More images from the Sky Ranch Lodge photo shoot in Sedona, Arizona. If you would like to see details about the shoot and additional images you can check them out here.
King Fireplace room.
Pillow & headboard treatment detail.
Kitchenette and fireplace room.
reat property with wonderful grounds and spectacular views. Coming to Sedona? Check it out…
Yours in creative Photography, Bob
Got a chance to work with my buddy Jack Hillman of Hillman Design Group on another shoot with Sky Ranch Lodge in Sedona, Arizona this past week and we dodged rain and wind to traverse between the eight rooms we needed to photograph for the web site and marketing.
Had a chance to work with LED lighting instead of my traditional flash units to supplement the lighting in the rooms and I like it. Because I had more powerful LED lights from FJ Wescott I was able to see the final image a bit better as I was working. Kicking a little light here and there and seeing the effect immediately was a great way to work.
This is a double queen room. The daylight balance lights made it relatively easy to balance with the light entering the room from outside the window.
Sky Ranch Lodge fireplace and table detail. Simple rooms but very neat & comfortable.
Lamp detail. I enjoy when I get the tell the story of a property in detail images like this. Over the years many properties have tried to show everything in a room in one photo and the message of how wonderful the property actually is can get lost.
The lights I was working with are Skylux LED lights that are designed for studio video work. I pushed them into location lighting for the resort I was photographing. All images were captured with my workhorse Lumix GH4 camera body. ANd the most used lens was the 12-35mm f2.8 Lumix Vario with an assist from the stunning 42.5mm f1.2 Nocticron.
Yours in Creative Photography, Bob
I always enjoy the challenge of photographing musicians live on stage and the additional challenge of turning the images into art for the ‘Wall of Fame’ at Sound Bites Grill. Last Saturday night it was Jeordie and the Mixology Project. Mix together a sweet voice with some fun, and moving, original music, fine musicians and you end up with a great evening’s entertainment.
Heeere’s Jeordie and the band.
Jeordie right there front and center. Doktor Mo on drums. Chad on lead guitar. Philip on flute. Tony on bass.
Each musician was selected from their photo and placed in the frame. Adobe Photoshop was used for the extractions. Drop Shadows, Inner Glow, Textures and Layer Bend Modes were incorporated in creating the art look for the WOF image. Autographs and the message were signed the night of the performance with black marker on white paper. These were scanned then imported and sized. The signature layers were inverted then the Blend Mode of those Layers was changes to Screen to allow the black to disappear and allow just the ‘white ink’ be left for the viewer.
All images were captured with the Lumix GX8 and the 35-100mm f2.8 Lumix Vario lens. (That’s the 70-200 35mm Full Frame equivalent)
A similar treatment in Photoshop of Jeordie by herself.
I also produce ‘straight’ images of the artists for marketing to the press in color with no artwork. I make the conversions to Black and White so there will be good solid contrast and definition. I’ll show you a couple of those tomorrow.
Yours in Creative Photography, Bob
Last Saturday night I was on hand to photograph not one but two wonderful artists at Sound Bites Grill in Sedona, Arizona.
Part of my job there is to capture the musicians live on stage and create artwork for the Sound Bites Grill ‘Wall of Fame’. The other part of my gig is to create ‘straight’ photography images to help in promotion and things like press releases for when the artist returns for a future performance.
Here’s a few from each of the performers…
First up was Grant Ferguson…
Here’s a description from his web site where you can check out his music. (I particularly like ‘Everlasting Desire’!) “Propulsive, melodic rock guitar in the hands of Grant Ferguson is a powerful reminder of the instrument’s glory days. Influenced by some of the great axe masters: Jeff Beck, Gary Moore, The Edge and others, Ferguson is pushing his all-instrumental sound toward a new rock vision.”
Grant Ferguson makin’ some beautiful sounds flow from his guitar. – Camera Lumix GX8
Live on stage at Sound Bites – Camera Lumix GH4
Grant captured with the new Lumix GX8. All images used the Lumix 35-100mm f2.8 lens
Following Grant’s set there was a break and we heard from Blues guitarist Leroy Miller.
