And, the anatomy of post production of an image to meet the pre-visualization. That’s what we’re talking about today. I saw the final image in my head before I even made the photo. (if I could only get there in time) Here’s the story…
Esteban is an extremely gifted artist with the guitar and I have been fortunate to photograph him on numerous occasions. This last time (see post here) I made images of him for marketing and promotion I was gifted with seeing a lighting situation during a live performance that I knew would be wonderful in color. And, then especially in black and white. If only I could get to the right position, with the right lens, before the dynamics of the situation changed.
Moved quickly across the room while changing lenses. Dropped to the floor and fired off about 8 frames before he came out of the position and the lighting changed.
Here’s the color version followed by an Animated Gif showing the steps of post production…
Esteban playing guitar after post production. See the animated .gif below for most of the steps used.
Straight out of camera. Remove background distraction. Add a Tonal Contrast and Glamour Glow with NIK filters. Bring back some detail in strumming fingers from another capture. Burn some highlights. Tone down clothing to shift focus. Tone down background. Tone down guitar.
Toning was done with a variety of techniques including Curves Adjustment Layers and Soft Light burn layers. You see how we can drive the focus to where we would like the viewer to look first. The eye goes to the area of highest contrast. Then the viewer is invited to look around in the image by the use of diagonal lines in the composition.
Tomorrow this will be taken to another level when the image is converted to black and white followed by more adjustments.
Yours in Creative Photography, Bob
PS – Original image was captured with the Lumix GH4 with the 35-100mm f2.8 Vario Lens under stage lighting conditions during a live performance.
The parties move around to a different restaurant each night during the Sedona Film Fest and last night it was Sounds Bites Grill playing hot with a great spread and music by Ralf Illenberger on guitar and Troy Perkins on his handmade bass. Just seeing the work Troy did on his bass guitar shows me he’s a pretty incredible carpenter! (missed the name of the drummer… sorry about that!)
Michele asked me to stop by to create some stock advertising images for future promotion of the restaurant showing how they take care of biz for group events. Here’s a few.
Chef kicking out the Bananas Foster
Capturing the crowd from behind the stage
Looking round from the regular direction, crowd to band photo.
A little slice of the stage with the Sound Bites logo lit on the wall.
Images were captured with the Lumix GH4 and a bit of on camera fill flash. Always try to not make the flash apparent by dragging the shutter (slow shutter speed) to allow the background to register with the ambient light and then a kiss of flash to freeze and fill the foreground.
When fellow photographers ask for a quick portrait even though lighting conditions are less that ideal and time is very short you take a crack at it. This is Kathleen and Marc who were kind enough to pick me up at the airport when I went to Richmond, Virginia to speak and judges images at the annual convention.
Kathleen and Marc Busch. Fellow photographers from Virginia after a little Photooshop photo.
RAW capture of Kathleen and Marc
As you can see even a quick photo grab can turn out quite nice. Never pass up the opportunity to capture a memory. Photo made with the Panasonic Lumix FZ 1000 a bridge camera. 25-400mm f2.8-4.0 4K Video. Not quite a pro body but has amazing features that take it way above an advanced amateur camera! Becoming one of the cameras I like to have with me all the time to cover my butt when I see something cool but can’t have the entire pro kit with me.
Comedian Dana Daniels his parrot Luigi were at Sound Bites Grill last week before I left for the PPA Convention Imaging USA in Nashville. Really enjoyed the show and as soon as I got back I got to working on the image for the SBG ‘Wall of Fame’.
Dana Daniels live on stage with Luigi with audience participation.
Dana does a lively and fun show involving the audience at every possible moment to help with the magic or to help as a foil for his humor. A good time was had by all…
Even Luigi. He smiled throughout the entire performance.
Images were made with the Lumix GH4 and the 35-100mm f2.8 Lumix Vario Leica lens. This combo works well. The longer zoom gives plenty of reach to capture the live stage action from across the room. I find it’s important when photographing live events to cover them unobtrusively. The GH4 has plenty of density to encompass the range of harsh lighting conditions caused by the use of LED stage lighting and the 12 frames per second doesn’t hurt for stopping action with juggling objects during the show. Setting were ISO 3200 f2.8 shutter between 1/15 to 1/60th sec in Aperture Priority with an exposure compensation of minus 1 stop to make sure I didn’t loose the highlights in the scene and to account for the black curtains and deep shadows.
Went to dinner with my lovely wife Holly at Sound Bites Grill last night and Wineaux Wednesday was on in full force in Sedona, Arizona. The deal is $10 bucks and allows you taste wine with friends while enjoying live music and Tapas from 5PM to 7PM.
But what does that have to do with photography Bob??
Glad you asked! I also brought along my camera with a funky lens to play with from LENSBABY. They sent me the f3.5 5.8mm, 185° Circular Fisheye lens to check out.
Here’s a capture of the SBG Wall of fame. I create images of the performers for posterity (and decor!) in an
artistic fashion for the restaurant. Here it is in all it’s micro 4/3rds Fisheye glory.
This lens is made for getting in close. Make sure your performer knows they’ll have a camera really close in their face. it helps to be
the house photographer to have the access to performers during live stage shows. Don’t try this without permission.
Using the ‘Flairability’ of the Fisheye to add some interest to this live stage shot of Eric Miller guitarist extraordinaire.
“OK Bob, how can this lens make me money?” In my case I grabbed the owners and set them up
on stage with Eric to create an image to help promote the wine and entertainment event at the restaurant.
You need some time with the 5.8mm Fisheye to learn to see how it sees. It is quite unique and takes a bit of getting used to to know when it might be just the ticket to set something apart. I mounted this on the Lumix GH3. With the micro 4/3rds sensor size we loose just a bit of the fisheye circle which I actually like. If you get this lens for the full frame DSLR cameras you’ll have the complete fisheye circle.
Yours in Creative Photography, Bob
PS – If you want to hear some wonderful guitar playing and are not near Sedona you can find out more about Eric Miller’s music here. (I highly recommend hi CD ‘Eclectic Vibe’ subtitled Elevator Music for Cool People. It’s awesome. You have to email Eric to get it. It’s not on his web site right now…
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