More images from the Sky Ranch Lodge photo shoot in Sedona, Arizona. If you would like to see details about the shoot and additional images you can check them out here.
King Fireplace room.
Pillow & headboard treatment detail.
Kitchenette and fireplace room.
reat property with wonderful grounds and spectacular views. Coming to Sedona? Check it out…
Yours in creative Photography, Bob
Got a chance to work with my buddy Jack Hillman of Hillman Design Group on another shoot with Sky Ranch Lodge in Sedona, Arizona this past week and we dodged rain and wind to traverse between the eight rooms we needed to photograph for the web site and marketing.
Had a chance to work with LED lighting instead of my traditional flash units to supplement the lighting in the rooms and I like it. Because I had more powerful LED lights from FJ Wescott I was able to see the final image a bit better as I was working. Kicking a little light here and there and seeing the effect immediately was a great way to work.
This is a double queen room. The daylight balance lights made it relatively easy to balance with the light entering the room from outside the window.
Sky Ranch Lodge fireplace and table detail. Simple rooms but very neat & comfortable.
Lamp detail. I enjoy when I get the tell the story of a property in detail images like this. Over the years many properties have tried to show everything in a room in one photo and the message of how wonderful the property actually is can get lost.
The lights I was working with are Skylux LED lights that are designed for studio video work. I pushed them into location lighting for the resort I was photographing. All images were captured with my workhorse Lumix GH4 camera body. ANd the most used lens was the 12-35mm f2.8 Lumix Vario with an assist from the stunning 42.5mm f1.2 Nocticron.
Yours in Creative Photography, Bob
Still working on photographing the Phoenix Airport Hilton after their eight million dollar refurbishing of the property.
It was great working with the staff while on the photo shoot. Everyone was as helpful as possible in getting the areas set for the photography. This makes the shooting day go better, smoother and leads to better photographs.
Sales manager Mike Manginelli was great in letting me know specifically what he was looking for. We were able to shoot to the IPad from the Lumix GH4 using the built in WIFI and Panasonic Image APP (free download) so he could see exactly what the camera saw as we worked out angles and ideas.
A bonus in operating and controlling the camera from the IPad (or IPhone or Android device) is when making multiple exposures to handle lighting situations with bracketing the camera is not touched. This allows for exact registration for blending various exposures using Adobe’s Photoshop Layers and Masks.
The Saguaro Room set for a reception.
Exterior night image.
Ballroom set for meeting.
Another bonus to shooting from a remote system is being able to ‘paint the room’ with multiple pops of a flash and see the results as you go. These images are blended into the final scene adding light where necessary to fill shadows or creativity for esthetic reasons to add interest. I used a Paul C Buff light with a strip light box attached and a Vagabond battery pack to stay mobile. The Buff wireless triggers complete the remote set-up.
I’ve found the ability to ‘light my images’ with multiple exposures has made my shooting more efficient giving a better quality image to my clients. I spend more time in post production but my clients time is not wasted and I’m able to get the property rooms back online so there is little revenue loss when I photograph.
How do you work your interior and architectural shoots?
Yours in Creative Photography, Bob
Trying to add just that little bit extra…
Been photographing the Phoenix Airport Hilton lately after their eight million dollar remodel. There are some photos it can be a little more difficult to make sexy but lighting and awareness can make them stand out.
Take, for example, a boardroom photo. Here’s a utilitarian room with office chairs around a large table. We looked at a number of angles and one of the things I thought set the room apart was the fact that A – it had a window and B – there were palm trees outside the window. The wonderful thing about collaboration is that some of my best ideas come from other people!.
Mike Manginelli has been heading up the photography project from the hotel side. We discuss each photo, the use, how they want to present it to potential clients then we set up the shot. Mike said, “Hey what if the photo was taken from here?” As soon as I set the camera in place I was all over it. Once that decision is made…
Then it’s time to make the room shine from a lighting standpoint. I work with multiple images for different exposures of different areas. Inside in shadow. Inside room lighting. Outside daylight needs a totally different exposure from indoors. And then some additional accent lighting which adds that ‘certain something’…
Here’s the base exposure. Curtains are closed so I can control the glare on the tabletop to allow the wood and grain to show and not be blown out from the reflection.
Added a flash exposure to highlight detail and throw some light into the shadow area under the table.
Curtains were opened to obtain exterior view. Flash added to curtains to not have trouble blending inside/outside from flair around window. A little of the reflection was allowed on the tabletop.
Final boardroom image with a Curves Layer to open up shadows just a bit.
Layers Palette from boardroom photo showing various Layers and how the Masks were applied.
A handy feature on my Lumix GH4 is the built in WIFI that talks to my Ipad (or Iphone or Android) via ‘Image App’ (free download from Panasonic) so I can control the camera without touching it. All controls including shutter release and bracketing are available on the phone or tablet. When shooting multiple exposures, making adjustments to the camera, like exposure changes, firing the shutter, etc. makes it much easier to blend the images together in post production when the camera is mounted on a tripod. I used the 7-14mm f4.0 lens for this. There is no distortion in the lines on this lens. It’s one of my favorites for architecture work requiring a wide angle view.
Questions? Let me know…
Yours in Creative Photography, Bob
There are two new inductees into the Sound Bites Grill ‘Wall of Fame’.
The RD Olson Blues Band played last week and rocked (blued??) the house. High energy blues from this five piece band had people squirming in their chairs and out on the dance floor. My wife Holly and I really enjoyed the music along with the rest of the patrons.
R.D. Olson Blues Band
Images of the band members were captured with the Lumix GH4 and the 35-100mm Lumix Vario f2.8 lens. This camera and lens combo gives me the density range to capture the highlights of the LED lighting and the deep shadows that come with stage spotlights. In addition, the 200mm lens (35mm equivalent) allows me to isolate the individual performers without disturbing Sound Bites guests as I photograph the live performance.
After downloading the images I select each performer and move them to a master file for compositing of the group for the art piece. Shadows and Inner Glows using Adobe Photoshop on layers help to give the individuals depth in the image. Multiple photographs of textures are added and Blend Modes altered to add the color and painterly effects.
RD was also selected by Sound Bites to also be featured as a single artist in addition to being on the ‘Wall of Fame’ as part of the band.
RD Olson
Blues On RD!
Yours in Creative Photography, Bob
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
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