thoughts about executive portraiture

UNCOMFORTABLE!

That’s how most people describe their foray in being in front of a camera. I believe that three quarters or more of my job is to get people to open up their real personality… And the only way to do that is to coach people through the experience and have them feel good.

I can do that. I know, because when I was working on a nude art calendar to raise money for the Sedona Arts Center people were SO comfortable that halfway through many sessions I would have to remind them to cover up while we were reviewing images.

Alberto Salas wanted a quick solid business portrait for use by the marketing team for Wells Fargo. He came with very specific instructions on the file format and cropping. But within that I think I caught the sparkle in his eye and by taking a slightly higher camera angle made him look friendly and approachable. The person in the photograph is looking up at the viewer making the viewer be above in a more powerful position. Think about camera angles when trying to sell what your subject wants to say. If you want to portray more powerful, strong personality take a lower angle so the person in the photo is looking slightly down at the viewer. Remember it doesn’t take much…

Alberto walked in the door, I set up the lighting, got him comfortable with conversation, created his portrait, retouched the image and burned the files to disk. And, he was done in about one half hour.

executive portrait photoI choose a modified split lighting pattern. Note the shadow side of Alberto’s face. Shadow creates form and depth and what is usually missing from a non-professional executive portrait.

portrait of executiveI highly recommend that you do the black and white conversion so someone is not tempted to push the grey-scale button that causes the loss of contrast in the image.

step away from the blues

…Grits ain’t Groceries… Eggs ain’t Poultry… Mona Lisa was a Maid… Gotta’ love some of the blues lyrics!!

Couldn’t totally get away from the blues so I turned them black and white to ease my way into different colors for this post. Here’s Sidney Wingfield and RJ Howson from their night at the Blue Rooster in Sarasota…

rj howson and sidney wingfield blues musiciansa photoRJ and Sidney live at the Blue Rooster in black and white. I like the gritty feel of this…

color imageFound this splash of color through window shopping. A dress in a display on Main Street.

palm frond against wall photoI like the contrast of colors and how the degradation of the palm frond
picks up the colors of the burnt orange wall in the background.

palm shadow photoYellow!

sunday photo/art quote 12/1

COLOR!! Seems to be the theme for me this week.

Just after I decided to make color the target for my shooting while traveling in Sarasota I came across the quote for today’s conversation by Pete Turner.pete turner photographer quote imageI am steadily surprised that there are so many photographers that reject manipulating reality, as if that was wrong. Change reality! If you don’t find it, invent it!” – Pete Turner

From Pete’s web site – A pioneer of color photography, Pete Turner’s career began during the infancy of color photography, at a time when color was used almost exclusively for commercial purposes. Unlike many contemporaries, Turner embraced color, seizing opportunities that allowed him to master the process and to create the imagery he felt compelled to make. Unconcerned with the labels of “art” or “commercial,” I invite you to take a peek at Pete’s photos before reading more…

Many photographers upon first starting out say things like, “I would never put a filter in front of my lens, that would be cheating!” Or, “You use Photoshop that’s not really a photograph.” They then trot out the example of Ansel Adams as the master of reality and they are trying to emulate him. What these photographers don’t realize is that Ansel Adams was one of the original manipulators of all photographic materials to show the scene the way he wanted people to see it. Think about the Zone System and his altering of exposure and development to get different details into different areas of the negative, not mention dodging and burning in the darkroom that sometimes took days to pull one print he was happy with..

In Ansel Adams An autobiography from 1984 Adams said, “I will always embrace a credo of excellence in craft and vision; both are difficult to maintain. Photographers are composers in a sense, and the negatives are their scores. In the electronic age, I am sure that scanning techniques will be able to achieve prints of extraordinary subtlety from the original negative scores. If I could return in 20 years or so I would hope to see astounding interpretations of my most expressive images. It is true no one could print my negatives as I did, but they might well get more out of them by electronic means. Image quality is not the product of a machine, but of the person who directs the machine, and there are no limits to imagination and expression.” – Link to full article ‘Inspired by Ansel’ on black and white imaging.

Please remember that the camera does not see as the eye sees. Your pupil expands and contracts imperceptibly allowing you to see detail in the darkest shadows and brightest highlights in a wide dynamic scene

So I offer these thoughts to you. Learn as much as you can to understand what is possible in our medium. Practice what you learn so you have it available to use when you need it. Have a vision and work to achieve that vision no matter what tools it takes to create the final image.

