imaging usa 2019

imaging usa 2019

Imaging USA 2019 – Atlanta, GA

Professional Photographers of America held it’s ** sesquicentennial anniversary convention in the headquarters city of Atlanta, GA. It was a great convention!

imaging usa logosouthwest wing over cloudsWinging toward Imaging USA Atlanta

The programs were well thought out and helpful I particularly enjoyed the Pre-Convention class with Michelle Parsley on Clone Painting with Adobe Photoshop. This is a technique to create more painterly looking images with a brush-like feel to them. Learning how to set up the brushes in Photoshop to mimic the feel and application of paint was incredible. This is one of the things on which I am working to further the artistic feel of my work as a Lens Based Artist.

scott stratton keynote ppa 2019

Opening Keynote with Scott Stratton – Great start to the convention!!

The other program that caught extra from me attention was from Chris Knight. I already had his book The Dramatic Portrait which I thought was well written and informative.

PPA Council

It was also time for PPA Council to meet. I am a member of Council and have been for a number of years. This is where the rules and By-laws are adjusted when necessary. Sometimes there are issues of which members are divided. This was one of those years with a few issues needing some discussion. Passions were shared and the vote was taken. This led to the creation of a new degree based on wedding images. The designation is M.Wedding.Photog. I look forward to the time that members will be able to earn this degree and use it to help promote themselves to clients showing that they have extra dedication to improving their work.

Friends Like Family

PPA’s convention is also a time to renew friendships and network with fellow photographers. People often ask why I still go to conventions instead of learning what I need to online. I’ve found you learn almost as much, if not more, in the hallways and over a beer in the bar as in the classes. In addition, you can not pick up the phone and ask a video a question!!

Yours in Creative Photography,        Bob

More from the convention in the next post.
** means 150 years!

 

 

 

portrait pricing guidelines with steve bedell – part two

portrait pricing guidelines with steve bedell – part two

Portrait Pricing Guidelines – Part Two – Marketing Monday
with Steve Bedell

See Part One here

This article is from EPhoto Newsletter, a free bi-weekly newsletter for professional photographers. To subscribe for more great info contact Steve at [email protected].

Mistake number 4: NOT doing in person sales!

First, you have to remember I’ve been doing this since the mid 70’s. How else could we sell except for in person? I’m continually baffled by newbies who have been doing shoot-and-burn are afraid to do IPS.

To me, it makes no sense to do it any other way. If you want to make very little money from each session and not have your client get the beautiful products that they deserve with your professional guidance, post photos online. Then they can see all the photos, send links to every person they know, and not need to purchase a single thing. You just cut your knees off. Go do 10 more jobs for each one you could have done doing IPS.

IPS takes skill. There are many courses and ways available to you, go pick one; that is beyond the scope of this. It requires you to guide your client to choose the best images, discuss retouching, framing and artwork and also choose products that they will enjoy. This is critical if you want with income you deserve for your hard work and skill.

pricing graphic part 2

Mistake number 5: Retouching preview prints.

I see photographers online constantly bemoaning the fact that all they do is retouch and they live in front of the computer. Part of it is because they spend time ‘pre-touching’ prints because they don’t believe the client can visualize the final prints. Give them more credit and stop fixing 40 images when they may only buy 3-5. See how much time that saves you.

There may be some instances where the finished print is a composite or has things added for some reason but for routine portraits, you’re wasting a LOT of time.

Mistake number 6: Justifying your price

We’ve all seen the posts that go into great detail about how much it cost to be in business and produce prints. You have overhead, you have insurance, taxes, blah, blah, blah. And when photographers see these posts they all get on the bandwagon and love the post and use it to explain why their 8×10 cost $76.38.

Enough!

When you walk into a Mercedes showroom does the salesman there go through a laundry list of items like new factory they just built, how much health care is costing them, etc? Of course not! It’s a freakin’ Mercedes; you know it cost more because they have BRANDED their products.

Do you ask the jeweler why the Rolex cost more than the Timex? Of course not, they do not address the same market. So stop it!

OWN your pricing! Be proud of it instead of making lame attempts to justify it. Set yourself apart from the mass of bottom feeders who make a mockery of those who choose to excel in this wonderful business that is a mysterious combination of art and science.

I probably wandered off topic, got a little personal and didn’t tighten things up as much as I should have. Maybe I even turned this into a bit of a rant.

But that’s OK, I ain’t no stinkin’ journalism major, I’m a photographer who sees many struggling or moving down the wrong path and with all the help available out there, I’m a photographer who sees many struggling or moving down the wrong path and with all the help available out there, there is just no need for it!

