And, the anatomy of post production of an image to meet the pre-visualization. That’s what we’re continuing talking about today. I saw this final image in my head before I even made the photo. (if I could only get there in time) Here’s the story…
Esteban is an extremely talented artist with the guitar. I have been fortunate to photograph him on numerous occasions. Last time out (see post here) I made images of him for marketing and promotion and I was gifted with seeing a lighting situation during a live performance that I knew would be wonderful in color. And, then especially in black and white. If only I could get to the right position, with the right lens, before the dynamics of the situation changed.
Moved quickly across the room while changing lenses. Dropped to the floor and fired off about 8 frames before he came out of the position and the lighting changed.
Here’s the Black and White version building upon the color version from yesterday followed by an Animated Gif showing the steps of post production…
Esteban image after building on the color version.
Color processed file. NIK Silver FX Pro 2 for BW conversion. Clean up background distraction. Add detail to hand from another capture. Tone down Background w/ Curves Layer. Duplicate Curves Layer. Add Soft Light Layer Painting with grey to burn down image. Copy of previous Layer. Remove distracting shadow from leg near guitar. Final Soft Light Layer for final burning adjustments.
Was there more in post? You betcha! Some things are very subtle like selective sharpening of certain places in the image to further guide the viewer around. They would be too subtle to show the differences in this Animated Gif.
Yours in Creative Photography, Bob
PS – Original image was captured with the Lumix GH4 with the 35-100mm f2.8 Vario Lens under stage lighting conditions during a live performance.
PPS – So which image do you like better? Color or Black and White??
That’s what I am when I am asked to help fellow artists, in this case musicians, to photograph and create images and packaging to help them sell their CD.
Eric Miller and Ralf Illenberger are releasing a new music project on March 22nd at Relics Restaurant in Sedona and asked me to come by and make a photo showing them in their creation space. Of course, I asked what vision was in their mind and I headed for the shoot with all sorts of ideas on how I was going to light the scene. And then found them in this ‘closet-like’ space and had to start from scratch on what I was going to do. First we had to revisit the vision. Recreate working the feeling of working late into the night… Possible moods to depict? Serious, fun, thoughtful, etc…
Small room. Large window. First task – make the sun go away by blocking the light from the window. 2nd task – find a way to light the scene. Used the wall to bounce a large strobe because there was no room for light modifiers. Note that the walls are painted reflective gold and deal with the color change that would occur. Add a small LED light from camera left to fill shadows and add detail. Find point of view. Choose a viewpoint outside the door looking in to give the viewer a sense of peeking in at these guys at work. Almost voyeuristic.
Process image for the mood I was looking. Change mind as experimentation led to processing a warmer gold tone image taking advantage of the golden walls. Sharp. But layers of soft at the same time. A little painterly kind of fantasy look.
To the design. Choose one working photo for the cover and add several additional photos to help tell the different moods of the story. Choose fonts. Design.
Show initial layout. Get feedback and more information. Refine layout. Retouch.
Repeat.
Move graphics and refine to create CD information. Send for final review of layout, spelling clearance and last minute tweaks.
Convert files for the printer. (repeat a couple times as we found a couple small errors and additions)
And here it is.
Heart Tree CD Jacket for Ralf and Eric
The capture was with the Lumix GH4 and the 12-35mm f2.8 Vario Lens. I ended up using just the 250 watt modeling light on the Paul C BuffWhite Lightning X-3200 light plus a little kicker fill from the Fiilex Brick LED light This is a pretty handy light to have in your quiver. Color balance and brightness is adjustable and the light is quite soft. Give you a nice WYSIWYG and doubles as a video light.
When fellow photographers ask for a quick portrait even though lighting conditions are less that ideal and time is very short you take a crack at it. This is Kathleen and Marc who were kind enough to pick me up at the airport when I went to Richmond, Virginia to speak and judges images at the annual convention.
Kathleen and Marc Busch. Fellow photographers from Virginia after a little Photooshop photo.
RAW capture of Kathleen and Marc
As you can see even a quick photo grab can turn out quite nice. Never pass up the opportunity to capture a memory. Photo made with the Panasonic Lumix FZ 1000 a bridge camera. 25-400mm f2.8-4.0 4K Video. Not quite a pro body but has amazing features that take it way above an advanced amateur camera! Becoming one of the cameras I like to have with me all the time to cover my butt when I see something cool but can’t have the entire pro kit with me.
