by successfulbob | art books, fine art photography, inspiration, photography, photography creativity, tuesday painterly photo art
Tuesday Painterly Photo Art
Julieanne Kost – Adobe Photoshop Evangelist – Part One
One of my heroes, Kost, has been an inspiration from the first time I saw her give a presentation on Photoshop.
Knowledgeable, talented, giving, humble, and funny she is. I highly recommend that anytime she is giving a program near you, just go. You will be entertained as you learn tips and tricks in processing images with an incredibly powerful software program.
Let’s turn this over to Ms. Kost and start with her artist statement featuring her personal artistic work. In the future, we’ll revisit Kost featuring other facets of her work.
“In my work, I combine a passion for photography, a mastery of digital imaging techniques and knowledge gained from a degree in psychology, to construct a world similar enough to appear familiar, yet obviously, an interpretation of the physical reality that surrounds us.
Image ‘Untitled’ – © Julieanne Kost
Although the images are highly personal representations of my dreams and personal reality, they are abstract enough to allow individual interpretation (based on each individual’s history and life experiences). I hope to engage the viewer with the image to allow them to leave the reality that they hold true and explore, even if only for an instant, and venture into the visual placeholder of my thoughts and dreams.
Over the past 20 years I have created libraries of individual elements ranging from photographs of textures and landscapes, to scans of found objects, to encaustic paintings and charcoal drawings. Although these ingredients are not an end in and of themselves, they are waiting to take their position as a component of a larger message. The common thread is that each individual element must evoke an emotional response. What that response might be (positive or negative, comforting or confrontational) is not important at the creation stage, because how the image will be used at that point is not clear. I draw from these libraries to build images and communicate my message.
Image ‘Two Birds’ – © Julieanne Kost
Because the components are created at different times in different locations, I find that my work falls somewhere between the more traditional photographic practice of capturing a single decisive moment and the time compression techniques used to tell a story in cinematography. In my images, I create imaginary scenes layering elements together that are unconstrained by linear time and physical location. By choosing elements that work together to form a cohesive message, I am able to create a composite image more powerful than it’s individual parts.
Image ‘Waiting’ – © Julieanne Kost
The interactive process of selecting and assembling images is one of the most challenging and thought provoking parts of my creative exploration. Although overall, the images may appear serene and calm, the act of creation is anything but passive. I begin with a concept in mind, yet I may not know exactly how the pieces will fit together at the end. As the image takes on its own life, I often allow myself to explore additional directions, sometimes finding that the final image only faintly resembles the one first imagined.
Image ‘Perception’ – © Julieanne Kost
From a technical standpoint, I feel that a computer is not merely a shortcut for what is possible with a camera, but instead it allows me to discover what is possible in no other medium. However, with the digital realm being so forgiving and offering so many options for exploration, that discipline becomes part of the challenge. The paint is never dry, the exposure is never fixed, and the print is never final -all components can be done differently at any point. Here the art form is knowing when to stop and realizing when you’ve said what you set out to say.”
If you would like to learn more about compositing from Julieanne she has video classes available.
https://www.lynda.com/Photoshop-tutorials/Introduction-Photo-Compositing/191608-2.html
https://www.lynda.com/Photoshop-tutorials/Art-Photoshop-Compositing/147534-2.html
Yours in Creative Photography, Bob
Kost’s bio below.
Named one of Fast Company’s “100 Most Creative People in Business,” Julieanne Kost is a Principal Evangelist at Adobe Systems, responsible for fostering relationships with customers through meaningful and inspirational Photoshop and Lightroom instruction. As a highly sought-after speaker for the industry-standard Digital Imaging franchise, she devises and presents motivating and educational training sessions, sharing original techniques and tutorials worldwide — via live events, Adobe.com, her own website (jkost.com) and blog (blogs.adobe.com/jkost). She is also the author of “Passenger Seat—Creating a photographic project from conception through execution in Adobe Photoshop Lightroom” and “Window Seat — The Art of Digital Photography and Creative Thinking”, (I have an autographed copy: Ed) an accomplished photographer and fine artist, and creator and host of the popular Photoshop CC Essential Training, Adobe Camera Raw Essential Training, and the Art of Photoshop Compositing for Lynda.com.
