sedona time lapse

Sedona Time Lapse

Always found myself interested in time lapse imagery. The Netflix Original series House of Cards show intro brought back the ‘want’ to try to create some of my own. The short time lapse clips used were quite captivating! I had held back in the past because the techniques were too cumbersome and software was a bit of a PIA to manipulate to get some good results. For most cameras you had to have a separate timing gizmo (called an intervalometer if you need one) for a camera to capture your images and be able to program it properly.

Fast Forward to today

Like many things there have been some incredible changes happening in camera technology. Most of the newer Lumix cameras (and other brands and cell phones) have the time lapse capture built right in. You can easily program the camera to capture X number of images at X seconds for X number of captures. The camera will tell you the time the shooting will be completed. OK here’s the really wonderful part. The camera will even process the images into a finished time lapse giving you many choices of quality, size, number of frames per second and output format. This takes a lot of the hassle out of creating time lapses. Now you can use that as a finished file or take it to an editing program like Adobe Premiere Pro to add some more action.

Here’s the Time Lapse

Cloud Time Lapse captured 700+ images with one image every three seconds. Processed in camera at 24 frames per second.

Final Time Lapse Video Thoughts for Today

Used the Lumix GX8 with the 7-14mm f4 Vario lens. Couple of things to think about when setting up the capture. How often should you fire the frame? Subject matter and speed of moving objects need to be considered. Manual or Aperture Priority exposure? How many frames are needed? How long do you want the finished video to run. We’ll talk about these settings and processing in a day or two.

Come on back, Ya hear??

Yours in Creative Photography,     Bob

valerie romanoff musician part 2

Valerie Romanoff is a musician that shares her time between New York & Sedona and we have started working together to create images for her social media campaigns and possibly CD covers. Learn more about Valerie and her NY gig… Starlight Orchestras

I also photographed Valerie over in Cottonwood at the Main StageTheatre where she sat in with the Bottom Line Band who host the Bottom Line Jam on Thursday nights.

Here’s a few images from there…

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Main Stage dance floor in Cottonwood, Arizona

main stage theatre in cottonwood arizona

Band and dancers at Main Stage

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Valerie with Bottom Line

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Sax man!

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Guitar with Valerie

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Valerie belting one out

 

Live performance photos were made with the new Lumix GX8 12-35mm f2.8 and 7-14mm f4 lenses. Kicked in a little fill light with an on camera speed light with diffuser bounced in as the stage lighting was really spotty

Yours in Creative Photography,      Bob

snow in sedona

Red berries interlaced with green and red leaves topped with a coat of snow grabbed my attention and put me in the holiday mode. Had a wee bit of snow yesterday which is a relatively rare occurrence here in Sedona. I had my Lumix GX8 with me and grabbed an image that put me in the season spirit. Add a little Photoshop Bevel & Emboss, a canvas texture and some text with a Bevel and Emboss with a soft Drop Shadow to, as they used to say in the Playtex bra commercials, ‘lift and separate’ it from the background…

happy holidays berry photo

Happy Holidays to you and yours for the rest of this year and deep into the next!

I feel so fortunate that I am able to make a living creating imagery and being able to share thoughts & ideas with you. If you get the chance take a little time each day and think about all the wonderful things that are happening in your life. Cheers!

Yours in Creative Photography,       Bob

kazm radio tech talk show

Had another Tech Talk Show with Mike Tabback on KAZM Radio here in Sedona. We talked about the newest capabilities of the the Panasonic Lumix cameras to choose the focus of an image after you have made the exposure. (previous post here) In addition to choosing your Depth of Field after the fact you can create more Depth of Field using Adobe Photoshop to Layer Stack for hyper-focus.

lumix gx8 & g7 camera photo

The Post focus feature is available on the Lumix cameras – GX8, G7 and FZ300 (not pictured) cameras.

Tech Talk Show on KAZM Radio

Yours in Creative Photography,      Bob

post focus

Choose your focus later.

The photography world is changing around you as I write this post! At least it feels that way as new cameras and features are introduced in short order. I’ve never been on the front edge of technology before and it’s fun trying to figure uses for features as they come out. A lot of the new capabilities is driven by possibilities not available before 4K mirrorless cameras came on the scene.

This is a very interesting new feature called Post Focus.

This is for stable non-moving subjects where you might not be sure of the focus point you want and would like to have options to choose later for a totally different look and feel to a subject of a scene.

Here’s how it works. The camera makes a quick video of a scene while moving the focus point throughout the frame. Because the camera is automatically set for Photo Mode each still frame can be extracted from the video as an eight MP file. At the end of processing after a few seconds you can see the individual frames on the back of the camera and choose any that you would like to save out as individual jpeg photos.

Want to be able to choose later? Not a problem. Download the video file and take it in an editing program like Adobe Premiere, Final Cut Pro, or Lightroom. There you can step through each frame and choose at your leisure on a large screen and save out your file.

I decided to see if I could use the system to help with the capture of Macro images and the process of focus stacking to get deep detail in an image.

And guess what ?? It works!

I Imported the MP4 file into Adobe Premiere and used the right arrow to move through each individual frame. Selected the ones I wanted to work with and pushed the save as an image (camera icon) and saved the images out as a TIFF. Then it’s off to Adobe Bridge.

adobe bridge window

Screen capture of Bridge selections with all 28 files selected with the still captures pulled from the video.

With files selected the next move is Tools > Photoshop > Load Images into Layers

layers palette

Layers Palette with all layers selected in preparation for Photoshop magic.

Once all layers are selected they need to be put in registration because a change in focus changes the size of the image. Menu Edit > Auto-Align Layers.

auto blend dialog box

Once layers are aligned Menu Edit > Auto-Blend Layers with the Stack Images and Seemless Tones and Colors checked. Depending on the number and size of your files the the RAM horsepower of your computer this could take a little while but it’s doing all the work you see below masking in all the sharp portions of the images.

layers palette with masks

Palette window with proper selections for picking and masking in all the sharp bits it can find in the images. Making all of these masks would be super time intensive. Sometimes the individual masks may need a little tweaking if you didn’t get enough detail or colors and tones are very close.

focus stacked grasshopper

Grasshopper with detail and depth of field exactly where I want it.

The image was captured with the Lumix GX8 and the 45mm f2.8 Macro lens set at f9 in Post Focus Mode. “Why f9 and not f22 and be done with it Bob?” When photographing close-up Macro subjects the DOF is very shallow even at f22. In addition as the aperture gets smaller diffraction is introduced starting to blur details. (learn more about diffraction and check out your camera lens combo to find the sweet spot here)

Yours in Creative Photography,     Bob

PS – No grasshoppers were harmed in the making of this tutorial. The grasshopper was already mummified when I found it on my porch.