by successfulbob | infrared photography, Lumix G6, Lumix Lounge, people photography, photography, photography creativity, photography gear
Obviously infrared imaging is not for people photography. Dead eyes. Super high contrast. Blown out highlights. Definitely not for people… Unless you are doing something artsy with the scene being most important and people are a relatively small element in the overall image OR you are at a Dia de Muertos (Day of the Dead) Celebration.
And, I just happened to attend one at Tlaquepaque in Sedona on Saturday and found a few people in costume and face paint to pose for me.
Had a lovely ‘Day of the Dead’ model join me for a quick photo session in a back lit alcove.
Paper mache Caterina on the fountain. Seems like it was a day for brides as I worked…
If you are unfamiliar with the Day of the Dead celebration it is a Mexican Holiday when families get together and morn and celebrate the passing of loved ones. The celebration is to help those who have passed to move on in their journey beyond.
Images captured with the Lumix G6 and 20mm f1.7 pancake lens. Converted to IR by Life Pixel. I had the
Proper tool for the job. I think infrared works for this situation. How about you??
Yours in Creative Photography, Bob
PS – More tomorrow…
by successfulbob | infrared photography, landscape photography, Lumix G6, Lumix Lounge, photography, photography creativity, photography education, photography gear
While on the mountain trip we rode off through the wilderness. Can you say “Curvy Roads!” boys and girls?
Lots of winding roads through the area but it led to some beautiful places. I had the Lumix G6 that has been converted to Infrared capture by LifePixel. It gives the image a pinkish cast straight out of the camera. I’m starting to find my groove in processing for the final Infrared photo look I am going for…
I enjoy how these trees framed a little window into the water beyond.
Same trees different composition with a witness to how careful you need to be in shielding your lens from a direct sun hit. Although in this case I think it’s a happy accident and enjoy the flare that found its way into the frame.
Here’s my workflow at the moment as I learn more how the camera ‘sees’ IR light. I capture the scene in RAW plus jpeg with the camera set to capture a black and white image. This give me a pretty good preview of what the IR image will look once it is processed. But since I am capturing the RAW images at the same time I also get all the information that was presented to and captured by the camera for tweaking in post processing. Having all the color information in different channels allows for some very specific processing that would not be available if only the Luminous information was saved.
In addition to the RAW plus jpeg I also bracket exposures. At the moment I am bracketing by seven stops to learn how far to over and/or under expose any particular scene.
Then I choose two of the separate RAW captures with one giving me the tones for the foliage and one for the sky. I process these in Adobe Camera RAW. Then using Masks I blend the two images together feathering the areas using the Brush Tool. I Save the file and merge all into a Layer on top preserving the Masked Layers just in case.
Then I take the file into NIK Silver FX Pro2 to process for Black and White because I still have the color information in the file I have more options for tweaking individual tones. Then I will process the color Layer one more time to vary specific areas even more. Then with the tow BW processed Layers I blend those together using Masks for the final tone blend. Then depending on the look I am going for I may process this Layer in NIK Color FX Pro4 using Glamour Glow and Mask those changes where necessary.
More IR images tomorrow.
Yours in Creative Photography, Bob
by successfulbob | cloud photography, infrared photography, landscape photography, Lumix G6, Lumix Lounge, photography, photography creativity, photography education
Live, learn and practice some more.
This is the continuing story of learning to see and capture infrared images with my newly refurbished Lumix G6 camera from LifePixel where I added a straight IR filter to the camera… (see Part One or Part Two)
Photographing with a camera that has had it’s sensor replaced by with an infrared filter makes IR photography MUCH easier than the olden days of film when fogging a roll was easy and focusing not so much. But as with all things photography making it easier doesn’t necessarily lead to stellar results. You still need to learn to ‘see’ in infrared. A helpful tool is the use of photographing in RAW +jpeg. You can set the camera capture mode to black and white The capture is in color AND black and white. If you have what you need and are happy with the ‘natural’ in-camera capture in black and white you are ready to go…
So far I am not.
RAW file to the rescue. As you saw in part two there are multiple ways of addressing the final IR image and many ways to get to the final image you have in your brain. We still have the words of Ansel Adams to fall back on to create a more artistic rendition of a scene. Paraphrasing for today’s world here, ‘The RAW capture is the score, the processing and final print the performance.’ Just as a conductor can get more out of his orchestra but pulling exhorting his individual musicians to do their best we can manipulate each pixel in each color space to give us the tones we desire.
