are you the reluctant super-hero

This is a guest post for Successful-Photographer by Jenika McDavitt

Say This To The Next Fan You Meet & Watch Them Become A Client

I’ve begun to think of creative business owners as the world’s most reluctant group of superheroes.
Imagine: You’re a superhero. Cape and all. And you see a building on fire.
What do you do?
1) Stand on the sidelines, scuff your superhero boots, and say quietly: “I know how to save the day.
Do you want me to save to day? I’m really good at it. Look, here’s a list of other buildings I’ve saved.”
or:
2) Run over and say “That building’s on fire! Don’t worry! I’m here to save the day!”

Silly question, right?
Most creative entrepreneurs tell the same story:
I’m so tired of feeling like I’m begging people for money and attention.
In other words: I don’t want to ‘sell’ my stuff. I don’t want to spin lines about how great I am.
I don’t want to run ragged getting people to go from fan-dom to client-dom.
I just want people to buy what I offer.

It might be because you’re taking the Reluctant Superhero approach.
If you were to sum up most people’s websites and marketing, here is how business owners often pitch themselves:
“I am passionate about X. Here are a lot of people who think I am fantastic at X. Here is a portfolio of my past work. Hire me to do X for you.”
This is all good stuff. Some of it is vital, even. No one is slamming it. But there’s a snag that might leave you on the sidelines, scuffing your boots.

This business owner is making two tragic assumptions:
Assumption #1: That fans already explicitly recognize their deep need for X.
Assumption #2: That fans believe that you can provide X without Q, R, and S terrible things happening, each of which would render X a waste of time and money.
There might be a better way, superhero.

And it’s all about where you start the conversation. Instead of starting with how great at or passionate you are about X, try starting here:
“Hey there! THAT BUILDING IS ON FIRE!! But don’t worry – I will save the day. I am here to bring you X.”

Believe it or not, if you’re struggling to convert fans into clients, it could be because people don’t always know what buildings of theirs are on fire.
People rarely stop and spell out their own problems. They can sense them, sure, but they don’t always know exactly what’s wrong. They know the general neighborhood of the problem (“I need a photographer”) but they can’t always put their finger on exactly where the fire is that needs to be put out (“I need a photographer who makes my husband excited about family photos and who also will make me look great in the process.”)
If you spell out for them that your secret sauce methods ensure everyone (yes, even Dad!) has a blast while making sure Mom looks like the goddess she is, and let me tell you how…..well, you’re going to stand out to them.
It is your mission to name their exact fire and assure them you can put it out.
People feel a huge sense of relief when someone articulates their problem and they can sense that yes, that’s exactly my issue. And at that point they are open and vulnerable, and much more ready to listen to hear you say “and here is the solution, all you have to do is ____.”
That makes your fans far readier to hire you.

Remember: Your target client’s problem might not be exactly what you think it is.
Their problem is rarely a simple a matter as “I need photos” or “I need someone to photograph my wedding.”
That might be a basic issue that caused them to look for a photographer, but it’s not necessarily the precise burning building that they need you to save.
Their burning building might be:
A) “I want photos, but I always look terrible in them, so what’s the point. I should just save the money and do it myself.”
B) “I’m going to be too exhausted after giving birth to get all dressed up, get the baby ready, and drive to a studio to spend three hours having photos taken.”
C) “I don’t want to spend money on having someone take photos for my real estate listing when it’s already been on the market forever, and I’ve already spent too much money on this process.”

So instead of saying “I’m a great photographer and can give you great photos!”You might address their burning building first, instead.
If your ideal client has problem A), you can start your conversation by describing that problem: “You love the photos that you see here. But you’re worried that I couldn’t possibly get photographs like this of you. Because you’re not “photogenic enough” or feel like you need to make some drastic change in yourself first. Not necessary! Here’s how I make sure your photos will look just like these…”
And now that you’ve described their burning building, you can describe your Solution X.

