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Sedona Wetlands Photo Gear Testing

Well, I gotta tell ya it’s been very busy and I’ve been remiss in posting here for about a week. I photographed a four-day event coverage job with its attendant post-processing along with my regular work. There are only so many hours in a day so the blog had to wait.

I’m back!

And I got a lens I was lusting after to add to my quiver that I’ve started testing. The Lumix 100-400mm G Leica DG Vario-Elmar f 4.0-6.3 lens is as beautiful as I thought. I do not normally get too excited about glass for my cameras. I think of them as tools, and if they do their job as advertised, I’m cool with them. Occasionally, a lens tends to perform over-and-above That’s when I get excited. The 100-400mm is one of those lenses.

I went back out to the Sedona Wetlands for a quick test and here are some results.

blue dragonflyBlue Dragonfly – I was unable to identify this dragonfly. Wonder if it’s because it’s a juvenile and the wings haven’t changed yet. Any ideas??!!

Even though there were quite a few of these critters darting in and out of the stalks of green I could barely see them. They are tiny. Tiny and almost transparent. With some patience, I was able to finally track one of the dragonflies down that took a moment to rest. Excellent detail of something I almost couldn’t see. Oh by-the-way, I was hand-holding the shot with the lens racked all the way out to the 800mm equivalent. As a matter of fact I handheld all the images in this post at the 800mm equivalent. The GX85 was the camera and was a help in this regard as it is using five-axis image stabilization.

yellow flowersEven at f6.3, there’s some beautiful separation from the background with this lens.

dove photoMourning Dove – A bird capable of attaining flight speeds of 55 MPH hung around for a portrait. Sweet.

Not so much a beautiful photo, but a test to see the amount of detail that can be represented in the feathers. Sharpness is enhanced in this camera by the removal of the anti-alias filter. I might look to extract the bird from the background and use the pattern of the feathers in an art piece. We’ll see.

Yours in Creative Photography,      Bob



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