infamous infrared photography

infamous infrared photography

Infrared Photography – Some Members
of Infamous Mopar AZ Chapter Car Club in Sedona

You never know who you might run into when you are out photographing clouds. While I was catching some infrared photos at Bell Rock Vista in the Village of Oak Creek in Sedona, three pretty cool cars started backing into spaces right behind me. When I realized they were lining up to take photos of their cars I moved out of their frame.

We started to chat, and it turns out we have a lot in common. They are members of the Infamous AZ Chapter Mopar Car Club, and I once had a cat I named Mopar because of the way she purred. OK, I have a weird sense of humor, but you get used to it I think. I believe all people are connected in one way or another.

Since the cars were lined up, I captured some photos with my infrared set-up. (see this post on processing infrared files from this session)

Here are a couple of captures.

infamous car club in sedona photoThree couples from the INfamous Mopar AZ Chapter

 The three couples I met while photographing with my infrared Lumix G6 camera at Bell Rock Vista. This image was processed in the same way as was described in the other post.

infrared car photoCars from the Infamous Mopar Car Club AZ Chapter in front of Courthouse Butte in the VOC, Sedona

raw file from cameraStraight out of Camera (SOOC)

This image was processed in a different manner from the on above. I started with the RAW file. In infrared converted cameras, the RAW image will have a severe magenta cast.

Adobe Camera Raw Palette imageACR Palette with settings

First stop was into Adobe Camera RAW for initial processing. Settings were to move the Temperature Slider all the way to Blue. The Tint Slider all the way to Green. Exposure boosted 1/3 stop. Contrast increased. Highlights were lowered, and Shadows raised. Whites bumped up a bit, and Blacks brought down. A small amount of Clarity was added, and Vibrance was lowered. Adobe Photoshop Layers palette image

Adobe Photoshop Layers Palette

The Background Layer shows how the image comes out of Adobe Camera RAW with the processing shown. It is quite a Sepia tone which cold be OK but not the look for which I was going Above that is a Black & White Adjustment Layer. Next up, is the Layer generated by a trip to NIK Silver FX Pro 2. (available free of charge from Google) It created the full black & white conversion. I added some structure, grain, and controlled the intensity of the black and white. There’s a Layer Mask to allow some of the original image to show through without the processing from NIK. Above that is a Layer in Soft Light Mode for dodging and burning. The top Layer is a Curves Layer to allow some selective lightening of the image to bring some extra attention to the cars.

I think these infrared images would look great printed on metal.

Yours in Creative Photography,      Bob

 

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sunday photo/art quote – newton

sunday photo/art quote – newton

Sunday Photo/Art Quote – Helmut Newton

What is your job as a photographer?

If portraiture is your genre then showing people at their best is your work. That means you need to be very good at lighting the form to flatter, right? It means being great at photoshop and retouching is an important part of your work, correct? Having the right equipment and knowing the proper settings, that must be most important, right?

While all of the things listed above have merit and are part of the equation. I think if you have Mr. Newton’s quote in mind as the main part of the job then you are probably doing pretty well.

helmut newton quote“My job as a portrait photographer is to seduce, amuse and entertain.”  – Helmut Newton

I’ve found in the past that if I don’t connect with my subject the final portrait is usually less than stellar. It was when I found this quote from Helmut that I found the words for what my true job is as a portrait photographer. Sometimes just having the words makes all the difference in a career.

I find that it can be interesting to find out about the lives of those photographers that have come before and inspire. Helmut led a VERY interesting life. Born in Berlin, and forced out of Germany to Australia, then spending time in Paris, London, Monte Carlo, and in the United States iPasadenana, California.

helmut newton image© On Gallery Helmut Newton

Check out some imagery* from Newton. He made some very powerful portraits. While don’t suggest that your images move in the sexually charged direction that much of Newton’s work entailed, you can learn a lot for his lighting patterns and the connection he made with his subjects, You know that people are comfortable in front of his lens.

Yours in Creative Photography,       Bob

* Caution: If you are offended by the human form, AKA nudity, you won’t want to follow this link.

tuesday photo art gregory daniel

Tuesday Photo Art

Gregory Daniel FDPE, FSA, M.Photog. CR., CPP, F-ASP

The Tuesday Photo Art blog post is featuring photographers who are taking photography to a new level using Photoshop and Painter techniques to offer more upscale products to their clientele and differentiate themselves in the now very competitive photography market. Most featured artists have shared their techniques in creating the art. Here Greg is sharing information a bit more on the business side which is something we artist types can let slide to the detriment of our wallets.

