by successfulbob | photography - art quote, photography education
I’ve decided to keep things light and airy this morning.
Found this anonymous quote about photography that I wouldn’t be surprised if it came from Steven Wright (who is freakin’ hilarious by the way)
“He had a photographic memory which was never developed.” Anonymous
Have a great Sunday!
Yours in Photography, Bob
by successfulbob | photography, photography education
It’s right around the corner…PPA’s International Photographic Competition (IPC) August 4 – 7, 2014
at Gwinnett Technical College 5150 Sugarloaf Pkwy Lawrenceville, GA 30043. This is just outside Atlanta and if you are in the area you can attend as a PPA member. It’s an incredible education on imaging.
PPA Photographic Competition.
If you are not in Atlanta PPA will be Live Streaming the event… Here’s what will be happening.
Gotta tell ya I’m excited about the fact that the IPC is going to be web-casting this year’s Imaging Competition. And you should be too. This is a wonderful opportunity to see behind the scenes on how images get to Merit and Loan status.
I would like to share some information to help you understand some of the things you will see during the event.
First, I think that it’s important to know how the jurors came to be in front of your images. The process is very involved and those that have gotten to that level have worked extremely hard and put in lots of time and effort to be able to volunteer their time in service to the system. How do I know? I worked my way through the system and am an International PPA Juror.
First step is to be involved as a participant in the process by putting images in front of others for the feedback of imaging competition and showing some success. After earning at least ten merits potential jurors take time away from their business to attend the three day judging school to learn and practice. In addition, they have paid for airfare and lodging along with the fee to attend judging school.
After successful completion of judging school it’s time to put in more time judging at state competitions. Consider this the farm system where you go to get seasoned and experience. Potential judges work with International Judges during these competitions and are given feedback on how to better learn the skill. This feedback is also passed on to to IPC in the form of evaluations for review. A minimum number of states need to be judged and satisfactory evaluations received before a judge is approved as an International Juror. Again this involves more time away from the business and often added expense in travel.
Why do I share the information above? It’s because I would like you to understand the dedication jurors need to have. They truly care about imaging competition and are dedicated to doing a good job for you.
Let’s get to the process.
Six jurors and and a jury chair are assembled in place to view your image according to a certain lighting standard. The standards are set so you know how to view your image under the same conditions as the jurors before submission.
In the print room a curtain with a turntable is placed 6 feet in front of the jurors. Lighting is from prescribed angles and measures f16 100 ISO at one second in a room with subdued lighting.
In the digital judging room your image is shown on three monitors with two jurors in front of each monitor. Monitors are calibrated to 120 CDM2, D65 and color spaces recognized are SRGB and Adobe 1998.
The jurors have a scoring device in their hands and after seeing the image can make the choice of Merit or Non-Merit image. If there is a majority of four or more jurors who agree it is a Merit the image is considered a Merit for the moment. If four or more Non-Merits are indicated then the image is not considered a Merit for the moment. If there is a tie there is an automatic challenge called by the jury chair. One person will speak for the image and each juror will speak in turn giving their ideas on why they have made the decision they did. The the original person speaking for the image will be given the opportunity for rebuttal of all arguments given and the jurors will again put in their Merit or Non-Meirit to determine if the image will receive a merit.
If you remember I said a Merit was ‘for the moment’. After the result has been announced any juror or even the jury chair may challenge the result. That juror then speaks for or against the result and each juror in turn gives their feedback. The challenger is allowed a rebuttal and the scoring is recalculated. Although not often it is possible this could be challenged by another juror and the process is repeated.
Now here’s the part where you might feel things are moving fast… I remember seeing my first imaging competition and thought, “How can a decision be made so quickly???” Remember all that training? One decision has to be made using the twelve criteria. In the jurors mind is this image merit worthy or not? You have seven sets of eyes looking at the image including the jury chair. All votes are in. A decision is announced. Here’s the important part – any one of those seven trained people may challenge the result and the challenge process outlined above is done. In addition, at any time before each session is closed out a juror may ask to have an image brought back for review to challenge a result. No juror wishes to be haunted by an image that they felt should be a Merit and they didn’t fight for it.
There are over 5000 images to be viewed with the additional view of any image that made it to a Merit that is then judged for the Loan Collection. The process is similar but now their are even more eyes making the decision. As you can see with that many images it would be impossible to talk over every single image presented which is why it’s a great idea to order up the print critiques to get feedback on your individual images.
There is quite a bit more to this but I wanted to give you an overview and show you that there are mechanisms in place for the best review of images to detemine your Merits.