Here is one reason why describing the burning building works so well at converting fans into clients:
It’s something called the Ambiguity Effect.
People will pick the thing where they know the probability of a decent outcome. They rarely invest in something when the probability of a decent outcome is unknown.
For example, more people will choose a teacher who fellow students say is “okay” over a teacher who is brand new to the university.
Even though the new teacher might be better – people would prefer to go with the one where they know what the outcome is likely to be. Where their chances aren’t ambiguous. They’d rather not take the risk that the new person would be awful, because that risk looms larger than the chance they’d miss out on someone good.
(This is also true in deciding what stocks to invest in, which business to hire, which gamble to take, etc.)
People particularly hate situations where the chances of their problems being solved feel ambiguous.

The more accurately you can describe the exact problem they face, and tell them how you’re going to solve it, the more confident they are in their chances of a good outcome.
Hiring you feels like less of an ambiguous risk, and more of a certain success. “This person gets exactly what I’m going for. They aren’t going to just deliver photos, they’re going to do it in a way that addresses the exact things I’m concerned about. They get me.”
In other words, if someone is worried about how they’ll look in images, choosing a photographer can feel like a total toss-up – maybe this person will make me look like the people in their portfolio, but maybe not. But if you speak to their concern – I know you’re worried about the way you’ll look. Lots of people have this worry, including the people you see in my portfolio here – suddenly the chances of their exact desired outcome coming true feels a lot more certain.
If you want to turn a fan into a client, find exactly the problem they’re worried about. Describe it to them in the very words they’re using in their mind to describe it to themselves.
This shows that yes, you’re the right superhero to put out this specific fire.
And hiring you brings actual relief because you’ve rigged the odds in their (and your) favor.

Try that on your next marketing piece and let me know how it goes!

***

Need some help finding out what your target client’s burning buildings, er, problems are?
And want some assistance translating that knowledge into actual words for your website, without feeling
like you swallowed a sales manual?
We cover how to do exactly that in Week 3 of Irresistible Words (but don’t worry, you get the whole thing in a single download, so you can read it right away). You’ll also master three sequences that will help you sell anything, and learn how a single essay about chickens landed me an 8 – week, all-expenses-paid trip to Tunisia – and how to steal that technique to sell your most important work. I wrote Irresistible Words to answer the question “But how do I SAY that?” and to help frustrated people spend less time writing. Because just as too many people struggle up the proverbial ladder only to find it leaning against the wrong wall, too many people spend hours writing only to find that the result doesn’t convert clients the way they want it to.
And there’s no need for that. Let me show you why.

Irresistible Words normally only sees a sale on Black Friday – but I’m making an exception for the next 48 hours.
Summertime is when you probably need to do a great deal of marketing and persuading, so you might as well save yourself some aggravation.
From June 3-4, you can get this powerhouse course for only $199.Want to learn more? Head over to the info page, and grab a free sample where it says “Peek Inside!” The free sample alone teaches my best trick for keeping people’s eyes glued to anything you write.
See you over there –>!

PS – Bob here – I bought Jenika’s Irresistible Words and learned a LOT!

irresistable words

flowing water

Up early as dawn was breaking I had my tripod set up in the bed of Oak Creek in Sedona, AZ. In the distance was water’s opposite – the stoic red rock formation of Cathedral Rock. I wanted to have the water slow flowing and that required a longer shutter speed than I was able to obtain with just the camera settings… Neutral density filters to the rescue.

cathedral rock sedona az photo

Cathedral Rock on Oak Creek in Sedona, AZ. One of the top ten most photographed places in the country.

In the image above I used a 4 stop ND filter in the holder and added a 2 stop graduated ND filter at an angle across the top right hand corner where the sun was streaking across the trees.

Chris Kalmbach, one of the members in my Cohort in the new educational platform called the Arcanum, has been creating beautiful imagery using some long exposures using neutral density filters. Seeing and critiquing his images made me want to play with ND filters again.

chris kalmbach photo

Long exposure with ND filter notice water smoothed out by exposure. © Chris Kalmbach All Rights Reserved

I personally didn’t want to invest a boatload of money into filters I might only use a few times so I did some poking around and found these very inexpensive plastic filters with a full range of step rings, holders, lens shades and more from Neewer. See the ND Filter kit Here.

