There are two new inductees into the Sound Bites Grill ‘Wall of Fame’.
The RD Olson Blues Band played last week and rocked (blued??) the house. High energy blues from this five piece band had people squirming in their chairs and out on the dance floor. My wife Holly and I really enjoyed the music along with the rest of the patrons.
R.D. Olson Blues Band
Images of the band members were captured with the Lumix GH4 and the 35-100mm Lumix Vario f2.8 lens. This camera and lens combo gives me the density range to capture the highlights of the LED lighting and the deep shadows that come with stage spotlights. In addition, the 200mm lens (35mm equivalent) allows me to isolate the individual performers without disturbing Sound Bites guests as I photograph the live performance.
After downloading the images I select each performer and move them to a master file for compositing of the group for the art piece. Shadows and Inner Glows using Adobe Photoshop on layers help to give the individuals depth in the image. Multiple photographs of textures are added and Blend Modes altered to add the color and painterly effects.
RD was also selected by Sound Bites to also be featured as a single artist in addition to being on the ‘Wall of Fame’ as part of the band.
There’s a new inductee into (onto??) the Sound Bites Grill Wall of Fame.
Renee Patrick has a marvelous voice. She was performing with the Steve Sandner Jazz Trio as a guest during Jazz and Juice that has been a Sound Bites Sunday evening staple for a while now.
Renee live on stage followed by an artistic treatment…
Original image captured with the Lumix GH4 1/25th sec f3.2 ISO 1600. The lens is one of my favorites for capturing individual artists on stage the Lumix Vario f2.8. A better camera setting would have been ISO 3200 at f2.8 to give me a bit more sharpness although I do like the movement captured here with her hand slightly blurry… With those settings I would also set the exposure compensation down about 2/3rds to a stop to make sure to not loose the highlights in the LED stage lighting.
Jazz and Juice is Live Jazz with 1/2 price bottles of wine with dinner. My wife Holly and I enjoy catching the Jazz music, good food and a great price on the wine!
That’s not a word you hear everyday… Even if you live in the Southwest where these very interesting cactus reside. Ocotillo are long stalks that most of the year look like they are a bit worse for wear and have moved on past the living stage.
BUT, when nature’s green paint brush, AKA rain, moves through the area at the right time of year these seemingly greyish brown sticks with thorns turn green and put on a show with bright crimson blooms.
Kinda gives you hope when you see this process. And that’s where a phrase you hear even less, the name of this post, Dance of the Ocotillo. Which I think is easier to say than Dance of the Fouquieria splendens which is it’s binomial name.
My model friend Pash Galbavy said she really enjoys these plants and wanted to be photographed with them when in bloom. “Was I game to get up and hike into the wild before the sun chose to make an appearance?” “Sure,” I said. “Always up for a challenge and creating some art.”
Pash made individual dance moves around the cactus. Camera was mounted on a tripod and multiple exposures were blended together using Layers and Masks in Adobe’s Photoshop.
This is an alternate version I enjoy even more created using multiple NIK filters. Included in the mix were Pro Contrast, Glamour Glow, Sepia Toning, Edge Efx and Film Noise.
I used the Lumix GH4 with the Vario 12-35mm f2.8 lens mounted on a tripod. I wanted to capture motion on each movement but I couldn’t get the shutter speed slow enough without some extra help. Camera settings 19mm, 2 sec, f22 ISO 200 manual mode.
Getting the shutter speed this slow required the help of a 2 stop neutral density filter. I had just received a set of very inexpensive filters from Neewer because I wanted to experiment with them for water effects. The kit is less than 25 bucks and I was pleasantly surprised at the quality. I just happened to throw them in my kit before this shoot… Who knew??
Yours in Creative Photography, Bob
PS – If you want to talk about someone dedicated to her art here is a photo of Pash dressed in clothing more appropriate to the per-dawn temperature!
Pash dressed for the 47 degree pre-dawn temps we were working in.
PPS – Making purchases on Amazon and through other links helps support the education on the Successful-Photographer web site… TIA.
A couple days ago I shared some images from working with Pash Galbavy when she was doing a model posing for a life drawing class. She was posing in the Butoh style, something I had never heard of before documenting this class. See the post here.