I think it was Charles Lewis who once said ‘Only seek advice from those who are where you want to be.’ So stop asking your brother what he thinks of your pricing or asking your mother what she thinks of your packages. That also goes for asking the photographer who has been in the trenches for six months for their advice.

So just STOP IT. Learn from those who are where you want to be.

Next issue I’ll discuss how your price list should be laid out to get the sales you want. There are some pretty specific guidelines that help your bottom line tremendously.

Steve Bedell has been a professional photographer for over 35 years. He has done weddings, portrait andsteve bedell head shot commercial work but now restricts his business to portraits only.

 Steve holds the Master of Photography and Photographic Craftsman degrees from the Professional Photographers of America and is a PPA Approved Print Juror.

He has been named the New Hampshire Photographer of the Year a record 8 times and in 2011 was awarded the New England Photographer of the Year title. His specialty is natural light portraiture.

He has written hundreds of articles for photo publications, taught classes and workshops nationwide and produced several lighting DVDs. His private newsletter, EPhoto, reaches over 2000 photographers. Steve was a regular contributor to Shutterbug magazine.

 

new luminar software version

new luminar software version

Luminar Software Update and Deal
Luminar 3

Some nice things are happening in the Skylum software camp. A new version of Luminar is being polished up for release that includes a Library Module for keeping track of your images. Also, new ‘Looks’ (formerly called presets) are being developed and made available. Here’s the deal. This software is not quite ready for primetime. They are cleaning up bugs and finishing off new features as happens with all new software. But you can get in on the ground floor with a bunch of bonuses (including an extra $10 off if you use the code COATES) This deal will be available through December 19th. You can download Luminar 2018 immediately. I would wait a little bit downloading the Luminar 3 for a little while, but this will get you in on the ground floor pricing.

luminar 3 graphic

Here’s the skinny.

Luminar 2018 and Luminar three software Gets you to the full info page.

You’ll be able to download Luminar 2018 immediately and start using it. I use it as a plug-in in Adobe Photoshop It adds the capability of 53 filters. Think NIK filters that have even more control than ever. The details enhancer is terrific. Utilizing Artificial Intelligence in things such as enhancing skies, vegetation or just an overall filter I have subtitled “Just make this image look good quick!”

SPECIAL OFFER: Luminar 2018 AI Sky Enhancer + FREE Luminar 3 with Libraries
It’s your double win! Get Luminar 2018 with the all-new AI Sky Enhancer now and update to
Luminar 3 with Libraries for FREE. Plus, you get a bunch of exclusive extras worth US$222!

1) ViewBug: 3-Month Pro Membership (US$42 value)
Join the ultimate photo community for a shot to win prizes, create own challenges, get unlimited
photo uploads, sell your images, enjoy a new website, and much more!

2) KelbyOne: 2-Month Pro Membership (US$40 value)
Supercharging your knowledge with KelbyOne Pro is as easy as pressing the shutter button.
Enjoy free access to weekly courses, private webcasts, creative toolkits, and other freebies!

3) Rocky Nook: Choice of ANY e-book (US$40 value)
Hurry to get your hands on a free eBook by Rocky Nook! Master your techniques, find
inspiration, and hone your craft to create best-looking images!

4) Daniel Kordan: Awesome Landscapes Tutorial (US$80 value)
Need to brush up your skills? We’ve got you covered. Watch extensive tutorials by Daniel
Kordan and create truly jaw-dropping landscape images!

5) Manfrotto, Gitzo, Joby or Lowepro: US$20 Gift card with US$120 purchase (US$20 Value) Looking for extreme savings on your favorite gear? Save US$20 on any purchase over
US$120 from our friends at the Vitec Group.

6) US $300 OFF Iceland Photo Tours (US $300 Value)
Save US$300 on any multi-day (3+ day) Iceland Photo Tours workshop.

snadhill crane in flight photo

Here’s an image processed very quickly in Luminar 2018. AI, Details Enhancer and Crop. It makes the feathers sing.