Enjoy the competition with yourself and even if you don’t have images in this year look around the various rooms there’s a lot of imaging education to be found there.
Yours in Photography, Bob Coates M.Photog.,CR.,CPP International Juror
PS – I’ll be watching too! I have a case in the Open category and the Master Artist Category. I will be judging images in Chattanooga, Tennessee on August 2nd but won’t be judging at National this year…
by successfulbob | photography, photography - art quote, photography education
Is your photography unique?
Do you fully bring your inner self when you create images? If not, then there’s a distinct possibility you are not creating art. You are just making pictures.
Today I dug up a quote from poet, playwright Oscar Fingal O’Flahertie Wills Wilde Photo by Napoleon Sarony
“A work of art is the unique result of a unique temperment.” Oscar Wilde
I’ve found my strongest images come forward when I am totally in the moment working on creating an image I really want to see made. Not necessarily because I am getting paid to make the image. But experience that I’ve acquired over the years allows me to bring creative things forward when on paid shoots even though
That’s why personal projects are so important to your growth as a photographer. You get the opportunity to explore, experiment and experience so much more as you create. You then are able to carry those forward into all your photography. I’ve also experienced the cross-pollinating of different genres of photography helping me create better photography. My wedding work helped in the fashion. My commercial work helped inform my wedding images. Playing while creating art images has worked it’s way back into my advertising photography.
So I ask again, “Are you bringing you to your photo shoots?
Yours in Photography, Bob
by successfulbob | charity photography, photography, photography education
The phone rang. I picked up and it was the hospital calling…
We have a stillborn child and a family that needs your special touch.
With that call my stomach falls and I realize I will be photographing a very emotional situation. So why do I also feel a bit of smile and good feeling? Because I’m going to be creating a family portrait with very special meaning that there will never be the possibility to photograph again. These images will help the family through their grieving process.
“How can you know that, Bob?” you might be asking. I know because I’ve done it before and the notes that come from my families letting me know how much comfort they receive from having beautiful photos of their child.
It’s not easy, by any stretch, but being able to give back through the photography medium that has been so good to me is incredible.
Why am I telling you about this? It’s not to brag. It’s to hopefully inspire you to consider performing this service in your hometown. Please click on this link to find out more about becoming an affiliate photographer with Now I Lay Me Down to Sleep. There is a tremendous need as there are approximately 25,000 cases of pregnancies ending early each year in the United States and currently NILMDTS is only able to serve a relatively small portion of those families. We need photographers. And, as many hands make for a light load, the more photographers available the better.
NILMDTS logo.
Won’t you at least take a few minutes and head to the web site for more information? If you are like me your first thought would be, “I could never do that! I’m too emotional…” Thank goodness I found out I was wrong. It’s a wonderful way to give back to your community.
Yours, In Photography, Bob
by successfulbob | landscape photography, Lumix GH4, Lumix Lounge, photography, photography education
“I’ve looked at clouds from both sides now…” Judy Collins Play this while you read the post for some ambiance…
Popcorn Cloud formation.
During monsoon season here in Arizona we get cloud formations to beat all… The three images that accompany today’s post were all photographed during one morning hike… and I probably could have gotten more cloud combinations it I tried a little harder but I was out for the exercise after all.
Wispy cloud formation.
Why cloud photos? I shoot them for the files to create artwork. The right set of clouds can make or break a scene when you are working on images as art pieces. I have a pretty large collection of cloud images that convey all kinds of emotion. Angry clouds. Popcorn clouds. Soft wispy clouds. Colorful sunset clouds. Ominous clouds. You get the idea.
Full sky of combination clouds.
You need to think about clouds quite a bit when adding them to photos. A good selection along the horizon is imperative. A bad selection screams “DROPPED IN CLOUDS!”. If you want to make sure they are believable you need to have the clouds fit the scene. The light on the clouds needs to be from the same direction as the foreground scene. Lighting needs to be correct in the scene. If you are working on a sunset scene and drop in some clouds that are firing off in oranges and magentas you will need to add some of that color to your scene as the color of the landscape will reflect the color of the light on the clouds. As you drive around study the clouds and grab photos but also study the effect of the clouds on the landscape so you can recreate a believable look.
Now if you are trying to create an image of discordance you can throw most of the information above in reverse. Just know what you are creating and that it conveys the mood you are trying to create.
Images captured with Panasonic Lumix GH4 and 12-35mm f2.8 Lumix Vario Lens.
Yours in Photography, Bob