Some of the things I’ve dabbled with…
Two or three different processing pulls from the RAW files for different areas of the image.
NIK Silver FX Pro 2. to convert to black and white and tweak ‘colors’ into the tones I was looking for.
Channel Mixer Adjustment Layer after the file was open in Photoshop.
Black and White Adjustment Layer.
Hue Saturation Adjustment Layers.
And mixing and matching all of the above techniques to taste…
We don’t have a lot of deciduous trees in Sedona, but the banks of Oak Creek lead a parade of trees down from Flagstaff. Having the color information available in the file and Layers and Masks in Photoshop allowed me to create the contrast and tones I was looking for…
Same scene from a slightly different angle and different processing lead to an image, while still BW IR has a totally different feel than the one above.
As always don’t forget to turn around… Many times there is an enticing image waiting behind you.
Moving off the creek banks led to this….
I see IR as a great new tool in my quiver. Makes photographing at mid-day very interesting. Can’t wait until I start to learn more about new capture and processing ideas to really push the look.
Yours in Creative Photography, Bob
by successfulbob | black & white, infrared photography, landscape photography, Lumix G6, Lumix Lounge, photography education, photoshop tutorial
OK. I went back to the same file I worked on yesterday and reprocessed using a couple different techniques. Here is the new version captured with the Lumix G6 and the 7-14mm f4 lens.
Different processing led to a cleaner more detailed IR image.
First I used Adobe Camera RAW to process the file twice. Once for the foreground which was in shadow and again for the background which was in full sun. Using a Layer Mask I blended the two files together. Then using the Channel Mixer I swapped the Red and Blue Channel information as this file is still comprised of RGB information. When you first open the Channel Mixer adjustment Layer you’ll see the Output Channel set to Red at 100%. Change this to 0%. Go to the Blue color and change it to 100%. Then change the Output Channel to Blue and make the Red color 100% and the Blue color 0%. This is to give a ‘blue sky effect’. I didn’t like that effect so I kept going.
Swapping the Channels gave me a better image ultimately so I will keep this as part of my IR processing in the future.
Next using NIK Silver FX Pro 2 I converted to Black and White adding some mid-tone structure and fine structure. in NIK Color FX Pro 4 I added a bit of Glamour Glow with neutral color. This helped increase the IR look. A little goes a long way before you blow out some highlights so be careful here. Final bit of tweaking is a blank Layer set to Soft Light Mode using the Brush Tool with Black or White color to dodge and burn the image just a bit to control where the eye travels throughout the photograph.
Looking forward to working in IR more often. Gives a great look to noon-day sun images when you would normally refrain from making image captures.
Yours in Creative Photography, Bob
by successfulbob | black & white, infrared photography, landscape photography, Lumix G6, Lumix Lounge, photography, photography creativity, photography education
It’s a bit of a different world when you move into infrared imaging.
This is photography with a totally different look.
It used to be very difficult to capture infrared as the filters used to allow the non-visible light spectrum through were extremely dark making it difficult to see and frame your subject. The film was extremely sensitive and was quite susceptible to fogging ruining exposures before you even got them into the developer. In addition there was the need for focus adjustment as visible light focused on a different plane than the invisible spectrum which would often lead to out of focus images. And finally there was lots of grain in many of the captures.
Fast forward to today… I just received my Lumix G6 back from LifePixel after a conversion to allow the camera to capture infrared. It’s still not quite a piece of cake to create an infrared image but the capture sure got easy!
First infrared image from newly converted Lumix G6.
In this image the foreground area was in shadow so it wasn’t receiving the full infrared effect but the clouds, sky and rocks in the distance showed well. To combat this the image was triple processed. Once for the top half, and twice for the bottom to carry the infrared look through the image. Black and White conversion was made with NIK Silver FX Pro 2. Masks were applied to make the changes
With the filter switched to a straight infrared filter you end up with a reddish sepia-tone image straight out of camera.
In order to have a better idea of what I was capturing as far as a final image of Black & White infrared I shot with a camera setting for Black & White. I then set the camera to capture RAW + Jpeg so I would have all the information presented to the camera but also have a quick BW in the jpeg.
There is another way to process the images (well probably as many ways as there are photographers) which I’ll share in another post using Photoshop Channels.
Yours in Creative Photography, Bob
Here are some links to my follow-up IR posts
infrared imaging part 2
infrared photography part three
gila wilderness infrared photos
