by successfulbob | architectural photography, cityscape photography, Guest Post, photography, travel photography
Sintra, Portugal – Guest Post
by Ken MacAdams
Ken is a traveling man and uses Lumix gear during his travels. Ken shares his travel photography and stories here on Successful-Photographer as he has in the past. Ken’s camera of choice is Panasonic’s flagship stills camera the Lumix G9 with the Leica DG Vario-ELMARIT Professional Lens, 12-60MM, F2.8-4.0
Take it away Ken
Situated 30 miles from Lisbon is a fairy-tale village named Sintra. Driving up from Lisbon on heavily forested, narrow and very twisty roads, I was shocked when the vibrantly colored Pena Place burst into view! I continued on to the quaint town of Sintra, where I’d reserved a villa, nestled in the cliffs, hundreds of feet below the palace. I was told the villa was once the king’s stables.
Entrance to the Pena Palace. Built around the craggy rocks of the mountaintop, the palace has a commanding view of the surrounding area. All Photos in this post © Ken MacAdams
After a sumptious breakfast, I joined the parade of cars snaking up the mountainside to my first stop, the Palace of Pena. Situated atop a rocky peak, the palace has a commanding view of the surrounding valleys.
The rear of the palace, with views stretching all the way to the North Atlantic Ocean, on the horizon.
In 1838 King Ferdinand II acquired the former Hieronymite monastery of Our Lady of Pena. The original monastery buildings, consisting of the cloister and outbuildings, the chapel, the sacristy and the bell tower, were built in 1511. These buildings today form the northern section of the Palace of Pena, and are referred to as the Old Palace. King Ferdinand began making much needed repairs to the former monastery, and replaced the fourteen cells used by the monks with larger rooms with vaulted ceilings. About 1843 the King decided to enlarge the palace, and built a new wing with even larger rooms. This section is known as the New Palace.
In transforming the former monastery, the King was likely influenced and inspired by German romanticism found in the castles along the Rhine. When building on the New Palace was completed about 1865, the King began planting gardens surrounding the palace. With winding paths, stone benches, and pavilions at different points along its routes, the King copied the romantic gardens of that time. He also planted over 500 different species of trees, and plants originating from different points around the globe.
The one way tour circuit through the palace is self paced, generally ambling along at a relaxed speed. You see both the Old and New Palace wings, visit the living quarters of the King, their eating area, day rooms, the Great Room, and end up exiting through the kitchen. With original and period glassware, pottery, and furniture throughout the palace, you’ll have a chance to see how life was carried on by royalty of the 1800’s! The Palace of Pena was designated a National Monument in 1910, and classified a UNESCO World Heritage site in 1995.
Ken has always loved to travel, so when he made a common connection with the fact that either a long day pounding the streets of some foreign city, or shooting the last dance at a wedding, a good part of his physical
weariness came from lugging around his big heavy DSLR. That’s when he started looking at alternatives – and ended up selecting Panasonic Lumix Micro Four Thirds gear.
Ken is rarely without a camera, and the next great photo travel experience – whether local or abroad – is always in the back of his mind! A longtime resident of the Four Corners, and when he’s not out on the road, he enjoys some of the great outdoor opportunities found there – mountain biking, hiking, and Jeeping.
by successfulbob | fine art musician portrait, Lumix G9, musician photography, photographer of musicians
The Making of
Sound Bites Grill Hall of Fame Image
I’ve often been asked how I create the art images for the Sound Bites Grill Hall of Fame. Thought I might share the process here from start to finish.
Finished Hall of Fame image with Gaelle Buswell and her band members
First, I make photos from the show during the live performance. This is a bit easier said than done as performers are moving in and out of the light, have strange expressions when they reach for THAT note, etc. I need to watch and learn as each performer works and then make sure I’ve gotten enough source material on all the band members.
Then it’s time to download all the images and begin the culling process. Lots of images get thrown away on the first pass. Then I’ll go back through to look for the selects. Those are the photos that have the body position, expression and look I am going for in the final art piece.
The individuals are extracted from their photo and placed upon their own layer so effects such as drop shadows and lighting can be applied individually. Then it’s time to start working on combining all the elements of people, texture, drop shadows, color adjustments and more.
Animated Gif of the various Layers
Above is a Gif showing most of the Layers made in Photoshop to give you an idea of how the pieces work together during the build. Below is a screen capture of the Layers Palette in Photoshop.
Layers Palette of the Gaelle Hall of Fame image
I’m thrilled with the dynamic range of the Lumix Micro 4/3rds camera gear. The camera is Lumix G9 Panasonic’s stills flagship model with the LUMIX G X VARIO LENS, 35-100MM, F2.8 ASPH
Yours in Creative Photography, Bob
by successfulbob | Guest Post, marketing, Marketing Monday, photography, photography marketing
Waiting for Your Ship to Come In
Marketing Monday with Skip Cohen
I’ve used this quote by Ross Perot in other posts, because it’s so relevant.
“Most people give up just when they’re about to achieve success. They quit on the one-yard line. They give up at the last minute of the game, one foot from a winning touchdown.
If I ask a group of photographers about advertising, somebody will always say, “We tried it once, but it didn’t work!” Ask some people about trying some different lenses or shooting wide open for a different look and you’ll hear almost the same, “I’ve tried it, but my clients like the look I have!” Ask them to move the lights in the studio, the ones that are put in the same spot every day on the masking tape on the floor, and you’ll get almost the same response.