Yours in Creative Photography,       Bob

PS – here’s the link again. Luminar 2018 and Luminar 3 software

Don’t forget the code COATES for the extra 10 bucks off

good photos from the zoo – part two

good photos from the zoo – part two

Creating Good Animal Photos from a Captive Environment – Part Two

Last zoo post I was sharing some ideas on learning wildlife photography skills while photographing captive animals. See Part One here

great white egret photoI followed this Great White Egret until the reflection was completed from beak to tail. The black and white treatment brings the bird to the highest contrast attention

One of the essential skills is to learn to queue on behavior. This means learning to see when the behavior will change. What will happen when you look at the feathers shaking in a certain way or excrement fall from a bird. These are indicators that signal flight or a change of wing position and either of those can lead to a more interesting photograph.

tiger from the phoenix zoo photoProcessed this image to BW also. Slight sharpening of the tiger using Skylum software as an Adobe Photoshop plug-in. I also softened the foreground and background with a gaussian blur as well as a darkening Curves layer  Significant help for me that increased my ‘keepers’ in photographing images of animals in zoos, parks and in the wild was a lens that has a long reach. The micro 4/3rds Panasonic Lumix system has been an enormous help. Being able to handhold an 800mm equivalent lens makes a huge difference because of the mobility and distance from the animals. The less you disturb your prey and having the ability to still fill the frame is golden.

tree trunk photoDon’t lose sight of other opportunities when photographing wildlife. This split tree trunk was good for an abstract look of colors and tones.

My main camera these days is the Lumix G9. The stabilization system gives an extra six and one-half to seven stops of hand-holdability. This means that hand holding a lens of 800mm equivalent at 1/60th of a second is very possible with sharp results. My favorite lens is a zoom lens – Leica 100-400mm f4.0-6.3

 

Yours in Creative Photography,    Bob

portrait pricing guidelines marketing monday with steve bedell

portrait pricing guidelines marketing monday with steve bedell

Portrait Pricing Guidelines – Marketing Monday
with Steve Bedell

This article is from EPhoto Newsletter, a free bi-weekly newsletter for professional photographers. To subscribe for more great info contact Steve at [email protected].

 Pricing

If you’re like me, you belong to more than a couple of Facebook photography groups. At the end I’ll even list some that I feel are the most valuable.

Reading the posts in these groups is both an education and a frustration. The same questions posted over and over, and then 68 responses from people who may or may not be qualified, but they’re going to chime in anyway.
With that in mind, that brings us to part one: what should your prices be?

I find it hard to believe that people just go on these groups and ask prices like, ‘Hey, how much should I be charging for an 8×10?’ More surprisingly, people will answer something like ‘I charge $45’ or ‘I charge $195’. Wrong answer.
But perhaps my favorite is ‘First, you need to figure your Cost of Doing Business (CODB).’ It used to be that no one took the time to do a few tedious calculations to figure that out and while I can applaud the fact that more people are aware that you actually have to have some kind of idea of what your numbers need to be?

I find it hard to believe that people just go on these groups and ask prices like, ‘Hey, how much should I be charging for an 8×10?’ More surprisingly, people will answer something like ‘I charge $45’ or ‘I charge $195’. Wrong answer.
But perhaps my favorite is ‘First, you need to figure your Cost of Doing Business (CODB).’ It used to be that no one took the time to do a few tedious calculations to figure that out and while I can applaud the fact that more people are aware that you actually have to have some kind of idea of what your numbers need to be in order for you to generate the income you desire, that is NOT the FIRST question you should be asking yourself.

pricing graphic

Mistake one: The first question should be ‘Where do I want to position myself in the market?’

You see, all that other stuff is fine but how can you set prices until you define your market and your brand. Do you want to sell unique 30×40 painted portraits for $20,000? Do you want to do school photos for $25 a unit? Do you want to sell prints or files or both? Are you seeing why it makes no sense to figure out COGS and CODB until you define your niche in the market?

You see, all that other stuff is fine but how can you set prices until you define your market and your brand. Do you want to sell unique 30×40 painted portraits for $20,000? Do you want to do school photos for $25 a unit? Do you want to sell prints or files or both? Are you seeing why it makes no sense to figure out COGS and CODB until you define your niche in the market?

With that taken care of, let’s go ahead and address some other pricing issues that make my head boil every time I see them.

Mistake number 2: Starting out at a low price to get business and raising it later.

Big mistake. Later won’t ever come unless you move to another city and start with new clients because you’ve already branded yourself at a certain price level. Work for FREE until you feel your work commands the price you want and then start charging. It’s far harder to dig out of a hole than to start out where you want to be. If you need to do another job or earn income some other way, do it.

Mistake number 3: Selling files, or selling files and prints.

OK, I expect some will disagree with me here but hear me out. I know MANY successful photographers who make a great living selling wall prints and other print products. While there are probably some, I don’t know any who make a great living selling files.

Here is the part I don’t understand. If we sell artwork, we can command a decent price for it. And we can sell many copies of it. I had a client a couple of years ago for an extended family portrait session. She bought $4500 worth of 5×7’s! And I ran into her at the beach one night while I was doing a family portrait and she was there with some family members in beach clothes and she asked if I could take photos of them when I was done with my family. I said sure. She ordered another $2200 worth of 5×7’s from those super casual beach photos!