A little about Leroy from his web site. Check his music (Try Over You from the self titled album) “Los Angeles blues sensation Leroy Miller has worked on countless recordings for music’s brightest stars like John Mayer, Macy Gray and Smash Mouth. Leroy has toured all over the world as a supporting act for bands such as Aerosmith and the Dave Mathews Band.”
Leroy Miller got the crowd up and dancing with his high energy rock guitar. Camera GX8
Leroy Miller – Camera Lumix GH4
Leroy Miller wailin’ it! Camera GH4
In putting the images together I make conversions to black and white for all of the press images. This guarantees the best look when printed on a press. If someone just converts a color image to grayscale the reproduction of the detail can get lost especially in newspaper reproduction. I often use Google’s NIK Silver FX Pro 2 for making the conversions. It gives me lots of options to make the Black & White have tones from light to dark without getting muddy or flat.
On this shoot I tried out the new Lumix GX8 for the first time under LED stage lights to see how it held up to the dark shadow areas and the lack of full spectrum in the stage lighting. I was impressed. While I would replace my GH4 camera with the GX8 I wouldn’t hesitate to use it as a back-up or grab it in a pinch. The quality of the images wouldn’t suffer one bit.
Yours in Creative Photography, Bob
PS – I’ll show the Grant and Leroy’s ‘Wall of Fame’ images in a couple days.
Just before leaving town to judge images for a week at an International Competition I photographed Sedona restaurant Sound Bites Grill who hosted Rockin’ guitarist Jennifer Batten to a packed house. Jennifer has some serious licks! She plays to a sound track that allows her guitar to shine. In addition there’s a video show to accompany each song. If you like great hard rock and blues guitar and you see her coming to town, don’t miss her!
Images were captured with the Lumix GH4 and 35-100mm f2.8 lens ISO 3200 f2.8 1/50 sec. with -2/3 stop exposure compensation in Aperture Priority Mode. The GH4 is able to retain the lighting from LED lights yet still not block up shadows.
Jennifer’s Sound Bites Grill ‘Wall of Fame’ image. This image uses my ‘Photo-Synthesis’ technique of blending Layers and textures.
Batten live on stage during the show with video in background. Used NIK Silver FX Pro 2 for black and white conversion.
Art print from the restaurant of Michael Jackson with Jennifer. See her video below with Jackson for a taste of her hard rockin’ guitar.
Still working on photographing the Phoenix Airport Hilton after their eight million dollar refurbishing of the property.
It was great working with the staff while on the photo shoot. Everyone was as helpful as possible in getting the areas set for the photography. This makes the shooting day go better, smoother and leads to better photographs.
Sales manager Mike Manginelli was great in letting me know specifically what he was looking for. We were able to shoot to the IPad from the Lumix GH4 using the built in WIFI and Panasonic Image APP (free download) so he could see exactly what the camera saw as we worked out angles and ideas.
A bonus in operating and controlling the camera from the IPad (or IPhone or Android device) is when making multiple exposures to handle lighting situations with bracketing the camera is not touched. This allows for exact registration for blending various exposures using Adobe’s Photoshop Layers and Masks.
The Saguaro Room set for a reception.
Exterior night image.
Ballroom set for meeting.
Another bonus to shooting from a remote system is being able to ‘paint the room’ with multiple pops of a flash and see the results as you go. These images are blended into the final scene adding light where necessary to fill shadows or creativity for esthetic reasons to add interest. I used a Paul C Buff light with a strip light box attached and a Vagabond battery pack to stay mobile. The Buff wireless triggers complete the remote set-up.
I’ve found the ability to ‘light my images’ with multiple exposures has made my shooting more efficient giving a better quality image to my clients. I spend more time in post production but my clients time is not wasted and I’m able to get the property rooms back online so there is little revenue loss when I photograph.
How do you work your interior and architectural shoots?
Yours in Creative Photography, Bob
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