Yours in Creative Photography,    Bob

PS – Enjoyed this water quote… “My fake plants died because I did not pretend to water them.”   Mitch Hedberg

focus stacking

“When you take a flower in your hand and really look at it, it’s your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not.”      Georgia O’Keeffe
In the desert southwest the smallest of flowers dot the landscape at certain times of year. I agree with Georgia that sharing the world that many pass by is a cool thing… These particular flowers can easily go by unnoticed because of tiny size. These flowers are about the size of my thumbnail.
macro photography
Tiny desert flower bloom
To capture a flower this size takes a little thought and manipulation. This was captured with the Lumix GH4 and 35-100mm 2.8 Vario lens with 26 mm of extension tubes from Neewer Technologies (get two sets they are very inexpensive and you can magnify even more using the technique below). When you have that much extension Depth of Field is extremely shallow. In order to get the buds and the first flower in total focus to share the miniscule detail I added a tripod and the technique of focus stacking. I focused on the bud in the foreground and made an exposure, changed focus to the bud a little further into the image followed by multiple captures across the surface of the flower. These exposures were taken into Adobe Photoshop and blended together using Photo Merge. When this process is used Photoshop will stack the images and blend together the sharpest parts of the image giving an increased DOF.
Yours in Creative Photography,      Bob

sunday photo/art quote 5/31

A symphony of sound awakened me this morning as the birds around my home greeted the new day.

Bird song ebbed and swelled in concert as the different species shouted love songs to their mates – or ran off invaders. There was so much going on it was hard to tell exactly…

But I digress.

The avian songs were the inspiration for today’s Sunday Photo/Art Quote as I was reminded that music informs the art of photography. I have been trying to get more ‘notes’ AKA nuances into my images. We have the musicality of notes in the form of light and shadow. The staff that we write upon consists of shadows. The bones of an image so to speak. These bones are overlaid by color in different hues and saturation. Accents can be added by dodging, burning and selectively sharpening areas of an image. Some images have such good bones they can sing their song without the color added as shown by Ansel Adams who gives us today’s quote.

ansel adams photography qoute

“The negative is the equivalent of the composer’s score, and the print the performance.” Ansel Adams

Ultimately as the birds inspired the subject and some of the words for today’s Photo Art Quote they also woke me up and I found myself moved to see what yonder light brings. I slipped on my boots and jeans, grabbed my camera and tripod along with a few accessories to see if there was music waiting to be shared.

And now it’s off to the digital darkroom to see if I can come up with a decent performance from the score I created this morning.

Yours in Creative Photography,       Bob

Ansel Adams in 1930 had been training to become a concert pianist while considering a career as a photographer. He decided, after seeing the photographs by Paul Strand, that “the camera, not the piano, would shape [his] destiny.” His mother and aunt both pleaded, “Do not give up the piano! The camera cannot express the human soul!” To which Adams replied, “The camera cannot, but the photographer can.”

art book for photographers

5 minutes

12 minutes

15 minutes

45 minutes

These are all times I have spent and will continue to spend studying individual works of art in museums.

OK, maybe the 45 minutes was a little extreme but it was a Monet at a museum in LaHauve, France and I did have a lunch break mixed in there.

Anyway I’ve also been studying art books on painting and color in order to enhance my visual knowledge and vocabulary. I think this is one you can jump into and enjoy if you would like to be a better photographer. It’s called the The Artist’s Eyes by Michael F. Marmor and James G. Raven.

artists eyes

The Artist’s Eyes – Vision and the History of Art book cover.

The Artist’s Eyes goes into detail of how the eye works in receiving and interpreting light, shadow and color in forming images which helps us to understand why art looks the way it does. A handy thought don’t you think?

Yours in Creative Photography,     Bob

last years ppa image entries

2014 was a very fine year in my Imaging Competition history. A Silver Photographer of the Year Award in my Photographic Open case entries and a Diamond Photographer of the Year Award for my Master Artist imaging entries.

As I’m doing a podcast for the 12 Elements with Mark Oehler today talking about last years entries and competition in general I thought I’d post the images so anyone listening to the post could view what we are talking about.

santa fe street portrait photo

ppa_comp_prints_gen_collection_still_the_one

ppa_comp_prints_gen_collection_sed_az_pano

Photographic Open PPA image

ppa_comp_prints_loan_collection_thistle

ppa_comp_prints_loan_collection_nautilus

ppa_comp_prints_loan_collection_musical_instruments_museum

horn in f ppa loan collection image

Being a member of PPA and participating in Imaging Competition through PPA is one of the fastest ways to improve your photography. I firmly believe without the International Photographic competition I wouldn’t half the photographer I am today. You can check here for the entry information for the 2015 year.

