Living in Sedona is quite a blessing. When I want to experiment there is no lack of obvious subject matter. The red rocks all have different shapes and appear different at differing times of day and night leading to a veritable plethora of images that can be photographed with additional techniques and shared.
On Sunday morning I was up just before the sun made its appearance for the day. I grabbed my tripod. Well, if I must tell the truth, I grabbed my camera (lumixG9) and some lenses, rushed out the door, jumped into the car and headed off to catch the rising sun and quickly coloring clouds. Then I turned the car around and went BACK for the tripod wasting beautiful light in the process. But that’s why we are considered pros. We can come back from a less than perfect situation and still have some nice images. ( or… I guess a real pro would have had the tripod to begin with. But, I digress)
I took a different road than usual. I made a five exposure bracket with the camera on a tripod. I used three of the images processed in *Aurora HDR 2018. This angle made the red rocks feel rather majestic.
Today’s savior was the ability to bracket images and extend the range of light the image can show. Without HDR and the processing software in my tool-bag I would have had a pretty bland results. As it was I found some interesting angles and areas that in which I don’t often shoot.
Another not so frequented road let me see this rock formation with trees issuing forth. Again processed with Aurora HDR software from a three exposure bracket.
The back side of Cathedrlal Rock with the rock outcrop. Three exposure HDR with one stop oveand one stop under.
Without the hdr system the trees which were in shadow would have been very blocked up and noisy. Making multiple exposure allows the photo to repliatewhat the eye sees. The eye constantly is changing ‘exposure’ with the pupil opening and closing depending upon the brightness of the scene.
In a couple days I’ll show you the hero shots of the backside of Cathedral Rock.
Yours in Creative Photography, Bob
PS – I was using the Lumix 12-60mm LUMIX G LEICA DG VARIO-ELMARIT PROFESSIONAL LENS
This lens has a great range from wide angle to medium zoom and covers a lot of my needs. There is also a kit lens with this range that is not as fast.
* Save $10 with the coupon code ‘COATES’ on AUrora HDR or other Skylum software
I’m still a bit limited in getting out to photograph I’m trying to keep my camera reflexes in good shape. I continue looking for creative photo opportunities close to home. Anytime I can study the behavior of birds, no matter the type I find it adds to the storehouse of knowledge that will make ALL my avian photography better.
A case in point. I’ve been watching birds from my back porch and seeing what I can do to show behavior. I prefer to show movement vs. a still portrait in my work when possible. I have noticed that birds will tend to repeat patterns if they are hanging out in one area. IE a hummingbird will approach a feeder or flower a certain way almost every time returning to the same branch to rest. If a bird goes to the top of a tree, there is a good possibility that the bird will return to the same branch in a short period. I often share that you need to observe wildlife for a while before picking up your camera for the most exciting images.
Screen capture from Adobe Bridge of bluejay flight
Most birds will take off into the wind. The bluejay above was facing the sun and the wind direction. The Great Blue Heron along with many other birds will usually offload some poo just before taking off. If startled or they are feeling threatened they will tend to turn away from the perceived threat.
This bluejay landed in the top of the tree waving in the light breeze.
I watched as it left the tree and tried to memorize how it began its flight. Did it fly high and up or start to dive to create lift? How did the wings move? With that image in my mind, I set the Lumix G9 camera to SH which stands for Super High speed. It uses the electronic shutter to allow for twenty FPS. The Leica 100-400mm lenswas used fully racked out to its 800MM equivalent
Flight of the Bluejay with watercolor treatment
The image above was composited using Photoshop Layers and Masks. All relevant photos were selected in Adobe Bridge. Under the Tools Menu, I chose Load Files into Photoshop Layers which placed all files into a single PSD. Additional canvas size was added to the left side. Each image was offset and masked so that each image was not overlapping. Then a series of Photoshop Filters were applied to create a watercolor feel to the image.
Because the sky was flat, I added a cloud image to the Photoshop File.
A cloud image was opened and dragged into the flight file. Blend Modes were experimented with until I found one that added subtle sky detail.
This one might call for a Photoshop tutorial to show the progression of this image build. Let me know if you would like to see me produce one.
Spring is an excellent time of year to go out and about in our neighborhood in Sedona. Color is starting to splash itself in the form of flowers in many areas. Watching for the cactus to start popping their colorful blooms out of their calloused, thorny, green shells.
In the meantime, some spring blooms have hit the street.
Purple Robe flowers that were crawling out from under a fence. In the post-processing I dipped into Skylum’s Luminar 2018 Jupiter version. I made a copy of the layer then opened Luminar. This allows for adjustments to be made ‘after the fact’ using a mask.