We now have cameras that can help fine-tune our images straight out of the camera. I was never one for using camera pre-sets but the technology has come a long way baby! Now you can tweak the settings from many of the in camera art type settings and make them your own. The Lumix GH3 has some wonderful black and white settings. The Lumix GX7 can do all that plus you can now set curves in-camera. It’s a great time to be a creative pushing the envelope with all the new tools at our disposal!!

And, isn’t it interesting that an article that started out about intense color and vision in photography ends with black and white??

Turner uses ‘in your face’ color and Adams uses the complete tonal ranges in black and white to tell their stories. How will use your camera to tell your stories in your images??

photo job done

He was wailing on the guitar.

Strangely enough it was in front of the stucco wall in back of my house. Light reflected from the red rock gravel underfoot. I kept cheering him on and on!! A crowd of one exciting the performer in him until I knew we had the intense performance look we wanted for the back of his latest guitar CD cover…

guitar man with CD photoRobin Miller with his new CD Electric Atmosphere a collection of guitar music. He signed the insert with the same image, “Bob, Thank you for your awesome talent.” Robin Miller – Here’s a link to check out his music. Very cool!

But wait. This job was secured because I now have a camera that accompanies me almost all the time… I ran into Robin at work playing his music at Tlaquepaque Village (yeah it took me a long time to learn how to say that name too) In an offhand way he asked if I was available to create a musician portrait photo for his next CD. I quickly changed some settings on my Lumix GX7 camera… SQUARE CROP. ILLUSTRATIVE ART SETTING. ADJUST TO BLACK & WHITE. Fired off a few frames. Showed Robin the look I had in mind for him. A smile spread across his face from ear to ear and we agreed to shoot the final image back at my place. The rest as they say is history…

How many times have you been without a camera because it was too much of a PIA to carry around? Mine is my new constant companion because of the small size and quality of the file and glass… WAHOOOO!

Oh, and I just happened to have my camera with me to catch this shot of Robin with the finished CD…

 

 

 

ridin the rails with a camera

There’s a small lurch as the wheels slowly begin to turn and the view out the window begins to change. Traveling on a train is great entertainment especially when rolling through Sycamore Canyon on board the Verde Canyon Railroad. Red rocks slide by as do glimpses of water flowing gently through the winding creek bed.

black & white train photoVerde Valley Railroad train. Illustrative Art setting pushed to black and white with the white balance setting.

And best yet, I get to play with more settings on my Lumix GX7 as we squeal and clatter along the rails to Perkinsville and back. The more I play with this computer, and yes it is a powerful computer in my mind, the more I like it. Didn’t realize I would enjoy the soft… or the dynamic black and white. I already know I like the in-camera panoramic stitching. (but I don’t use it on this trip because it’s hard to stitch while on a moving platform… or is it?? something I’ll have to experiment with in the future!)

perkinsville train stationThe semi-abandoned train station in Perkinsville.

Because I have this time to mess about with picture settings and play the ‘Let’s see what happens if I do this’ game. I’m finding new looks that I want to program in the camera. It is becoming an another tool in my artistic arsenal to share images. I encourage you, no matter what camera you own to go in and play with the settings so you can find and learn the full capabilities at your disposal.

artistic rendition of trees along the verde canyon railroadPushing and playing to learn new ways to artistic expression with the Lumix camera.

new york city photos part three

I kept on walking in spite of the chill night. My black Adobe fleece wrapped tight. Hands alternating buried in the kangaroo pouch on the front trying to keep warm yet continue to have the camera at the ready. Still I walked because scenes like the ones below kept crying out to be immortalized in ones and zeros.

OK maybe a little over-dramatic but when the brain goes into creative mode you start to see beauty in the mundane things you pass every day. Photos captured with the Panasonic Lumix GX7

photo of sign in new yorkLight raking down from above add shadows from the peeling paint. Shadows create form and depth. From above it’s a bit like a horror show or impending doom coming your way. Any how it adds interest for me.
LUMIX G VARIO 35-100/F2.8

new yorker and empire state building photoI liked the juxtaposition of the New Yorker sign tied together with the top of the iconic Empire State Building.
LUMIX G VARIO 35-100/F2.8

light post imageSometime you just gotta look down and fire the camera even if you think it was a mistake. Was it??
LUMIX G VARIO 12-35/F2.8