I was caught by the message portrayed by the neon light. I think it’s a good one by the way!! Seen in the entry to the Hard Rock Cafe in Atlanta, Georgia.
When we are shooting digital (and who isn’t for the most part?) we sometimes have what I call ‘Light Creep’. It is a phenomenon of different types of lighting and the frequency of the patterns or waves creating that light. In the neon example below you will see lines appear on the image indicted by arrows. This shows up when the pulsing of a light is slower than the shutter speed of the capture. It is very apparent in neon and florescent lighting situations. The pulses of light are slow but not apparent to the naked eye and shown by the camera. But, when a proper shutter speed is used for a lighting situation the camera will record a scene as the eye does. IE the shutter speed needs to be slower than the pulse of light…
Arrows show the dark lines where the light is not being recorded.
Proper shutter speed (slower) allows the entire lighting spectrum to show in the neon sign.
Be aware if you are capturing images under lighting conditions that are florescent, sodium, neon and possibly others. Slow down your shutter speed or add your own light to the scene or suffer the consequences.
Yours in Creative Photography, Bob
PS – Remember, no nuclear weapons are allowed in Hard Rock Cafe! (a good rule!)
An interesting thought for today’s Photo/Art Quote from Freeman Patterson. It’s not really something I’ve thought about much over the years. I guess as I’ve been exploring photography as more of an artistic endeavor verses a realistic process I would be attracted to this thought.
“The camera always points both ways. In expressing your subject. You also express yourself.” Freeman Patterson
I’m going to guess that this is the reason if you give ten photographers the same subject to photograph you will end up with ten different images. I also believe that the story given when the subject is presented to a photographer can have a huge impact on the final outcome.
Witness Canon giving six photographers the same person to photograph who told each photographer a different story about his life and got six VERY different photographs in return.
Canon video of six stories and six results. One subject.
Spend some time thinking about this and please share your thoughts. This is one of those things that fascinate me.
When making a time lapse (view time lapse video here) image you can leverage a thing I often do to create a solid look of a scene by using images captured over a time period to get the best of all worlds. As our eye can change the size of the pupil in any scene when looking into the shadow or highlight area we sometimes need to arrest time and blend it into a single image to represent what the eye would actually see. I call this an advanced form of HDR imagery as the images are not captured in one go but with the camera on a tripod blend images that were made while the sun was up, as it was going down, and long after it had crept below the horizon.
Here’s the final image.
Here are the images combined and used to create the final. The photo on the left was used for the treeline across the bottom. Next image was used for the cloud formations. The third image was used for the red rocks. and the final image was blended for the deep colbalt-blue sky.
Why use Multiple Images?
I went back and selected images based on the subject matter that was exposed exactly for the area of the scene and using masks blended them together for the final look.
The use of images captured over time verses capturing all the images in a single HDR capture is the quality of the information in the highlight areas and shadow areas as they are captured exactly as they should. This will give you less noise in shadows and cleaner highlights, allow the glow of light in a scene and more.
Gear
A Lumix GH4 was mounted on a tripod with the 7-14mm f4 Vario lens. Images were captured every three seconds over a long time period for the time lapse video. If I was using this for the ultimate capture of a scene verses also for a time lapse I would set the interval for more like an image every five minutes or so.
Yours in Creative Photography, Bob
PS – this technique can also lead to multiple iterations and mood of a scene… Try it you’ll like it!
We are photographers but within our chosen medium we have many ways of bringing attention to our subjects. Composition, lighting, color, tone and contrast all plat a part. But if we examine our work a bit more in depth we will see we at, any one time, one of these tends to come forward more often than not in our images.
Which brings me to today’s Photo/Art Quote by prolific artist Georgia O’Keeffe.
“I found I could say things with colors and shapes that I couldn’t say any other way – things I had no other words for.” Georgia O’Keeffe
So may I suggest when creating your art you give thought to the idea, whether it be portrait, fine art or move to the forefront, your message in the creation of your images. I believe if you think with this in mind you will begin to see your creativity grow.
Found this chart on Design School a web site for creative graphic designers I think we as photographers face the same challenges and fears as any other creative does i any genre. I’ve also found when I’ve looked outside the traditional channels for getting creative about photography I find there is a whole world of ideas that we can apply. Here’s a great thought starter for jumping your creativity up a notch or three.
Find more awesome design content at designschool.canva.com
Put some, or all of these ideas, into play & you will find new and exciting things happening in your photographic life.
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
Learn Photoshop in a fun environment. Aaron Nace applies the right amount of fun with easy to understand and follow tutorials. Actions and brushes are included with lessons!
Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
Cameras Get Smarter -
A High Speed Smart Camera Remote
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Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.
Arrows show the dark lines where the light is not being recorded.
Proper shutter speed (slower) allows the entire lighting spectrum to show in the neon sign.
