blues blue rooster blues

The carved metal sign vibrated with the color I was chasing. Add the blues music accompanied by this signage and it was the start of a great evening. Able to photograph blues musicians while not on assignment allowed me to try some new techniques and experiment with different settings.

blue rooster sign imageI included the hanging light in the foreground as a semi-complimentary
color to set off the blue of the light on the sign.

RJ Howsen & Sidney Wingfield photoHost RJ Howson with Guest Sidney Wingfield on-stage at the Blue Rooster on 4th Street in Sarasota

blues musicians photographBlues piano & Sidney Wingfield frame blues guitarist RJ Howson live at the Blue Rooster.

rj howsen blues guitar player photoGX7 camera preset Sepia tone of RJ making blues with his guitar.

sidney wingfield keyboard player photoSidney Wingfield keyboard player with personality!!!  Wonderful vocals too!

Most photos in this post were captured with the 35-100 f2.8 Vario lens. A few done with the 12-35 f2.8 Vario lens. All with the Lumix GX7 camera.

Since this blog is for photographers I want to address a thought about camera formats.

I have been shooting with larger formats than the micro 4/3rds for a long time and when I talk to photographers about my preference for the smaller system I often get the question, “Aren’t you afraid your customers won’t think of you as a professional because you have smaller cameras and lenses??” The answer is unequivocally “NO!”

What I find is that people respond to the way I work, my body language and the way I approach capturing an image vs how big my gear is. I choose the proper tool for the job and am respected as a pro for for my finished work and that the files or prints I give to my clients meet all their needs.

Share your thoughts and comments here….

 

color as a photo subject

Been chasing color and realized I meant bright, saturated color. All things have color. Some are just more subtle than others. Just as when you learn and use a language of light you begin to see things differently, changing the thought of the TYPE of color I am looking for is changing the type of images I am trying to capture during my self assigned photography project during my new busman’s holiday. (to see the description of busman’s holiday if you don’t already know)

As I poke through the images from today it looks like blue has started to creep into my images as a target, sometime subtle sometimes in your face…

bottlebrush flower with blue background photoThis bit of blue worked its way into the background of this photo featuring red making the red stand out all the more.

blue moon sign photoNeon can be difficult to capture… Went into into post-production to bring back some of the image highlights. That’s one great reason to shoot RAW. There was detail there to bring back. The Lumix GX7 had lot’s of detail though the bright range of pixels I thought would be gone.

P1120596_blue_roosterWill end up at the Blue Rooster listening to some of my favorite music… The Blues!

chasing color through photography

People teaming through the streets. Babies being strolled. Dogs walked. And wares presented by vendors as varied as the crayons in a the big box of Crayolas. Saturday at the Sarasota, Florida Farmers Market great supplier of subject fodder in my quest for panorama photographs and color… All images captured with the Lumix GX7 and the 35-100 f2.8 Vario lens

watermelon photoBig field of variegated green with a splash of the surprise contained inside…

tangerine photoTangerine dream…

red peppers imageRed Peppers pop from the basket…grapes photoI’m getting hungry… See you later!

sunday photo/art quote 12/1

COLOR!! Seems to be the theme for me this week.

Just after I decided to make color the target for my shooting while traveling in Sarasota I came across the quote for today’s conversation by Pete Turner.pete turner photographer quote imageI am steadily surprised that there are so many photographers that reject manipulating reality, as if that was wrong. Change reality! If you don’t find it, invent it!” – Pete Turner

From Pete’s web site – A pioneer of color photography, Pete Turner’s career began during the infancy of color photography, at a time when color was used almost exclusively for commercial purposes. Unlike many contemporaries, Turner embraced color, seizing opportunities that allowed him to master the process and to create the imagery he felt compelled to make. Unconcerned with the labels of “art” or “commercial,” I invite you to take a peek at Pete’s photos before reading more…

Many photographers upon first starting out say things like, “I would never put a filter in front of my lens, that would be cheating!” Or, “You use Photoshop that’s not really a photograph.” They then trot out the example of Ansel Adams as the master of reality and they are trying to emulate him. What these photographers don’t realize is that Ansel Adams was one of the original manipulators of all photographic materials to show the scene the way he wanted people to see it. Think about the Zone System and his altering of exposure and development to get different details into different areas of the negative, not mention dodging and burning in the darkroom that sometimes took days to pull one print he was happy with..