With that introduction, I’m turning today’s post over to Greg.

Stay True To Yourself

Today more than any other time in our industry being unique is critically important to the success of our businesses and personal sanity.  Tons of noise in the marketplace is what I hear and experience every day.  Everywhere you turn there are ads from all walks of life competing for our attention.  Many appear to be attempts at desperation with price reductions and specials as a means to stand out from the crowd.  Producing products, services, branding and experiences like everyone else lands you in the wading pool of commodity.  So this begs the question on how to rise above the noise and be noticed.

I will attempt to share some concepts and principles that have shaped my path for the past 36 years in business.

gregory daniel signing photographic artworkGreg is adding the finishing touch, the signature, to his art portrait.

Stay True To Yourself 

I have found this to be the foundation for our success.  If you are interested in being different, looking unique and standing apart look no further than yourself.  There is only one you and no one else can be you!  Fortunately early on in my career, I found my uniqueness through the love of art museums.  You could find me in the library poring over books about artists or in galleries during family vacations.  Since the late 80’s these art galleries were and are a beacon of light for my vision to fuse my love for photography with painterly galleries.  Staying true to this personal love and vision has been the incredible satisfying artistically along with setting myself apart from the commodity.

Your Audience

Certainly it goes without saying that if you want a business to be successful, you need to identify who your buyer will be.  The commodity is for the world of mass marketing, which is not only expensive but also difficult.  Identifying, who your specific client is, will narrow the marketing beam to a laser.  In our case, the audience were families that appreciated unique handcrafted works of art.  This could stand true from shaving products, dining experience, tailored clothing, interior designs and high-end vacations.  Here’s the think, it is a must to know who to let know you exist!

greg danile portraitFinished portrait, framed and installed

The Product

Now here is an area that I commonly see as an issue during my many mentor sessions with students.  I truly believe starting with creating one single product that defines who you are, is paramount to clearly communicating to your audience.  Developing your unique product and getting feedback from your audience is critical to business success.  Clearly our audience recognizes a Gregory Daniel Mixed Media Portrait as our signature commissioned product.  These are uniquely designed pieces to fit the lifestyle of their beautiful home.

Final Thoughts

I encourage each of you to dig deep inside to find the true you.  There is wonderful joy in knowing the business you have created was built on the foundation of your core desire. Communicating through this beautiful art form with your personal language is a gift to yourself and your audience.

Bio

Gregory Daniel  M. Photog.,Cr. CPP, F-ASP, FDPE, FSA

Greg and his wife Lesa Daniel are internationally recognized for their artistry and run Gregory Daniel Portrait Artist Though he is one of the most awarded photographers in the United States, Greg has the utmost privilege of living out his passion every day alongside Lesa in operating their portrait photography galleries in both Indialantic and Titusville Florida. He has achieved both the title of Master of Photography and The American Society of Photographers Fellowship. In addition, Greg is one of the youngest members to be inducted into the prestigious Cameracraftsmen of America in 1991, proud, founding member of the International Society of Portrait Artists (ISPA) and on the Board of Directors, Professional Photographers of America.

Yours in Creative Photography,     Bob

PS – Thanks to Greg for sharing his knowledge here on Successful-Photographer. If you have a photographic artist you would like to see featured let me know.

sunday photo art quote – caponigro

sunday photo art quote – caponigro

Sunday Photo/Art Quote – Paul Caponigro

Funny how things work.

In looking for the Art quote for this week’s post, I came across these words.

paul caponigro photography quote“It’s one thing to make a picture of what a person looks like, it’s another thing to create a portrait of who the are.”   Paul Caponigro

But, strangely enough, this quote came from a photographer who is best known for landscape work that is imbued with mystical qualities.

Making portraits that capture personality and emotion is an art. No doubt about it. Paul’s quote got me to thinking about photographers who were able to tell deeply personal stories with their imagery in a single image. My name would not be on this list partly because I haven’t deeply worked at creating portraiture. Yes, I made photos of people for business and captured weddings and families over the years but not profound portraits. I think that’s because I don’t wish to share me with the world on too deep a level.