And, of course, I’ve got to play a little. Moving the camera in different directions with a bit of a slow shutter speed can lead to some exciting captures.
Of course, then you can take that to an extreme with time exposure and faster movement. This could be utilized as a background or for an album design element
Using Photoshop, we can get a bit more depth and dimension by replication the layer, rotating it and changing the Blend Mode of the top layer.
Which give lots of options as many Blend Modes give other versions that feel different
And as Russell Brown says, “But, wait there’s more!
Here the Layer is rotated, and a drop shadow is added.
I think you get the idea. We can take a simple shoot with a few flowers and with the help of a little imagination while making the photographs and adding some spice in post-production there are many variations on a theme.
All images were captured with the Lumix G9 flagship stills camera and the 100-400mm Leica Vario-Elmar f4.0-6.3 lens a combo that is becoming very familiar to me. The more I use the G9, the more I like it!
Pash is a life model, dancer, mask maker and performance artist. Her tagline is ‘Masks, Movement, Modeling and More.’ She often is performing new concepts and pushing boundaries that inspire and inform new work for me. Just yesterday Pash asked if I would cover a life posing event for her with her artist group. This day would find Pash and her group at the gallery of John and Ruth Waddell in Cornville, AZ. The Waddells have created a magical space with bronze sculptures dancing and cavorting around the property. A truly magical area that Pash enhanced with her interaction while the artists sketched and drew their interpretations of the scene.
Pash in a pose integrated with John Waddell’s bronze
Pash asking me to photograph and document her event had me make this image
Which led to me isolating some areas in moving toward a new piece of art
Working sketch experimenting with beginning textures
A picture I am currently calling ‘Merge’ (working title)
Images such as this are put together utilizing multiple photos of textures blended using Adobe PhotoshopLayers, Color Modes, Blend Modes, and Masks. I sometimes will experiment with ten to twenty different versions before settling on a final image. This one is getting pretty close.
If you have followed my work for any length of time, you know that I enjoy moving my work into a more painting-based look. I have taken a term I heard from Julianne Kost and adopted it for my new business. “Lens Based Artist.” I have decided to start promoting my more art based images and have begun gallery representation and selling my work as art.
More on that in future posts. (things are starting to take off. YAY!)
Back to Blackwater images and the post-processing. Here are a few photos of which I have played using the PhotoSynthesis process I have been working on over the years.
Geese in Flight. Love the wing positions and pattern of the birds in the sky.
I worked on this image on the plane while en route back to Arizona from my speaking engagement in Maryland where the images were captured. My seatmate was fascinated by the process, and I talked him through my thinking as I worked on the photo. There are several layers of multiple images blended using Adobe Photoshop’s blend Modes and masks. The geese in flight created their art with all the different wing positions. I was able to capture their flight using the **Lumix GH5 and the Leica 100-400mm lens. The reach of this lens with the stabilization in the camera are making captures such as this easier than ever.
Great Blue Heron on the shoreline.
After working on the piece and adding layers of textures, I pulled the image into Skylum’s Focus CK (part of the Creative Kit or available as a stand-alone) to add a bit of selective sharpness to the subject and vignette and slight blurring to the rest of the image. I use this tool in the Macro setting quite often. I could do the same thing directly in Photoshop, but it would take much more time and many more steps to accomplish the same thing. Plugins are very handy. I decide whether to purchase plugins based on how often I perform specific techniques. When I find the plugin saves me the time or makes it possible for me to do something I would not be able to accomplish otherwise, I buy.
I don’t think any of these images are ‘ready for prime time’ as yet. I think of them as sketches testing ideas and pointing to the direction I wish to go.
Yours in Creative Photography, Bob
** I’ll be using the Lumix G9 in the future for most of my wildlife shooting. Designed with the stills photographer in mind, it adds 6 1/2 stops of handholdabilty (GH5 has 5) along with a better grip and button design for still photographers.
Sedona on-air personality Tom Taback and Bob Coates (That’s me!) recording a program for later playback
Twenty minutes of conversation with Tom about photography, cameras, my recent travels teaching, and art. Tech Talk is on KAZM radio Wednesdays. I had the opportunity to share ideas about new technology in photography. Fun show! Listen now.
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
Learn Photoshop in a fun environment. Aaron Nace applies the right amount of fun with easy to understand and follow tutorials. Actions and brushes are included with lessons!
Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
Cameras Get Smarter -
A High Speed Smart Camera Remote
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Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.
Another not so frequented road let me see this rock formation with trees issuing forth. Again processed with Aurora HDR software from a three exposure bracket.
The back side of Cathedrlal Rock with the rock outcrop. Three exposure HDR with one stop oveand one stop under.