Kost is well-known for her unique approach to instruction, infusing practical tips and tricks with an equal amount of humor and creativity that keeps audiences entertained and engaged. She often serves as a guest lecturer at distinguished photography workshops, industry events, and leading educational institutions around the world. She’s a contributing columnist and author for a variety of print and online publications and has created over 500 instructional videos as the host of Adobe’s “The Complete Picture” featuring Lightroom and Photoshop, serves as producer and instructor of the “Lightroom Getting Started” and “What’s New in Lightroom,” training courses, as well as the “Revitalize your Workflow with Lightroom” seminar on CreativeLive.
Kost has been recognized for her outstanding service and contributions to the professional photographic industry, winning the Gerhard Bakker Award from the Professional Photographers of America, the Honorary Educational Associate Award from the American Society of Photographers and was inducted to the Photoshop Hall of Fame by the National Association of Photoshop Professionals.
The combination of her passion for photography, mastery of digital imaging techniques and her degree in psychology, makes her photographic and fine artwork familiar, yet surreal with inventive and mysterious worlds where things are not quite as they seem. Her work has been exhibited numerous times and featured on Behance.net, PetaPixel.com, thisiscolossal.com, photographyserved.com, and Photoshop.com.
Kost holds an AA in Fine Art Photography and a BS in Psychology.
Save
Save
Save
Save
Save
by successfulbob | fine art photography, photography, photography - art quote, photography creativity, photography education
Sunday Photo/Art Quote – Eugene Delacroix
One of the original, and leader of French Romantic painters, Eugene Delacroix was quite the prolific artist. That may be an understatement.
That may be an understatement.
I recommend you take a few minutes and head over to the Wikipedia page and view the gallery images there. Be aware that the gallery is only a small sampling of his work. Then poke around the web for more.
“Bob, why should I be studying this painter’s work? I’m a photographer!” The simple answer is that photography is rooted in art. Composition, color, ad the assembly of subject matter is all part of both arts. Delacroix was a master at the use of color and its effects upon a scene and how it interacted with his subjects.
The simple answer is that photography is rooted in art. Composition, color, and the assembly of subject matter is all part of both arts. Delacroix was a master at the use of color and its effects upon a scene and how it interacted with his subjects.
I believe the study of his work, and other artist’s paintings, can inform your work and move it to a new level.
“The artist who aims at perfection in everything achieves it in nothing.” Eugene Delacroix
At the very least we can take Delacroix’s words to heart as in the quote above. These words can pertain to the art we create as well as in our marketing and business. I know of many photographers who spend so much time trying to reach perfection on a piece of art, or a business campaign for that matter, that they hardly ever show their work or move on to the next business idea. They frustrate themselves and deprive the world of their creations.
I remember being in art class as a high school student tearing up art, that according to my instructor Henri Yost, was perfectly wonderful. Had I taken some time away from the work and not felt the need to be ‘perfect’ I might have shared some fine work.
Self Portrait – Eugene Delacroix 1867
Note the color harmony and the sometimes bold, sometimes subtle, brush strokes. The sharper strokes and lines attract more attention, the softer brush strokes work as supporting characters. This kind of study has led me to sharpen parts of my photo images selectively to help lead the viewers attention where I want her/his eye to go.
What other lessons can be gleaned from study of the master artists that came before us??
I’ll leave you to think about it.
Yours in creative Photography, Bob
Save
Save
by successfulbob | inspiration, people photography, photography, photography - art quote, photography creativity
Sunday Photo/Art Quote – Paul Caponigro
Funny how things work.
In looking for the Art quote for this week’s post, I came across these words.
“It’s one thing to make a picture of what a person looks like, it’s another thing to create a portrait of who the are.” Paul Caponigro
But, strangely enough, this quote came from a photographer who is best known for landscape work that is imbued with mystical qualities.