One of the great features of the Lumix cameras that doesn’t get spoken about too often is the ability to shoot time lapse sequences. I mounted the Lumix FZ-1000 on a tripod and set it to capture an image every 30 seconds. I was looking to tell the story of the life drawing class and how this particular session of Butoh posing was done.
Pash and the artists at work in the Life Drawing Class over a couple hour period.
These images were given a quick process to control color and contrast and saved to 600 pixel jpegs. For the time lapse 94 images were used at 7 frames a second giving a 13 second film output as an H.264 codec which produces a .MOV file. They were assembled using Time Lapse Assembler a free program for MAC or PC. One thing to remember when creating a time lapse movie that a normal playback speed is using 24 frames per second. which means you often need to capture images about every 1-3 seconds over a long period of time to have a longer final film.
Pretty amazing what we get to learn as photographers…
I was asked by a model friend, Pash Galbavy, (see her site and work with other artists here) to help document a life drawing modeling session she was doing utilizing Butoh posing.
Butoh posing?? What the heck is that? And the continuing education of this photographer goes on…
Butohis a form of Japanese dance theatre that encompasses a diverse range of activities, techniques and motivations for dance, performance, or movement. Following World War II, butoh arose in 1959 through collaborations between its two key founders Hijikata Tatsumi and Ohno Kazuo. The art form is known to “resist fixity” and be difficult to define. If you’d like to learn more check Wikipedia here.
Pash Galbavy of Sedona at Elephantine in an art rendition using textures and colors photographed at the same time.
Pash wore clay and twined straw into her hair to enhance the Butoh look.
Pash is absolutely amazing as a model. She’s able to hold poses for a long period of time with no motion
yet still able to bring emotion forward.
Images were captured with the Lumix GH4 and the Lumix Vario 35-100mm f2.8 lens. ISO’s were from 1600 to 3200…
Images were then taken into Adobe Photoshop where I added layers of color textures from photos and used Blend Modes, Selections and Masks to create the final artwork. In working this way I have numerous renditions with different amounts of color. or lack thereof for each of these images. This is the technique I’ve dubbed ‘Photo-Synthesis’.
Yours in Creative Photography, Bob
PS – If you are ever in the Sedona, Arizona area and need a life model who is incredibly talented make sure you see if Pash is available. She’s truly a work of art in her own right with her posing ability.
I’m working on a video for a future seminar being hosted by the Arizona Professional Photographers Association (AZPPA) in the fall and here is an image of one of the character actors expected to join us in a western setting. Steve AKA the ‘Sheriff’ is a pleasure to work with as are all the people who will be dressed in period costumes at the event.
‘Sheriff’ Steve in costume.
Steve was captured with the Lumix GH4 and the 35-100mm f2.8 Lumix Vario Lens. Natural light from a somewhat overcast but bright day coming through a doorway camera right and behind Steve so I could shoot into the shadow side of his face to add depth, dimension and drama to his features.1/15th sec f3.2 ISO 1600 in Aperture Priority with a slight bump in Exposure Compensation to open shadows just a bit.
Post processing often plays into the creation of my images. As Ansel Adams proclaimed, “The negative is comparable to the composer’s score and the print to its performance. Each performance differs in subtle ways.” So here is the original digital capture with no adjustments.
Straight Out of Camera (SOOC)
Top Image was processed in Silver FX Pro 2 to convert to Black and White.
Then some small retouching moves, mostly dodging and burning to control the contrast of the scene.
NIK Color FX Pro 4 Bleach Bypass Filter. Used a Layer Mask to bring back some detail that got whacked.
Back into NIK Color FX Pro 4 to use the Tonal Contrast Filter to highlight details and bump contrast.Layer Mask to control specific areas.
Added a Soft vingette.
Soft Light Blend Mode Layer added to retouch and add extra life to his eyes.
Then a conversion to Sepia Tone using a Hue Saturation Adjustment Layer with the settings Hue 30 Saturation 10 Lightness 0 and Colorize checked. (Got this recipe, or something very similar, about 15 years ago from longtime photographer friend Tom Cheswick)
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
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