“What the heck are you talking about Bob??”

I believe that a great portrait is a combination of a photographer with deep empathy who is a passionate individual and not afraid to share that makes a great portrait photographer. A great portrait captures the subject but, I believe, is also a reflection of the photographer. And I just ain’t that deep. Still have some exploring to do on that front.

Anyway, I digress. Here are some of the names that came to mind. Yousef Karsch, Parker J Pfister, Tim Kelly, Richard Avedon, Mary Ellen Mark, Diane Arbus, Oscar Lazoya and Steve McCurry among many others.

tim kelly fine art black & white portrait© Tim Kelly – An exquisite portrait showing the love of a father & son. Emotion personified.

You may notice that all the portraitists I mentioned have varied styles. Apparently there’s more than one way to skin a cat! Maybe you can share some of your favorite portrait artists here. Be it those that are well known or unknown to the rest of the world. I’m curious to see the names on your list.

Yours in Creative Photography,       Bob

PS – Are you creating portraits of your subjects? Or are you just taking pictures?

tuesday photo art – beverly walden

tuesday photo art – beverly walden

Tuesday Photo Art – featuring Beverly Walden, M.Photog.Cr.

Tuesday on Successful-Photographer is now dedicated to the art of converting images beyond that of a photograph and moving the image in a more Painterly/Artistic direction. We’ll be taking to look at the artist/photographers who are forging their way forward in creating a new art form with photography at its base.

beverly walden painting finishing touchesToday’s artist is photographer Beverly Walden. Shown here adding some finishing touches to her painting.

I have been following Walden’s Photography for many years. I’m impressed with Tim & Beverly’s attention to creating fantastic portraits, as well as a ‘portrait experience’ for their clients. Their hallmark is exquisite black and white fine art images. Beverly has expanded their product line by creating the ‘Beau Visage’ line of artwork.

Let’s take a look at some of Beverly’s work.

Beverly walden photographBefore photograph. Please note that Bev is starting with a wonderfully well-lit portrait before she begins her Painter work.

bev walden close up workHere is a close-up detail along with the finished painting

beverly walden photographBev’s before photograph

beverly walden painting from photographPainted image

Let’s hear from Beverly

I first opened Corel Painter on my computer about 15 years ago and started to dabble in it without much success, but I didn’t have the courage to open it for two years prior. My goal was to make money with it if I had to spend a lot of time both learning and painting. That is when we came up with the idea of the Beau Visage paintings, knowing it would be a separate part of Walden’s, and I would paint only for those who booked a painting, not on speculation.

I ordered a set of DVDs from a dear friend, Helen Yancy, and sat in front of my computer with her DVD playing. I watched, listened and took a lot of notes. Every so often, I would hit the space bar, stopping the DVD, to sketch out her desktop area showing the brushes and their settings and any other information I could glean from the DVD. Then I would set my desktop to match hers as I followed her instructions. At that point, it was just copying what she did without understanding the reasons for it.

I started to paint some prototypes after watching her DVDs, and we sold those for several years. About 11 years ago, Helen was doing a week long class 20 miles from us, and I jumped on that opportunity to learn with her in person. During that week, I was pleasantly surprised that I was doing most of the program correctly, but I needed to make some adjustments.

After that class, I painted for clients for several years, working on perfecting my skill set and feeling I improved with each painting. I spent a couple of days with Scott Dupras and took other short classes here and there that were close while also doing tutorials I found on the websites of those painters whose work I loved.

walden photoOriginal photo

bev walden paintingPainted version

About two years ago, Heather Michelle Chinn, aka Heather the Painter, came to our studio and did a workshop here. Again, I felt I was doing most things the way they should be done, but I needed inspiration (and courage) to make my brush strokes more painterly and not so controlled-I wanted to feel more freedom with my strokes. She helped me tremendously on that and also taught how to apply paints and gels to the surface of the painting to add layers of depth and artistry not attainable through using only Corel Painter.

Today at Walden’s, the Corel Painter portion is sold as an “underpainting” only after the client has purchased the Beau Visage painting. Tim prints the underpaintings on fine art watercolor papers while the painting is printed on archival canvas and sealed with an isolation coat before any paint or gel is added.

