We had the Lumix Luminary gathering over the last couple days where we get together and share ideas, techniques and new information about the Lumix cameras and their capabilities. They were long days but very productive. We broke into teams and created some videos together. Video not being my number one priority in my business I learned a lot. Saw quite a few ways to add some value for my stills clients through using video and some new ideas that were introduced.
Here we are working on the beach. I’m getting the audio ready for the shoot and Armed with an FZ 1000 on one shoulder and a GH4 on the other. Image capture with the new Lumix G7 f8.0 200 ISO 1/640 sec It was shot by Dan using Tom’s G7 and 14-140 lens. He imported into his phone and messed with it using Snapseed. Added an HDR Scape layer and a Drama layer then used the Vertical Perspective under Transform and may have adjusted tone a bit..
(I’ll be sharing some work and features shortly from the G7. Pretty powerful camera!)
Sometimes as photographers running a one-man show our world can become a little insulated. Having an intense couple days with colleagues working and sharing ideas can be a great infusion of energy. Even if you can’t get together with a group like this I highly recommend at least getting together with a couple photographers and go out and shoot together for a couple hours. Then have a cup of coffee or an adult beverage or two. The relationships that you build doing things like this are wonderful!
My wife Holly calls it harrassing cause I used to have to get very close to the birds to fill the frame and they often would leave in a snit at being disturbed… I call it photography while I study and capture behavior images. I really enjoy photographing birds. At her parents place which looks over the marsh in Delaware I’ve plenty of subjects.
I was curious as to how the Lumix FZ1000 would perform and I gotta tell ya it ain’t bad at all. Having a 400mm f4.0 lens is quite good. I’m even more impressed with the ability of the digital zoom going to 1600mm. At that zoom range some detail it starts to soften but being able to fill the frame from a long distance is more than worth the trade-off. Here is a sequence to show the range of the camera…
Images made from the same position. To get to the digital zoom of 1600mm you must be in jpeg capture mode.
Still, with proper exposure I’ll take the reach over being able to shoot in RAW.
Osprey doing a flyby of her nest.
If I’m going to have one camera for vacation, or just to have at hand daily – that does almost everything I need – the Lumix FZ1000 is the one.
Walking from my favorite restaurant and I spy an absolutely beautiful flower bloom on a cactus. So I stop to shoot a couple frames and move on in the glow of the after dinner bliss… Or, was it the wine?
No matter.
‘Squirrel Moment!’
I know you’ve had this happen.
You think you see something beautiful. On the move you grab a frame thinking you have something to work on later. Turns out you were distracted by the ‘squirrel!’ in the image and failed to look at the whole scene carefully in the frame. Here’s a recent ‘squirrel’ shot from my wanderings.
Man, I almost don’t even want to show you this… In my mind I saw the flowering blooms
and new buds coming on (cue beautiful music)…
The reality of the ‘past prime’ dead flower buds escaped my notice until
I opened the image and viewed it on the computer. “Bummer!”
I think it’s good to share the not so good stuff as well as our treasures so we all know we are in the same boat… Chugging away, trying to create beautiful images, and not always hitting a home run. The usual camera was in play and it did a good job helping me get a nice exposure on the run. It’s not the fault of the Lumix FZ1000 that I can be distracted by a ‘Squirrel Moment”… They can’t all be perfect can they???
Oh wait. I’m a little carried away there… But, one technique for making an interesting photograph is to take a very small subject and fill the frame with it. This flower is about the size of a fingernail. Using the Lumix FZ-1000 I was able to bring this tiny subject forward. While I don’t often recommend bulls-eye composition I think it works in this case because of the bud in the lower left corner and the leaf in the upper right hand corner. The flower dominates but the additional subjects in the frame give you eye something else to look at and turns it into more modified diagonal composition.
The bud is barely the size of my pinky fingernail & the flower is just a bit bigger than my thumb. Settings 432mm Exposure 1/5000 sec to help freeze the flower in the breeze, f5.6, ISO 800
Constantly working and playing when not on a commissioned job. Without practice and really knowing your gear it’s difficult to grow as a photographer. Golfers are constantly trying to ‘find the groove’ and practice is a huge part of their ability to succeed.
Sedona has had a very wet (for us) spring and the result has been lots of flowers flourishing, in the wild and in the gardens. As you may remember I write a column for the local monthly paper, The Villager, to help keep my name out there. It’s called Photographer’s Corner and I offer tips on making better images. Usually the tips are pretty simple from a pro’s point of view but they are appreciated by the general public.
It was nice while on my Meals on Wheels route to have the Lumix FZ 1000 on hand to grab some flower photos as I saw them. Being able to zoom to 400mm made it possible to shoot from the car through an open window during the rain. (make sure you turn the car off to cut down the vibration) Here’s one of an Iris standing tall on an overcast day which gave good detail.
Straight capture for the article illustrating the concept of ‘Filling the Frame’. Camera settings 1/320 sec F4.0 ISO 160
Once I had the image in the computer I had to play just to see what I could see…
Here’s another version. Always try something new when I have time.
The images were created blending a photo of a wall of small leaves and a photo of some dead leaves raked into a pile. Textures can come from a myriad of places and subjects. Thought I’d keep these textures organic in keeping with the flower.
A couple days ago I shared some images from working with Pash Galbavy when she was doing a model posing for a life drawing class. She was posing in the Butoh style, something I had never heard of before documenting this class. See the post here.
One of the great features of the Lumix cameras that doesn’t get spoken about too often is the ability to shoot time lapse sequences. I mounted the Lumix FZ-1000 on a tripod and set it to capture an image every 30 seconds. I was looking to tell the story of the life drawing class and how this particular session of Butoh posing was done.
Pash and the artists at work in the Life Drawing Class over a couple hour period.
These images were given a quick process to control color and contrast and saved to 600 pixel jpegs. For the time lapse 94 images were used at 7 frames a second giving a 13 second film output as an H.264 codec which produces a .MOV file. They were assembled using Time Lapse Assembler a free program for MAC or PC. One thing to remember when creating a time lapse movie that a normal playback speed is using 24 frames per second. which means you often need to capture images about every 1-3 seconds over a long period of time to have a longer final film.
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
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Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
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