my Think Tank Mirrorless Mover 20 camera bag.
Watson Lake, Prescott, Arizona
Sunrise image selected from time-lapse captures
Having outfitted my car for camping I was able to be on site for sunrise and moon-rise shoots. I’m sharing some of the sunrise footage I made with my Lumix G9. Capturing time-lapse images adds to possible output. Of course, there’s the time-lapse processed at multiple playback speeds. Multiple images can also be processed together for noise reduction or other creative uses. Individual images can be selected for processing different times.
Time-lapse
Link to sunrise video. It is magical seeing time compressed. There is a different perspective when everything is shown faster. The world can be viewed in many different ways. Being a stills photographer/Lens Based Artist I seem to be drawn to what can be shared starting with individual captures. Putting the photos together gives me another creative outlet.
Low to the ground
Platypod Ultra tripod with a couple leveling bolts in place.
When making this set of images I wanted the camera to be low to the ground which, is a perfect use for the PlatyPod tripod. With no legs the camera is not affected by wind and stays steady Many regular tripods can get low as well, but end up with legs splayed.
Yours in Creative Photography, Bob
FYI I am currently creating paid content for PlatyPod.
Slices of sublime beauty wait in the wetlands of Sedona. The more time I spend in nature the more gifts seem to come my way. I have found however, that I have to be open to the experience.
Open to the experience
Pursuing dragonfly images in the wetlands is joy to me. Having to slow down and observe moments and behavior allow my brain to take a break. Sometimes I have the end in mind to such an extent that I forget to leave room for happy accidents.
This day was not one of those.
Reeds from the wetlands in Sedona, AZ form beautiful shapes curves and lines
Because I use back button focus when photographing wildlife the camera only changes focus when it is engaged. Because I have to search for the wildlife through a long lens the focus was slightly off as a scanned the reeds. What I saw was a little slice of magic. That serendipitous moment led me to try this as a technique. Light and shadow in yellows and greens played soft silhouettes in my viewfinder.
I worked the scene and share a couple of the resulting images here.
Post processing
Very little post-production was done on these photos. A little spot cleanup here, a tiny dodge and burn there were all that was needed. I hope you enjoy these as much as I do.
Yours in Creative Photography, Bob
PS – if you have any questions let me know
** I am testing the 100-400mm lens. Release date is September 15th, 2020
It was time to update my head shot. Don’t want to be like the cobbler that has no shoes.
The gear
I set my Lumix G9 with DG Nocticron 42.5mm f/1.2 lens on a tripod. I used the modeling lights of my Paul C Buff White Lightning 1200 flashes (no longer manufactured as I bought these lights when I first started around 25 years ago. Which is a testament to Buff lighting longevity!) Camera right had a 42 inch umbrella about 60 degrees off axis. Camera left another Buff light with no umbrella and a seven inch reflector for the background light.
Settings
Studio head shot
1/80th second f/1.2 ISO 200. Camera was triggered by Panasonic’s Image App on my phone which allowed me to set focus and see what the camera sees. Great for making a self portrait.
Color or Black and White
Black and white processed with Nik Silver EFEX Pro
Using Adobe’s Photoshop the file was processed in color with very light retouching. Removed a couple stray hairs along with a wild eyebrow hair. Nik Silver EFEX Pro (part of the NIK collection) was used for conversion to black and white.
Which do you like better? Color or black and white?
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Learn Photoshop in a fun environment. Aaron Nace applies the right amount of fun with easy to understand and follow tutorials. Actions and brushes are included with lessons!
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Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.