That’s almost $7000 worth of 5×7’s from 2 files. Imagine if I sold that file for $300. I’d have $600 instead of $6700. How much more work would I have to do to sell files to make that amount? What if I gave them the file with each print they ordered, like some photographers do? I’d still be WAY under!

More from Steve next Monday!

Steve Bedell has been a professional photographer for over 35 years. He has done weddings, portrait andsteve bedell head shot commercial work but now restricts his business to portraits only.

 Steve holds the Master of Photography and Photographic Craftsman degrees from the Professional Photographers of America and is a PPA Approved Print Juror.

He has been named the New Hampshire Photographer of the Year a record 8 times and in 2011 was awarded the New England Photographer of the Year title. His specialty is natural light portraiture.

He has written hundreds of articles for photo publications, taught classes and workshops nationwide and produced several lighting DVDs. His private newsletter, EPhoto, reaches over 2000 photographers. Steve was a regular contributor to Shutterbug magazine.

 

ken macadams from china – part one

ken macadams from china – part one

China through the Eyes of Ken MacAdams – Part One

Ken is currently wending his way through China and shares news and images from his travels here on Succssful-Photographer.

The 12 + hour flight to China will tweek your psychological time clock, not matter how you cut it.  We welcomed deplaning in Beijing, and getting our feet back on the ground.  Flying from the USA, we’d crossed the International Date Line, so lost a day.   After breezing through immigration, we stepped out into the terminal, into the face of new smells and sights.  Like the reality of the time difference, once you step off the gateway, you know you’re not in Kansas.

Ken MacAdams china photo

Forbidden City gate with the modern city in the background.  Smog is often present – and many people wear face masks when walking about. All Images in this post © Ken MacAdams 2018 All Rights Reserved

Personal Photography Project

This marks my 5th sojourn in China, and each visit is an enriching experience.  My visits now are part of a personal photography project, in which I’m documenting the tremendous changes going on in this vast land.  China has often been ‘off limits’ to foreigners, and in recent times it wasn’t until the late 1980’s that foreigners could obtain visas to travel here.  My first visit was in 2000.  Already changes were happening as the ‘New China’ came out from under the repression of the Cultural Revolution – an era that almost put China back into the Dark Ages.
Ken MacAdams china photoWoman dancing to music with a banner flag in one of the many parks.
We’d planned only a short sojourn in Beijing, but wanted to experience a different section of the Great Wall, and see some of the changes around the city since our first visit here.  A teacher I’d met last year picked us up at the airport and shuttled us to a motel near his apartment.  Foreigners must stay only at State approved hotels, as Big Brother keeps a close eye on affairs here.  I’m not intimidated by it,  just aware that as I travel about, my every move is documented and tracked.  My wife is with me, and we’re here on 10 year multiple entry tourist visas, with a maximum stay of 60 days per visit.
Ken MacAdams china photoHiking on the Great Wall from one watchtower looking back down the mountainside.
Ken MacAdams china photoThis view of the Wall gives you a perspective of just how much hiking you have ahead of you!! 

The Great Wall

Our friend had arranged for a driver to shuttle us out to the Matianyu section of the Wall.  Luck presented us with one of the sunniest days I’ve ever experienced in this area, with brilliant blue cloudless skies.  This section of the Wall climbs over 3,400 ft. as it clings to the spine of the rugged mountains.  A modern gondola whisked us part way up the mountainside, and then it was time to hike!  We logged over 3 miles of semi-strenuous hiking during our visit, poking around watchtowers, savoring the grand vistas, and marveling at the thought of those who labored so hard to build this Wonder of the World.  Originally constructed to prevent fierce raiding tribesmen from the north from plundering the city states to the south, the wall stretches from the Pacific Ocean to the east, several thousand miles inland.
Ken has always loved to travel, so when he made a common connection with the fact that either a long day pounding the streets of some foreign city, or shooting the last dance at a wedding,  a good part of his physical ken macadams head shotweariness came from lugging around his big heavy DSLR. That’s when he started looking at alternatives – and ended up selecting Panasonic Lumix Micro Four Thirds gear.
Ken is rarely without a camera, and the next great photo travel experience – whether local or abroad – is always in the back of his mind!  A longtime resident of the Four Corners, and when he’s not out on the road, he enjoys some of the great outdoor opportunities found there – mountain biking, hiking, and Jeeping.

Ken shares his travel photography and stories here on Successful-Photographer. Ken’s camera of choice is Panasonic’s flagship stills camera the Lumix G9 with the Leica DG Vario-ELMARIT Professional Lens, 12-60MM, F2.8-4.0