In Ansel Adams An autobiography from 1984 Adams said, “I will always embrace a credo of excellence in craft and vision; both are difficult to maintain. Photographers are composers in a sense, and the negatives are their scores. In the electronic age, I am sure that scanning techniques will be able to achieve prints of extraordinary subtlety from the original negative scores. If I could return in 20 years or so I would hope to see astounding interpretations of my most expressive images. It is true no one could print my negatives as I did, but they might well get more out of them by electronic means. Image quality is not the product of a machine, but of the person who directs the machine, and there are no limits to imagination and expression.” – Link to full article ‘Inspired by Ansel’ on black and white imaging.

Please remember that the camera does not see as the eye sees. Your pupil expands and contracts imperceptibly allowing you to see detail in the darkest shadows and brightest highlights in a wide dynamic scene

So I offer these thoughts to you. Learn as much as you can to understand what is possible in our medium. Practice what you learn so you have it available to use when you need it. Have a vision and work to achieve that vision no matter what tools it takes to create the final image.

We now have cameras that can help fine-tune our images straight out of the camera. I was never one for using camera pre-sets but the technology has come a long way baby! Now you can tweak the settings from many of the in camera art type settings and make them your own. The Lumix GH3 has some wonderful black and white settings. The Lumix GX7 can do all that plus you can now set curves in-camera. It’s a great time to be a creative pushing the envelope with all the new tools at our disposal!!

And, isn’t it interesting that an article that started out about intense color and vision in photography ends with black and white??

Turner uses ‘in your face’ color and Adams uses the complete tonal ranges in black and white to tell their stories. How will use your camera to tell your stories in your images??

panos around town sarasota

Color excites me… A smorgasbord with a new palette of color awaits me this next two weeks as I am playing in Sarasota, Florida. Such a change from the orange/red and ochre tones of the desert southwest. It’s a riot and what I’ll be concentrating on while shooting while I’m here… and of course I’ll be playing with the panorama views I can create with the Lumix GX7.

Why do I set expectations for what I am looking for during the trip? I’ve found that if you concentrate on one or two things as targets the quality of images captured goes up. Are panoramas and color the only things I will shoot? Heck no! But When a focus is defined when you go out to capture images there is a tendency to see more. Not quite sure why this works… But it does.

small riot of color photoColor combos with greenery in the foreground from St. Armands Circle. Vertical panorama.

panorama photoNew Pass Grill – Orange, black and grey.

color photographThe red surrounded by the greens grabbed my attention…
not to mention she has an uncanny resemblance to one of my neighbors!

I really enjoy the portability of the GX7 for street shooting. I’ll be heading to the Farmers Market later today. Can’t wait!

photo job done

He was wailing on the guitar.

Strangely enough it was in front of the stucco wall in back of my house. Light reflected from the red rock gravel underfoot. I kept cheering him on and on!! A crowd of one exciting the performer in him until I knew we had the intense performance look we wanted for the back of his latest guitar CD cover…

guitar man with CD photoRobin Miller with his new CD Electric Atmosphere a collection of guitar music. He signed the insert with the same image, “Bob, Thank you for your awesome talent.” Robin Miller – Here’s a link to check out his music. Very cool!

But wait. This job was secured because I now have a camera that accompanies me almost all the time… I ran into Robin at work playing his music at Tlaquepaque Village (yeah it took me a long time to learn how to say that name too) In an offhand way he asked if I was available to create a musician portrait photo for his next CD. I quickly changed some settings on my Lumix GX7 camera… SQUARE CROP. ILLUSTRATIVE ART SETTING. ADJUST TO BLACK & WHITE. Fired off a few frames. Showed Robin the look I had in mind for him. A smile spread across his face from ear to ear and we agreed to shoot the final image back at my place. The rest as they say is history…

How many times have you been without a camera because it was too much of a PIA to carry around? Mine is my new constant companion because of the small size and quality of the file and glass… WAHOOOO!

Oh, and I just happened to have my camera with me to catch this shot of Robin with the finished CD…