Empty Dock just waiting for a ship…. or a boat – © Bob Coates
Well, what if those photographers are all standing on Ross Perot’s one yard line? What if they just needed to run that ad a few more times for people to contact them? What if they only needed a little more patience?
Trust me, I know it’s tough waiting for your ship to come in. But I’ve seen so many photographers who were able to stay focused, stay aggressive in their marketing efforts and believe in themselves and things did come together.
It’s all about taking action, being patient and not giving up. And since Ross Perot put me on the one yard line, might as well stay with a football theme and give Vince Lombardi the spotlight:
“It’s easy to have faith in yourself and have discipline when you’re a winner, when you’re number one. What you’ve got to have is faith and discipline when you’re not yet a winner!”
Skip Cohen has been involved in the photographic industry his entire career and previously served as President of Rangefinder/WPPI and earlier, Hasselblad USA. He founded SkipCohenUniversity.com in 2013. Skip is a co-host for “Mind Your Own Business” and “Beyond Technique,” webcasts through Photofocus.com, writes for several publications including Shutter Magazine and is actively involved in several advisory boards for non-profit organizations.
by successfulbob | Lumix G9, musician photography, people photography, photography
Sound Bites Grill Entertainer
Gaelle Buswell
Great Show
First I want to say what a great show it was at Sound Bites Grill in Sedona, AZ. I photograph musicians at this venue on a regular basis, and it’s a great space. Gaelle is from France, and she brought her A game with her for the performance. I look forward to a return engagement should it happen to come this way.
Gaelle Buswell Live on stage at Sound Bites
Photographing a Live Performance
I want to talk to you about capturing images from a live performance. In the studio, you have control of the lighting, posing, and expression of your subject. Not so much when the performers are live on stage. The lighting is what the lighting is, and while it was set for a specific place on stage, the entertainers often are moving in and out of the preset light pattern. Expressions can be all over the place with closed eyes, weird mouth positions, and strange body positions. To get the best captures that are flattering to the subject you need to study the movements of the performer before beginning to photograph. If you do this, you will start to notice what type of body language will happen with certain kinds of songs. When does the performer close their eyes? And better yet when will they be open? Where is the light best? The study will get you more and better images than if you just start firing away.
Processing the Files
Once you have the capture, it’s time to finesse it in post-processing. There are always improvements to be made. Control of the highlight and shadows. Getting the best color for the situation can be a bit of work because of the LED lighting not having a full spectrum. This can give some bizarre color tones on the skin, and even if everything else is excellent, an unflattering skin tone can kill a shot. Many times I will double process an image and combine. One copy is prepared for the background and the other for the skin tones. Using Layer in Photoshop and adding Masks allow complete control.
Original image of Gaelle after ACR Process and before tweaks
You can compare the image above with the photo on the top of this post. You will see with a little dodging and burning along with a tiny bit of cloning there are fewer distractions from the performer. Let me know if you can see what the differences are. There are five.
Black and White
I always process out my images to black and white. One is for my clients use in PR situations. Providing BW images will lead to better quality in print, especially newspapers rather than letting the Paper just do a desaturation. The other reason is viewing a black and white image tells you if your tonal values are on because you are not distracted by the color.
Gaelle in black and white
Camera Gear
As always I am using Lumix Micro 4/3rds camera gear. The camera is Lumix G9 with the LUMIX G X VARIO LENS, 35-100MM, F2.8 ASPH Instead of using the Leica f2.8-4.0 12-60mm when I am shooting in scenes with this much contrast and moving performers I want the speed and control f2.8 of the fixed aperture lens.
Yours in Creative Photography, Bob
by successfulbob | landscape photography, Lumix G9, photography creativity, photography gear
Interpreting the Red Rocks – Juuuust a Little Different
If you have followed this blog and my work for any length of time you know that I often like to take my images further than a ‘straight’ photograph. I have found a weird thing while working on this process. There are times to get a certain look you need to make what I would normally consider a ‘bad’ photograph. One that is either under or overexposed to create the vision in your using certain textures.
Here’s a case in point. The density range for this image was huge in that I was shooting the flower in the shade and the background was in full sun. I originally bracketed this scene to get a ‘correct’ exposure. I processed that, but when I went to work, I found that I had better results with the image that was a single exposure rather than having all the detail that Aurora HDR 2018 software would provide.
Here is one of the bracketed images slightly over-exposed. Little to no detail in the sky.
The little to no detail in the sky gives the texture a chance to shine. I used texture from a small section of an old painting in various blend modes to achieve the image below.
Here is my artistic rendition of the image.
I think the plain image needed some help other than making a full range of tones visible. I work photos in many different ways before I find the vision for which I was looking.
Here is the Photoshop Layers Palette from the image above. Note: all Layers had a different blend mode applied and Masks were used to extract or cover the information I did or didn’t want.
Lumix G9 with the Leica DG Vario-ELMARIT Professional Lens, 12-60MM, F2.8-4.0 was used for this capture. The fully articulating screen is helpful when framing an image where the camera is low to the ground. Saves getting down to try and look through the viewfinder and also save work in the laundry for clothes that have been doused in dirt!
Yours in Creative Photography, Bob