Yours in Creative Photography,       Bob

PS What’s holding you back? You don’t get into competition to win awards. You get in to learn the craft. Awards come after. If you are waiting until, “My images are good enough.” Then you’ll be waiting a long time…

PPS The awards will come…

ppa imaging competition

Wanna make better images?

I do.

Always.

Which is why I continue to participate in the Imaging Competition through Professional Photographers of America (PPA) after 16 years.

Probably the word Competition should be removed as it implies that you are competing against others as at a sporting event. Not so. You are competing against a standard and your personal past performance. This is an incredible learning opportunity

Entries are open for the International Photographic Competition (IPC).

PPA IPC

You can get more details and see a slide show of the 2014 PPA Loan Collection here

If you are a PPA member and not participating in Photographic Competition I believe you are missing out on one of the best benefits of your membership. The feedback you get from putting your images in front of trained fellow photographers is very important. I would have to say that Imaging Competition has been one of the driving forces in making me a better photographer, growing my skills exponentially.

Take advantage of this opportunity. If you get the chance PPA members can view the judging live in Lawrenceville, just outside Atlanta, GA. Another option is to view the judging via the Live Streaming. If you have images in the competition don’t forget to order the critiques for your images. You get a video review with one juror giving you feedback on what was good about your image but even more important how it might be improved.

So get your images together and compete with yourself to be the best photographer and image maker you can be.

Yours in Creative Photography,         Bob

sbg wall of fame

There’s a new inductee into (onto??) the Sound Bites Grill Wall of Fame.

Renee Patrick has a marvelous voice. She was performing with the Steve Sandner Jazz Trio as a guest during Jazz and Juice that has been a Sound Bites Sunday evening staple for a while now.

Renee Patrick Jazz singer

Renee live on stage followed by an artistic treatment…

Original image captured with the Lumix GH4 1/25th sec f3.2 ISO 1600. The lens is one of my favorites for capturing individual artists on stage the Lumix Vario f2.8. A better camera setting would have been ISO 3200 at f2.8 to give me a bit more sharpness although I do like the movement captured here with her hand slightly blurry… With those settings I would also set the exposure compensation down about 2/3rds to a stop to make sure to not loose the highlights in the LED stage lighting.

Jazz and Juice is Live Jazz with 1/2 price bottles of wine with dinner. My wife Holly and I enjoy catching the Jazz music, good food and a great price on the wine!

Yours in Creative Photography,      Bob

small flower photo big impact

GO BIG OR GO HOME!

Oh wait. I’m a little carried away there… But, one technique for making an interesting photograph is to take a very small subject and fill the frame with it. This flower is about the size of a fingernail. Using the Lumix FZ-1000 I was able to bring this tiny subject forward. While I don’t often recommend bulls-eye composition I think it works in this case because of the bud in the lower left corner and the leaf in the upper right hand corner. The flower dominates but the additional subjects in the frame give you eye something else to look at and turns it into more modified diagonal composition.

mini daisy photo

The bud is barely the size of my pinky fingernail & the flower is just a bit bigger than my thumb. Settings 432mm Exposure 1/5000 sec to help freeze the flower in the breeze, f5.6, ISO 800

Constantly working and playing when not on a commissioned job. Without practice and really knowing your gear it’s difficult to grow as a photographer. Golfers are constantly trying to ‘find the groove’ and practice is a huge part of their ability to succeed.

When is the last time you tired something new?

Yours in Creative Photography,           Bob

sunday photo art quote 5/24

What excites you?

Have you made, or at least tried, to make an image from it?

Today’s Photo/Art quote comes from Edward Weston

edward weston quote

“Anything that excites me for any reason, I will photograph; not searching for unusual subject matter, but making the commonplace unusual.” Edward Weston

Even more important can you make the commonplace unusual? Who knew a green pepper could look so sexy?

Yours in Creative Photography,        Bob