Making portraits that capture personality and emotion is an art. No doubt about it. Paul’s quote got me to thinking about photographers who were able to tell deeply personal stories with their imagery in a single image. My name would not be on this list partly because I haven’t deeply worked at creating portraiture. Yes, I made photos of people for business and captured weddings and families over the years but not profound portraits. I think that’s because I don’t wish to share me with the world on too deep a level.
“What the heck are you talking about Bob??”
I believe that a great portrait is a combination of a photographer with deep empathy who is a passionate individual and not afraid to share that makes a great portrait photographer. A great portrait captures the subject but, I believe, is also a reflection of the photographer. And I just ain’t that deep. Still have some exploring to do on that front.
Anyway, I digress. Here are some of the names that came to mind. Yousef Karsch, Parker J Pfister, Tim Kelly, Richard Avedon, Mary Ellen Mark, Diane Arbus, Oscar Lazoya and Steve McCurry among many others.
© Tim Kelly – An exquisite portrait showing the love of a father & son. Emotion personified.
You may notice that all the portraitists I mentioned have varied styles. Apparently there’s more than one way to skin a cat! Maybe you can share some of your favorite portrait artists here. Be it those that are well known or unknown to the rest of the world. I’m curious to see the names on your list.
Yours in Creative Photography, Bob
PS – Are you creating portraits of your subjects? Or are you just taking pictures?
by successfulbob | art books, book review, fine art photography, fine art portrait, inspiration, photography books, photography creativity
Photography Book Review
After the Camera, by Thom Rouse
Digital Transformations for Conceptual Nude & Portrait Photography
Way more than a How-to, After the Camera, is a peek into the mind of a wonderfully creative artist. You can’t help but view Thom’s images and find your story wrapped in and around his multi-layered imagery. His images have the depth and dimension of fine art from the master painters through the ages. This is no surprise if you know Thom. He is a student of the great artists and borrows an idea here, a color palette there, and a look from over there. By combining his art knowledge with his photography, experimenting with the capabilities of our digital age, he transcends visual boundaries, taking us to a new world.
Isis – Many of the elements were created from the manipulation of a single leaf. This includes the background, parts of her dress, and the hairpiece.
Text in this book reads as if Thom is talking directly to you. He shares his inspiration, along with trials and tribulations, during the shoot and post-processing. While this is not a book to teach you techniques in Adobe Photoshop where he does most of his processing, there are many important concepts shared. I’ve found a number of ideas that I can’t wait to try out in my work.
Urban Mermaids – Concept inspired by a regular model.
Is this book for everyone? Heck no. But most books are not. This is for photographers pushing their work to new realms of art. This is for photographers looking for inspiration. This is for photographers who understand that the nude has been part of the fine art landscape over the millennia. It’s for those who want a peek into the mind of a creative person who has studied fine art painters and can share concepts behind the why of an image.
Dance Within – One of the few images where Rouse used Corel Panter to help finish the look of the piece.
I can see this book becoming a dog-eared staple on my bookshelf as I plan to go back and review this on a regular basis.
Yours in Creative Photography, Bob
PS – Thom was featured a couple of weeks ago in a Tuesday Photo/Art post. You can read it here.
Rouse’s book ‘After the Camera’ is available on Amazon.
by successfulbob | fine art musician portrait, Lumix GH4, Lumix Lounge, musician photography, photographer of musicians, photography, photography creativity
Sound Bites Grill adds Melanie to the Wall of Fame
Remember Woodstock?
Me either. A little before my time.
But I do remember I grew up with a lot of music from that era. One of the artists recently appeared at Sound Bites in Sedona, Arizona. Melanie put on a fun show with a reprise of her classic hits like New Key and Look What They Done to My Song along with some newer material. Follow up with Melanie’s website here for more music info, tour dates, and history.
One of the benefits of being the house photographer at SBG is I have the opportunity to attend a lot of shows and view lots of entertainment. The other bonus is Stephen and Michele appreciate the work I do and allow me to create the art pieces from the live performances.
Melanie from her live performance at Sound Bites.