The finished paintings now have so much more visual power with the paint and gels added PLUS they are truly “one-of-a-kind” pieces which make them more valuable. I knew the added paints and gels would make some difference, but I didn’t realize they would make such a huge difference, at least in my opinion, and they look and feel more like a free hand painting.

What I love about painting the portraits we create here in our studio is the high quality and excellence of the portrait itself that becomes the foundation of the painting. The lighting is beautiful, the contrast is just right, the pose and set are always a pleasure with which to work. Also, after I finish the underpainting, Tim takes it into Photoshop and tweaks the contrast to bring out the brush strokes and makes slight adjustments for added richness and depth before he hand prints both the underpainting and canvas for the painting here on our Epson printer.

We believe every studio should have a top of the line “product” to offer their clients and the Beau Visage Mixed Media Paintings fulfill that role for us.

Beverly’s Thoughts on Painting

Portraits of people and the challenge of catching the fleeting expressions that truly reflect their souls, that is what intrigues me and always has! From the click of the button to fulfilling my vision first with Corel Painter and then, paint and brushes, is what moves me and stirs the artist within. And always, I am in search of BEAUTY!

Entering into the photography profession under the instruction of both Robert Walden, my father-in-law and Tim, my husband, I fell in love with portraits from the very beginning. No landscapes, no flowers, no sunsets… I wanted to photograph faces, especially children! I loved capturing their innocence.

Every photographer has a vision inside of them, and I found my outlet to create what I saw with my mind’s eye when I learned how to get onto photographic paper what was in my mind.

After many years of doing portrait photography, I found Corel Painter and my path was changed from creating photographs to painting photographs, creating one-of-a-kind pieces of art.

I always paint when alone-it’s my quiet time, my thinking time, my relaxation! Some fish, some golf, but for me, painting is what I love to do.

It was and still is a perfect fit for me!

Here is a quote that Beverly loves and I’ll be adding to my collection, “The job of an Artist is to offer a sanctuary of Beauty to an ugly world.”  Jeff Goins

I gotta tell ya this has turned into quite a missive on art and business. Thanks to Beverly for the in-depth thoughts and ideas on how the Waldens have used the artistic process to expand their business.

Yours in Creative Photography,      Bob

PS – For educational opportunities with the Waldens see this post. If you want to improve your photography business you definitely want to check it out.

 

 

photography lighting as you find it

Find Solid Lighting for Your Photography Portraits

To find a beautiful natural light for your portrait subjects I recommend looking for shadows. Shadows are the hallmark of depth and dimension in two-dimensional renditions of our subject.

First, look for porches or overhangs that will remove the overhead light. Ideally, you’ll have a bright surface like concrete or sand or bright building reflecting the overhead light into the shadowed area. This situation works well because the larger the light source, the softer the shadow edge transitions will be. There is a magical place just under the portico that will yield very flattering light patterns. One way to discover the right spot is to hold up and examine the back of your hand and examine the shadows as you move your hand through the scene. This method allows you to see how the shadow-edge transitions will play out. If you have beautiful smooth hands with no ridges and alternative is to bend the middle finger down and watch the shadow as it falls on your palm.

read shadows imageFondly referred to as the reverse salute, the middle finger can show you how the shadows will look.

Once you have decided on the proper place for your subject, you then have the opportunity to set the lighting pattern by changing her angle to the light. By rotating your subject you have the ability to create the most flattering light whether that be broad light, split light or short light. Most times I will opt for short lighting as I feel that adds the most depth and interest to a portrait.

short light patternNote The light on camera right side is less wide than the shadow camera left

split light photo demonstratedNote the light and shadow are just about even in this image

broad light imageIn this image, most of the mask of the face is lit with just a soft shadow camera left. Note the slight ‘kicker light’ on her face on the camera left side.

This particular space was a bonus in that it was more of a tunnel with an opening on the other side which added a subtle separation light which adds more dimension to the photograph.

I was photographing this session as part of a job for the Sedona Meditation Center, which is now under the guidance of Ichibuko Todd (my fabulous model!) who has relocated here from Hawaii.

Images captured with the Lumix GH4 with 35-100mm f2.8 Vario Lens. Settings ISO 200 1/400th sec. f3.5 47mm (94mm in 35mm)

Yours in Creative Photography,        Bob

PS – If you want to have higher contrast with harder shadow edge transitions move your subject further away from the main light source.