What an entertainer with solid stage presence. Marley Taylor really rocked the house at Sound Bites Grill last Friday night. She was there with her Marley Taylor Trio. Marley, originally from Pittsburgh, grew up singing professionally in Houston at age 12. In 1994 after spending a few years in Nashville, she was signed to Sony Publishing for a songwriting contract. She also appeared on The Nashville Network TV show series Riders In The Sky. After moving to Arizona a few years later, Marley became a staple in the Scottsdale/Phoenix music scene with the popular act Zowie Bowie. The group became a hit at Scottsdale’s premier nightclub, Barcelona, later signing with Station Casinos in Las Vegas for a lengthy contract.
Image from behind the stage at Sound Bites Grill with the Marley Taylor Trio
When prepping images for newspaper releases I will often make the conversion to black and white to get the best quality possible. Often the graphics people will just push the greyscale button which doesn’t give the best contrast for the image. I will also over-sharpen the image so that when printed on newsprint and the ink spreads the image will still appear sharp.
And of course the Marley Taylor Trio made it to the ‘Wall of Fame’
Images were captured with the Panasonic Lumix GH4 and the 35-100mm Lumix Vario f2.8 lens. With the density range this camera has there are less problems with capturing the LED lighting that is used exclusively on-stage.
Comedian Dana Daniels his parrot Luigi were at Sound Bites Grill last week before I left for the PPA Convention Imaging USA in Nashville. Really enjoyed the show and as soon as I got back I got to working on the image for the SBG ‘Wall of Fame’.
Dana Daniels live on stage with Luigi with audience participation.
Dana does a lively and fun show involving the audience at every possible moment to help with the magic or to help as a foil for his humor. A good time was had by all…
Even Luigi. He smiled throughout the entire performance.
Images were made with the Lumix GH4 and the 35-100mm f2.8 Lumix Vario Leica lens. This combo works well. The longer zoom gives plenty of reach to capture the live stage action from across the room. I find it’s important when photographing live events to cover them unobtrusively. The GH4 has plenty of density to encompass the range of harsh lighting conditions caused by the use of LED stage lighting and the 12 frames per second doesn’t hurt for stopping action with juggling objects during the show. Setting were ISO 3200 f2.8 shutter between 1/15 to 1/60th sec in Aperture Priority with an exposure compensation of minus 1 stop to make sure I didn’t loose the highlights in the scene and to account for the black curtains and deep shadows.
Went to dinner with my lovely wife Holly at Sound Bites Grill last night and Wineaux Wednesday was on in full force in Sedona, Arizona. The deal is $10 bucks and allows you taste wine with friends while enjoying live music and Tapas from 5PM to 7PM.
But what does that have to do with photography Bob??
Glad you asked! I also brought along my camera with a funky lens to play with from LENSBABY. They sent me the f3.5 5.8mm, 185° Circular Fisheye lens to check out.
Here’s a capture of the SBG Wall of fame. I create images of the performers for posterity (and decor!) in an
artistic fashion for the restaurant. Here it is in all it’s micro 4/3rds Fisheye glory.
This lens is made for getting in close. Make sure your performer knows they’ll have a camera really close in their face. it helps to be
the house photographer to have the access to performers during live stage shows. Don’t try this without permission.
Using the ‘Flairability’ of the Fisheye to add some interest to this live stage shot of Eric Miller guitarist extraordinaire.
“OK Bob, how can this lens make me money?” In my case I grabbed the owners and set them up
on stage with Eric to create an image to help promote the wine and entertainment event at the restaurant.
You need some time with the 5.8mm Fisheye to learn to see how it sees. It is quite unique and takes a bit of getting used to to know when it might be just the ticket to set something apart. I mounted this on the Lumix GH3. With the micro 4/3rds sensor size we loose just a bit of the fisheye circle which I actually like. If you get this lens for the full frame DSLR cameras you’ll have the complete fisheye circle.
Yours in Creative Photography, Bob
PS – If you want to hear some wonderful guitar playing and are not near Sedona you can find out more about Eric Miller’s music here. (I highly recommend hi CD ‘Eclectic Vibe’ subtitled Elevator Music for Cool People. It’s awesome. You have to email Eric to get it. It’s not on his web site right now…
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
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Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
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Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.
