While I was in Florida for the Lumix Luminary summit on the GH5 I had scheduled a couple of extra days in Florida to photograph wildlife and nature scenes.
Thanks to fellow PPA member Rob Bird I was able to get to some cool areas with great subject matter. One of the benefits of being a PPA member is that you have photographer contacts who know the lay of the land all around the country. We got up and going for what I call dawn patrol to capture the city of Tampa at sunrise. I decided I’d work a couple of cameras with my Lumix GX8 capturing a time lapse of the whole sunrise while I used the Lumix GX85 for stills.
Tampa sunrise set to the music of Eric Miller – ericmiller-worldmusic.com The video was put together using ScreenFlow a screen capture program that has some pretty powerful video processing features.
The time lapse features of the Lumix cameras are pretty amazing. You don’t have to add an intervalometer because it is built-in. You can select your timing between image capture, the number of frames, start and stop times in an easy to use interface. But, here’s the incredible part. You can process the finished time lapse in the camera. Choices for how many frames per second and quality level is chosen. In this case, I prepared the files to a 4K .mov video. 4K allows me to move around within the image in post-production when using a smaller timeline.
Yep, I said it. Cool beans. This feature is quite handy when you want to photograph with a macro lens and show some incredible depth of field in your image.
The 4K Photo Mode in the Lumix GX85 and the G85 called Post Focus which allows you to choose the frame with the focus where you want it, after the shot, also allows you to focus stack the images together to enhance the depth of field. One downside to using this method is that we are pulling stills from the video which means there is 8MP worth of file size with which to work. A file of this size will get you to a 20-inch print with no problem, but if you want to go bigger, you’ll need to use a different method. I’ll share that with you in the next day or so.
Let’s take a look.
I call this Green Bug. This image is a single frame grab from the 4K video. Printable and OK. But let’s see something a little better.
Now let’s take a look at the image after all the images in the stack have been combined to show the sharpest parts of each frame in the video.
Check out the detail throughout the photo now.
Here’s a little zoom in on the back leg of my friend the Green Bug.
While out waiting for the moon to make its appearance the night before the Supermoon I worked a couple of cameras. I set up the Lumix GX8 to do a time-lapse of the sunset/moonrise. Glad that I also had the Lumix GX85 as a second camera to mess about with while the time-lapse was being recorded.
Here’s a still I pulled for the time lapse sequence.
The time-lapse was pretty simple. The settings are available in the camera. No need for an intervalometer. Under the Time Lapse Shot menu, you have the choice of Start time which can be immediately (now) or a time set in the future. Shooting Interval which is the amount of time between frame captures. Image Count which is the number of frames to be captured. In this case, I fired one frame every four seconds.
I thought I had a better position for the moonrise which was quite a bit to the right of where it actually showed up. I stopped the captures pretty early after the moon made its appearance. Looks like I need to calibrate my compass.
I was able to add some interest because I choose to have the camera process the still images to a 4K video. 4K video enables you to move around in the image without losing quality which I did in Adobe Premiere. Did you catch that part about the camera processing the time-lapse? A very cool feature. I choose the output settings including quality and frames per second. In this case, I used twenty-four.
For the video below I changed the output settings to 12 frames per second. I did a little color correction and added movement in Adobe Premiere.
Tomorrow I’ll show you what I was photographing with the Lumix GX85.
Happy Independence Day! Fireworks lined my frying pan yesterday with a sizzle and a pop in anticipation of the holiday.
Everybody likes bacon.
Almost.
For those that don’t, you can leave the post now unless you want to follow along and see how you pull a still photograph from a video clip shot with the Lumix GX8.
4K video bacon frying (you can almost smell it MMMM)
Now this was not a commercial photo shoot. I just grabbed my camera while I was frying up some Smithfield Farms bacon so it was a handheld grab using 4K Photo Mode. The Photo Mode sets the video so you can pull still images from the video without the problem of ‘rolling shutter’. Rolling shutter is what would happen if you tried to pull a still from ‘normal’ video where you are trying to absolutely smooth video. Because the video capture is 4K, four times the size of HD video, it’s possible to pull an 8MP still frame. That’s good for a twenty-inch size print.
Bacon photograph
When choosing the above still frame I was able to step through the video one frame at a time deciding on the best grease bubbles formed from the heat as the bacon browned. I uploaded the MP4 video to Adobe Premiere Pro played the video until I was close to the image for which I was looking. Then I was able to quickly step through individual frames using the arrow keys. Once the frame is selected a simple push of the camera icon saves the image out as a still. Easy as that. You could also easily save the image out using the back of the camera but I prefer using the larger screen to make my decisions.
There are a number of Lumix cameras that have the 4K Photo Mode including the Lumix G7, GH4, LX100, FZ1000, and more.
Arizona Professional Photographers Association has scheduled their Fall Fest event for November 4, 5 and 6 of this year. We’ll be traveling to Page, Arizona for lots of landscape photography opportunities. The highlight will be a tour of Secret Canyon. Secret Canyon is a beautiful slot canyon that we will access via Hummer Tour Adventures.
Also on the docket is a visit to sunrise and sunset locations that are quite beautiful. They say a picture is worth a thousand words. How about a video to describe the adventure?
Fall Festival video for Arizona PPA
There are limited spaces available for this trip. Initially, it will only be open to AZPPA members. Then if any spots are left it will be opened to non-members as well. If you would like to get on the waiting list to get in touch with me and I’ll get you hooked up.
The video and stills from this production were captured with a Lumix GX8 and Lumix GH4 cameras and assorted Lumix lenses. You may have noticed the time-lapse. It was created with the camera on a small tripod held on the dashboard with images taken every one second. Those images were processed in-camera to a 4K video at 24 frames per second. Adobe Premiere Pro the editor of choice for assembling all the pieces.
Lumix GH4 Lumix G Vario lens 7-14mm @14mm (28mm full frame equivalent) ISO 200 – Processed a three frame bracket spaced one stop apart in Aurora HDR software
Images were captured with the camera mounted on a tripod. When photographing in slot canyons you need to expand the dynamic range by capturing multiple exposures because light floods in from the open top but there are many dark corners. Being able to blend images together makes it possible to see all the varied detail that has been etched into the walls by wind and water over multiple years.
Yours in Creative Photography, Bob
PS – More information on this trip or the monthly meetings and other benefits of Arizona PPA can be found on the website
Always fun chatting with Skip Cohen about the photography business. This is a chat about Embracing new tech in photography. Being a Lumix Luminary has moved me from being the last to jump into new technology to getting to try out new things that are changing faster than you can imagine.
Embracing new technology. Weekend Wisdom with Skip Cohen Listen here
With new ways of processing and capturing images in camera there are more tools at our beck and call then ever before. If you aren’t checking out some of the new ways to leverage these tools in your business you may be falling behind… Many cameras are now more like a computer with a lens attached. Time-lapse captures have never been easier with in-camera processing. 4K video allows you to capture video and pull still frames that can easily be printed to twenty inches. Again the 4K video can be leveraged to give you the opportunity to choose your focus point after the fact. I’m sure there are a number of cameras capable of many of the things I’m sharing here but, I’m familiar with the Panasonic Lumix cameras. The GH4, GX8, G7, FZ1000, LX100 and others are changing the way photographers work and the way photography is growing into the future.
Check out the podcast and let me know what you think…
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