Let’s go into a little more detail on the creation of the photo art for the Sound Bites Grill ‘Wall of Fame’ with guitarist Ottmar Liebert as the subject.
The process is one I’ve dubbed Photo-Synthesis taking multiple images and using Blend Modes, Layers, Masks, Fx, Adjustment Layers and more to create the final piece. First here is the final piece as it now hangs at Sound Bites…
Finished ‘Wall of Fame’ image featuring Ottmar Liebert
Raw materials for the final photo art.
Here’s the Layers Palette with Layer Modes and Opacity Levels indicated. I recommend reading from the bottom to the top to get a better feel of my process.
I usually start with the base Layer and add a texture I feel will blend well. Then I experiment with different Blend Modes and Opacities to get the effect for which I am looking. On the MAC if the Move Tool is highlighted then holding the Shift key and hitting the + & – keys you can scroll through the various Blend Modes seeing their effects in real time.
This should give you an idea how I work with Adobe Photoshop in creating photo art projects.
Have any questions?? Let me know.
Yours in Creative Photography, Bob
PS – Textures are available everywhere. Even from fellow photographers. I have a large library of different kinds of texture but for some reason I found myself attracted to two textures from one of the people who inspire me, Thom Rouse. That’s a link to some amazingly fantastic images. Thanks Thom!! BTW if you ever get the oppourtunity to see Thom speak don’t miss it. It’s a fabulous walk through the art world
Been a little bit since I’ve photographed a new artist for the ‘Wall of Fame’ at sound Bites Grill in Sedona, Arizona.
Had the great pleasure of capturing fabulous guitarist Ottmar Liebert who sold out the house and ended up performing again tonight (Monday) because he was such a popular artist.
Here’s the art piece I assembled using my Photo-Synthesis technique using Adobe Photoshop and multiple images blended together.
Performing live at Sound Bites Ottmar Wall of Fame Photo Art image
Initial image was captured with the Lumix GH4 and the 42.5mm f1.2 Nocticron lens. 1/60 sec 3200 ISO I love the density range that the GH4 can hold even under the LED stage lights. Three additional images were pulled from my files and using Blend Modes, Layers, Fx and Adjustment Layers came up with the final art.
Make one camera do the job of two or three. I’ve been thinking about this possibility for a while. And now I’ve figured some of it out.
In this test i’ve captured a couple of my favorite musicians performing at our local restaurant. It’s the Millers on guitar. Robin Miller the father and Eric Miller the son. You can hear the magic as you can see they ‘get’ each other. Almost as if they can read each others musical mind. This song was written by Robin. I think the title is Change in the Weather. It’s a crowd pleasing winner of a song.
Because we now have the ability to shoot in 4K during capture we have a video that’s four times the size of 1080p. What this enables is moving around inside the frame which means we can create Ken Burns movement effects and zoom in for close-ups in different areas of the frame. It’s like having the look of several cameras from a single camera position.
The video below was captured with the Lumix GX8 and the 12-35mm f2.8 lens in 4K. Please don’t worry too much about the color as I shot this on the spur-of-the-moment hand-held while hanging out. The video was processed in Adobe Premiere Pro 2015.
Robin & Eric Miller live in Sedona, Arizona
Timeline from Adobe Premiere Pro. I copied the video layer two times and used one of the layers as close up of Robin and the second copy as Eric. The bottom layer was the two of them and the overall stage.
If another camera was added with a different lens you could rove the room getting even more angles and tight detail shots for a full production look to the video. This just practice and play to learn new techniques.
By the way, I would also have better sound in a real production. Sound for this video was captured on the fly by the camera with a little tweaking in Premiere… and it ain’t too bad!
Creative possibilities abound in this new 4K world. What are you doing with it?? Let me know…
I always enjoy the challenge of photographing musicians live on stage and the additional challenge of turning the images into art for the ‘Wall of Fame’ at Sound Bites Grill. Last Saturday night it was Jeordie and the Mixology Project. Mix together a sweet voice with some fun, and moving, original music, fine musicians and you end up with a great evening’s entertainment.
Heeere’s Jeordie and the band.
Jeordie right there front and center. Doktor Mo on drums. Chad on lead guitar. Philip on flute. Tony on bass.
Each musician was selected from their photo and placed in the frame. Adobe Photoshop was used for the extractions. Drop Shadows, Inner Glow, Textures and Layer Bend Modes were incorporated in creating the art look for the WOF image. Autographs and the message were signed the night of the performance with black marker on white paper. These were scanned then imported and sized. The signature layers were inverted then the Blend Mode of those Layers was changes to Screen to allow the black to disappear and allow just the ‘white ink’ be left for the viewer.
All images were captured with the Lumix GX8 and the 35-100mm f2.8 Lumix Vario lens. (That’s the 70-200 35mm Full Frame equivalent)
A similar treatment in Photoshop of Jeordie by herself.
I also produce ‘straight’ images of the artists for marketing to the press in color with no artwork. I make the conversions to Black and White so there will be good solid contrast and definition. I’ll show you a couple of those tomorrow.
All files were captured with approximately the same settings on two different cameras with the Lumix 35-100mm f2.8 lens. Even though I worked with the Lumix GH4 for most of the captures I had brought the new Lumix GX8 to test in these lighting conditions and both of these were captured with the GX8… HMMMM food for thought.
Camera settings. 1/80th to 1/100th sec. f2.8 ISO 3200 Aperture Priority – 2/3 stop Exposure Compensation. Files then opened in Adobe Camera RAW and shadows opened a bit and highlights pulled down just a bit. The art effect was created using multiple texture images, Blend Modes and Layer Masks in Photoshop a process I call Photo-Synthesis.
Went to Sound Bites Grill, my favorite restaurant, to see some of my favorite musicians play and was not disappointed on either case. Food was great and the entertainment of Miller, Martin and Ki was stellar as usual.
And also as usual, even though I wasn’t working I brought my Lumix GX8 with the 20mm f1.7 lens to the party to try to push some features. The table I was at had a very tough view of the stage as far as the camera goes. Deep shadows in the corner and Sunlit rocks out the window behind. I thought I’d try the HDR setting to see how it would do. There are menu choices of bracketing by one, two or three stops but there’s also an automatic setting. Now there’s an additional part of this challenge we have moving people. I made a number of exposures with a few distorting features until I realized I needed to bump up the ISO to get faster shutter times and watch for moments ‘between the movements’ of the performers.
Finished image. But, what I’d like you to do is compare the two images below to see the difference.
Straight out of Camera – 20mm @1.7 ISO 1600 Aperture Priority with auto setting for HDR capture
SOOC – 20mm @ f1.8 400 ISO Aperture Priority
Call for some more experimentation but I think the camera HDR setting handled a very difficult scene extremely well. A little additional processing in Adobe Camera Raw and Photoshop could tweak the HDR image to be somewhat better in taming the saturation and working tones a bit but I’m happy.
“Wait a minute Bob I thought the HDR feature saves images as jpegs. How are you going to process the file in ACR??”
If you have the image highlighted in Adobe Bridge using CMD R (mac) or Ctrl R (pc) will open the jpeg image in Adobe Camera Raw allowing you to use those controls. Very handy!
I also captured some 4K video that I haven’t had time to process. That will have to wait for another post…
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
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