want more pixels

Sometimes you just want more pixels in an image.

Do you have to buy a new more expensive camera? Nope. You just have to learn how to sew… I mean stitch.

Basically even with the 16MP micro 4/3rds chip we are working with in the Lumix line of cameras we have multi-megapixel (like 100MP plus) cameras in our hands if we take multiple images and overlap them. Here is an example.

sedona panorama

This is 13 images overlapped with the camera held in the vertical orientation. This file comes in at 385MB after processing in Photoshop.
I could easily print this image 26 inches by 158 inches. That’s about 2 feet by 13 feet!

sedona arizona panorama

Here’s another version with 2 rows of 10 images overlapped with camera held in vertical orientation. This file is almost 400MB after processing. Could easily be printed to 3 feet by 10 feet…

This technique can be used with large group portraits, architecture and any stationary subjects.

Images were captured with the Lumix GH4 and the Lumix Vario 35-100mm f2.8 lens at ISO 200 f10 1/320th sec. The built in level on the GH4 helps to keep the horizon straight during this hand held capture to make the panorama stitching easier in the software. My overlap of individual images is about 30%. Any less than that and you’ll tend to find stitching errors in the final image.

So you’ve heard the expression “Go big or go home!” Now you can with whatever gear you are working with….

Yours in Creative Photography,    Bob

PS – using links on this site to make your gear purchases help to support this web site and the education being shared. Thanks in advance!

 

red rocks sedona in storm

They say the camera you have with you is the best camera. I’m a big believer!

How many times have you been out and about and left your gear at home because it would be too bulky or a PIA to have with you? Since joining with Panasonic as a Lumix Luminary I have had access to a number of cameras, all of them smaller and lighter than my former DSLR kit. As a result I almost always have a camera on hand and less of those found moments are getting away from me.

I was giving a workshop and stepped out to go to the rest room and saw this scene unfolding in front of me. I dashed back and grabbed the Lumix FZ – 1000 because of it’s 400mm reach and was able to grab these two images of the red rocks of Sedona being lit in front of some storm clouds.

Red Rocks of sedona, az

The camera allows for up to a 7 stop bracket. In this case I bracketed 5 stops at one stop intervals and processed in PhotoMatix Pro 5. This kept the rocks being lit by the sun from being blown out against the dark background of the sky.

strom clouds behind sedonas red rocks

Don’t forget to ‘Work the Scene’ when you come across different photo ops. Shoot as a horizontal, vertical, zoom in, try different crops. I didn’t have much time to do this but at least I captured 3 different renditions of the scene.

The Lumix FZ 1000 is often the camera I am grabbing to have with me all the time. 25-400mm f2.8-4 all in a body unit that weighs about 2 and a half pounds. Sweet!

Yours in Creative Photography,    Bob

PS – Please remember that if you use the links from this web site to make your purchases it helps support the education provided on Successful-Photographer.

red rock jeep photo shoot

Did a pre-dawn run to help create some marketing images for Red Rock Jeep Tours with the Jane Zane Ad Agency. Worked in a great spot that allowed us to have a view of the red rocks in the background. It was wonderful collaborating with Jane. This is the first time I’ve worked with her and look forward more photo shoots in the future…

red rock jeep image

Red Rock Jeep Tours jeep in early AM light.

red rock jeep photo

Another view of Red Rock Jeep

Images captured with the Lumix GH4 and the 35-100 f2.8 Lumix Vario glass. Exposure 1/80 sec f9 ISO 200. Multiple images were made to control contrast of the scene and blended together…

Yours in Creative Photography,      Bob

sedona arizona panorama

The clouds led to some interesting lighting conditions when I drove up the hill overlooking West Sedona so I popped out to see if it would translate into a cool photograph. What I saw in my mind was not what I was able to capture in my camera but it wasn’t terrible.

sedona arizona panorama photo

This is the color ‘straight version. I liked the play of light and shadow but thought there was more there with a little artwork.

sedona old time panorama image

Using a couple NIK Color FX filters (Glamour Glow & Old Time Photo) I feel like this image was made many years ago and
could work as a decor piece for a business that caters to a more timeless vision of Sedona.

The panorama was made from 7 photos with the camera held in the vertical position and stitched in Adobe Photoshop. Manual settings including focus and exposure on the Lumix GH4 made it easier to stitch the pano. The lens was the Lumix 35-100mm f2.8. With the stitching I ended up with a 150MB file which can be printed pretty darn large.

What ‘Cha think?

YOurs in Creative Photography,       Bob

sarasota sunset

Here in Florida for some personal time… But always have a camera at hand to practice and play.

Tonight’s Sarasota sunset was a bit on the intense side. Just happened to be in an OK place to grab a bit of color and some silhouettes of sailboats along with some shoreline.

sarasota florida sunset silhouette

A short walk from the Tiki bar I was enjoying when a strip of color started to materialize under a cloud filled sky. 1/250 sec f4.5 ISO 200

After helping to judge the International Loupe Awards over this last couple of days I almost didn’t make this photo because I had viewed so much absolutely beautiful work. So I made this more for me and for seeing what happens with a little experimentation as seen in the second photo.

sarasota sunset image

OK this is moments after the first photo was taken. Camera movement up during slow exposure and adding some color
enhancement correction and a bit of work in post leads to this more abstract rendition of the scene. 1/6 sec f20 ISO 200

I haven’t decided if I like this version. I need some time away from the image. but I believe it’s given me a place to start and I have some new thoughts on how I may capture some scenes in the future as starting places for creating a more artistic look in my work.

Images were captured with the Lumix GH4 and the 35-100mm Lumix Vario f2.8 lens.

Yours in Creative Photography,      Bob

5 day black & white challenge

The Five day Black and White Challenge has been floating around the Internet for the last couple months. The basic premise is that a photographer will post a BW image everyday for 5 days at the same time inviting a new photographer each day to join in the challenge. After being tagged a couple times I jumped in… Here are the 5 black and white photos I posted with the comments. What I thought was going to be a PIA turned out to be pretty cool and I’ve been exposed to a lot of new black and white photography images as a result…

Day 1

black and white photo - horses

This from Monument Valley and the box canyon. I like the Shadowed canyon wall, back
light on the horses and the settling dust that give this image it’s depth.

Day 2

street portrait black & white

Here’s an image captured on the streets of Santa Fe, New Mexico.
His name is Doc and is a truly wonderful character. He was introduced to me by Dennis Chamberlain

Day 3

receding fence BW photo

Scan from an image taken out of the darkroom soup almost 30 years ago… I sometimes wonder if the images we have on our computers will last as long as this. I was actually quite surprised by how much detail was still available. Print origin 1985.

Day 4

old italian man strolling the street in italy

Day 4 came from Italy. BW really adds a timeless fell to this image allowing
all the shape, form and textures to shine through with no distraction from color…

Day 5

hilltop italian town black and white photograph

Repeating shapes, forms, tones and leading lines from this hilltop town in Tuscan region in Italy close out my 5 day challenge.

It’s always good to accept a challenge to push and get feedback on your image making skills. What have you done lately??

Yours in Creative Photography,     Bob