ORIGINAL CAPTURES WITH LUMIX GH4 35-100MM F2.8 VARIO LENS 1/40TH SEC F2.8 ISO 3200
Here’s the process. I photograph the performers through their show. Once images are downloaded, I cull the non-keepers. There can be quite a few of these due to blurred movement, changing lighting conditions, etc. Then I choose one that helps to tell the story, and I extract the performer from the image using Adobe Photoshop. I’ll open another file and import the extracted image. Then I’ll experiment with bringing in different textures as Layers. Changing the Blend Modes of the layers changes how they interact with the layers below. Layer Masks allow me to be selective about where changes will show. I have the artist sign their autograph and ‘message to the house’ in black marker on white paper. That is scanned and brought into the final art. That layer is inverted making the text white, and the Screen Mode is used to make the paper disappear.
Melanie & Family – Melanie has some incredibly talented progeny. They joined her on stage. Son Boe wails on the guitar. Daughter Jeordie is a singer/songwriter in her own right. (she’s playing some dates down the road in Phoenix in the next few days) All in all a great show.
You can see here that while the same general technique was used on both images, there is an entirely different ‘feel’ to the imagery. I enjoy the challenge of trying to do something a little different for all the art that hangs on the Wall of Fame. If you find yourself in Sedona stop by, grab some grub, and check out the ‘Wall’ in person.
Yours in Creative Photography, Bob
by successfulbob | black & white, infrared photography, landscape photography, Lumix G6, Lumix Lounge, photography, photography creativity
Infrared Photography on the Oak Creek
My job is tough!
Yesterday I took on the task of going hiking in Oak Creek Canyon in Sedona, Arizona to capture infrared photos. OK, maybe tough isn’t the correct word for this assignment. I love almost all aspects of working in photography. Getting out into nature and exploring is high on the list of the good parts.
I’m up in Oak Creek Canyon between Sedona & Flagstaff. The picnic area is called ‘Halfway.’ So named because it’s halfway between the hugely popular (& crowded) swimming hole known as Slide Rock and an excellent trail called West Fork. Halfway is a little less traveled spot as you have to scramble down a fairly steep embankment while climbing over rocks. Once down to the creek there’s a bit of rock hopping to navigate your way around.
LUMIX G6 20MM LENS F1.7 LENS @F9 ISO 160 1/200TH SEC
But I digress.
On to today’s thoughts on working the with a camera converted to infrared. I had my Lumix G6 converted by LifePixel with a standard IR filter ad it is working out pretty much as I had hoped it would. I find myself using the 20mm Lumix f1.7 lens quite often. It’s sharp, fast, light and has a very low profile. I guess at a 40mm full frame equivalent it pretty closely matches a standard field of view which I feel lends itself to most of my infrared captures.
As I make my IR captures I have been bracketing exposures. When I first started I was bracketing by five stops as I was learning how the camera ‘sees’ with the IR filter installed. I’ve now moved to a three-stop exposure bracket but I also set an exposure compensation adjustment depending on the dynamic range of the scene in front of me. I am capturing the images in RAW plus jpeg with the camera set to black and white. White balance is set to daylight.
The image above is two jpegs blended together to achieve the tonal contrast for which I was looking. After getting the tones blended in Photoshop using a mask, the Layers were merged and a trip to NIK Silver FX Pro 2 for some sharpening. I used the Structure and Fine Structure settings si tweak the sharpness and change the resulting layer blend mode to Luminosity. Only the luminous information is then transferred to the image. Then NIK Color FX Pro 4 was added utilizing the Glamour Glow to add some IR life to the highlights. The shadows were protected from the glow.
LUMIX G6 20MM LENS F1.7 LENS @F14 ISO 400 1/200TH SEC
This image was processed from a single jpeg which was opened in Adobe Camera RAW. Jpegs can be opened in the RAW editor to use the controls available but it does not have all the information of a RAW file. I was just trying to control contrast with this treatment so I didn’t feel the need to start with the RAW file. Exposure was adjusted as well as the highlight and shadow detail. A soft light layer was added for some dodging and burning. A vignette completes the treatment. I enjoy all the textures and tones of this scene.
Infrared photography can take midday, which is usually a tough time of day for making photographs and turn it into a blast.
That was my play yesterday. I created a few more scenes I’ll share with you tomorrow.
Yours in Creative Photography, Bob
