Arizona Professional Photographers Association has scheduled their Fall Fest event for November 4, 5 and 6 of this year. We’ll be traveling to Page, Arizona for lots of landscape photography opportunities. The highlight will be a tour of Secret Canyon. Secret Canyon is a beautiful slot canyon that we will access via Hummer Tour Adventures.
Also on the docket is a visit to sunrise and sunset locations that are quite beautiful. They say a picture is worth a thousand words. How about a video to describe the adventure?
Fall Festival video for Arizona PPA
There are limited spaces available for this trip. Initially, it will only be open to AZPPA members. Then if any spots are left it will be opened to non-members as well. If you would like to get on the waiting list to get in touch with me and I’ll get you hooked up.
The video and stills from this production were captured with a Lumix GX8 and Lumix GH4 cameras and assorted Lumix lenses. You may have noticed the time-lapse. It was created with the camera on a small tripod held on the dashboard with images taken every one second. Those images were processed in-camera to a 4K video at 24 frames per second. Adobe Premiere Pro the editor of choice for assembling all the pieces.
Lumix GH4 Lumix G Vario lens 7-14mm @14mm (28mm full frame equivalent) ISO 200 – Processed a three frame bracket spaced one stop apart in Aurora HDR software
Images were captured with the camera mounted on a tripod. When photographing in slot canyons you need to expand the dynamic range by capturing multiple exposures because light floods in from the open top but there are many dark corners. Being able to blend images together makes it possible to see all the varied detail that has been etched into the walls by wind and water over multiple years.
Yours in Creative Photography, Bob
PS – More information on this trip or the monthly meetings and other benefits of Arizona PPA can be found on the website
Landscape Photography Magazine put out a ‘Day in the Life’ type call for images with people from around the world to capture a sunrise image wherever they happen to be. I found myself bummed. I was traveling and had a flight scheduled to head to New Hampshire to speak and judge at their convention during the sunrise time.
Not much chance of catching a sunrise photo from inside the airport.
Bummer!
Instead of giving in to the inevitable, I tried to think outside the proverbial box. I found that the sunrise was during my waiting time for the flight. After checking in through TSA, I found an east facing set of windows and to my surprise was blessed with a beautiful set of clouds and the sun working its way up to the horizon spreading color through the scene. I framed a scene and waited for a bit of action to help tell more of the story.
The density range of the scene called for multiple-exposures to capture the bright sunlight and the shadow areas of the scene. I was using the Lumix FZ1000 and set the camera to capture a bracketed set for five stops of light. I then had the option of blending the images together for the proper rendering of the scene that was before me.
Here is the sequence of images captured before processing
I chose four of the images and processed them in Aurora HDR software for MAC. I am really enjoying the new HDR software from MacPhun. There are a plethora of settings that allow you to dial in the settings necessary to render the scene as you wish. I prefer to have complete control and try to create a more natural rendition of the scene.
Final Image – submitted for the dawn capture
There were some additional adjustments made to take out the reflections in the glass and add a slight vignette to help steer the eye toward the center of the image and keep the viewers eye from leaving the photo.
Yours in Creative Photography, Bob
PS – When you think there no chance of capturing the photo you are after… don’t give up!
Set aside the weekend nights of November 4-5 and think about joining Arizona Professional Photographers Association as we head out on the road again for our annual Fall Fest. Of course, since this will be a limited number of people event seats will be opened to AZPPA members first. If there are still places available they’ll be opened to non-members. If you want to be sure to be included in the event you can become a member and get all the benefits including first shot at signing up for events like this…Page Arizona
Page, Arizona is home to the beautiful slot canyons and while some have become quite busy like the well-known Upper & Lower Antelope Canyons, there are still some off the beaten path places you can tour. One is known as Secret Canyon and arrangements are made to tour this as a part of AZPPA’s Fall Fest.
Here are a couple images I made while on a scouting mission with Bruce Roscoe for the association. We’ll be producing a video with more info but here’s a taste to whet your whistle!
Secret Canyon – Page Arizona
This image was captured with the Lumix GH4 and the Lumix G Vario f4.0 7-14mm lens. Settings were 1/6th sec at f13 ISO 200 14mm (28mm 35mm equivalent) When in low light high contrast situations like this bracketing exposures is almost a requirement and a tripod is a necessity. A great feature with the GH4 is a dial on top of the camera allows you to quickly access the bracket setting. You can be shooting a single image one moment then with two clicks you are in bracket mode. I have mine set for five exposures one stop apart in this situation. This gives me all the information I need to get detail in the shadows and detail in highlights.
Once back in the studio there are several methods to combine the bracketed exposures including Adobe’s Lightroom and Photoshop. If you are on a MAC computer there’s a new HDR software called Aurora HDR from MacPhun which I have been enjoying. I choose four of the exposures to process. Even though I was on a tripod I had the software align the images in order to assure the best results because pushing the shutter button might have moved the images ever so much. After processing in Aurora I did a little dodging and burning to open up a little detail and guide your eye through the image.
Secret Canyon – once again
Settings a gear were the same for this image as outlined above. I added a little trip into NIK filter land for a little glow (which could have been added in Aurora) but I wanted a slightly different look and didn’t want to blow out the highlight on the log. I’m still learning the Aurora HDR software or I would have completed the image in there. Sometimes it’s just a little easier to go with what you know but I have been getting better and better results with Aurora the more I work with it.
It’s pretty amazing how far the new HDR software from Macphun called AuroraHDR has come. Layers are now available within. An interface that’s pretty straightforward but with lots of control available in many different areas of manipulation.
One of the things I find I really like is the ability to get the most out of the dynamic range in the scene… and still have a very realistic image rather than one that screams HDR!!!!! And, even better presets that will get you close to the final look you want.
I pulled a set of three images from Butchart Gardens in Victoria British Columbia near Vancouver, Canada and thought I’d see how the software worked with these older files from the Leica D-Lux 4 point and shoot camera.
Natural preset.
A bit more ‘tooth’ in this preset. I like what it did to the greenery but not so much the sky. Could be combined with the image above or processed with layers in Aurora to clean up sky area.
Black and white preset… Not bad. No extra processing.
You can be as subtle or as outrageous in your processing as you would like. Shooting multiple images to expand your density range? Try out the program. I think you’ll like it.
Yours in creative Photography, Bob
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HDR. High Dynamic Range. AKA how to jam a whole lot of light into an image the way our eye would see the scene. I’ve always been a fan. As a matter of fact I was one of the first authors to teach this when I was making videos for Software Cinema. I showed how to use this process to make landscapes and real estate scenes look their best.
Unfortunately, I didn’t have a catchy name for it. Nor did I design a software program or cause others to do so on my behalf that did most of the heavy lifting for the HDR process either… Oh well.
Five image sequence, handheld, processed in Aurora HDR software.
Even though there have been many iterations of HDR software it’s been a while since there was a new player with a different interface that included many new possible settings in and easy to understand interface and, wait for it, layers too! The new software is called Aurora and was designed by HDR travel image specialist Trey working in conjunction with Mcphun Software.
I was given the software to play with… And, I like it!
Another 5 image handheld bracket using Aurora HDR software
Same image as above processed differently from same exposures.
It gives you the ability to totally go HDR berserkers! Or, create a very natural scene with full dynamic range. Or somewhere in between so you can have the best of all worlds. An artistic, realistic representation of a scene that DOESN’T SCREAM HDR!!
All images were captured with the Panasonic Lumix GH4
Yours in Creative Photography, Bob
PS – At this time Aurora is only available for the MAC platform at the moment
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