“Bob, your images show your expertise and I absolutely agree with all you say. I will add one thought. The images you show in your article are for the Artist category. My thought is those entering for the first time might mostly be in the Photographic category. So maybe you can add some of your beginning ones that merited rather than your most recent advanced ones for perspective.
Some of my own frustration does lie in that critiques in the Photographic category often talk about changing backgrounds, etc. To me that should be in the Artistic competition since that is not “photographic”, but I understand there is not a way to monitor this, so anything goes in Photographic pretty much.
I think it is important to explain to entrants that even if your image scores a 74 let’s say, this is based on a professional standard and is “average among your peers” so it is not “average for anyone with a camera.” So there should not be fear to enter because you might not be good enough. My thought is this, if I thought I was not good enough, I certainly would want to know that and learn. I would not be charging clients money for my work if even I thought I was not good enough. On another note even a score below competition standard of 65 might be a sellable client image in some instances, it just misses too many marks of the 12 elements for merit.”
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Joanne Fabian
Photographer/Owner
J Gray Fabian Photography
Souderton PA
Excellent thoughts from Joanne. I will pass on the idea about critiques and backgrounds to other PPA Jurors in the Photographic Open category. We are always trying to improve the experience of judging and providing feedback to members. (I am a PPA Approved Juror)
The images that I shared in the original post were ones that I had quick access to and wanted to illustrate the post. I took some time to dig back in through some older files for examples in the Photographic Open category that merited and some that made it to the Loan Collection and below a video of many of my entries over the years.
‘Randy’ – General Merit & Showcase Book 2006
‘Enduring Comfort’ – General Merit 2009
‘Variations on a Theme’ – Loan Collection 2006
‘135 Painted Cliffs’ – Loan Collection 2007
‘Tango Toes’ – General Merit 2007
I tend toward more of a commercial and fine art imagery in my business so these may be a little more ‘arty’ than other people’s entries. I’ll share a video showing most of my submissions from 2005 through 2015. Not all images made it to the merit category, but it will give you a good idea of my body of work over the years.
Bob Coates Photography IPC entries 2005-2015 (3:14)
Again I highly encourage everyone interested in improving their photography in an accelerated manner to participate in International Photographic Competition. Even if you did not enter this year spend some time streaming the IPC starting on Sunday, July 31 and continuing thru Wednesday, August 4th.
Questions, comments and other points of view always welcome.
Professional Photographers of America (PPA) has an incredible member benefit known as International Photographic Competition. I feel that this one benefit has been worth the price of PPA admission and has helped me develop the photography skills I have today.
Sandhill Cranes – Artist entry from last year – General Collection Merit Image
I do believe there can be a misconception of what this is all about because of the name. The word competition can scare off a lot of folks. It gives them the opportunity to give excuses. “My work is not ready to compete.” “I don’t need to compete and win awards to validate my skills.” “I’ll never win.” And other similar thought patterns that keep them out of the game. I can tell you when I first started my work was, how you say, less than stellar.
YOU DO NOT GET INTO PHOTOGRAPHIC COMPETITION TO WIN AWARDS! Notice that the caps lock was on for that last sentence because it’s supposed to sound like I am shouting. Yes, awards can be a sterling byproduct of imaging competition, but that’s not why you compete. YOU COMPETE TO BECOME A BETTER PHOTOGRAPHER! I see every photographer that gets into image improve their work in a relatively short period. Those that put it off tend to stagnate and their progress is much slower.
Keeping Watch – Artist entry from last year – General Collection Merit Image
The act of choosing your images. Working on them to remove every possible flaw you can find and putting them before a jury of fellow photographers for feedback is an incredible education. I can’t tell you the number of times I put my best work out there for comment in this process and… Well, let’s say I was less than pleased with the result. Occasionally I would even think to myself, “What the heck do those judges know? They weren’t there and didn’t know what I had to go through to create that image! My client loved it!” After a time away fro the sting of not getting the result I was hoping for wore off I reviewed the judges comments with a calmer frame of mind. And I’ll be darned! They were right. It could have been better had I taken into account the post processing, composition or capture suggestions when producing the image.
Sarasota Magazine Designs – Artist entry from last year – Loan Collection Merit Image
And that’s what imaging competition is all about, competing with yourself to become better. Each year you try to do better than the previous one. Eventually, the awards start to come, and that’s great. But, even after I attained enough merits for my Master of Photography Degree and Master Artist Degree and Imaging Excellence Award I still compete. Why? Because I am still trying to be better than, I was the previous year. Imaging competition keeps me sharp. It eeps me pushing the envelope to learn new techniques and perfect my craft. In short, it makes me a better photographer.
You can Stream the IPC and tune into the learning. You don’t need to be a member of PPA
Wanna be a better photographer? Get in the game! Don’t wait “until you are ready.” If you wait until then, you’ll never be ready. If you aren’t already in you can get an idea of what the judges are looking for in the images by watching the competition online. If you already are in you know that the International Photographic Competition judging process is coming up this Sunday, July 31 thru Thursday, August 4 and will be streamed live. Tune in when you can. There’s an education to be had by being exposed to imagery. More education as you hear the judges speak to the challenges of why they believe an image deserves to be awarded a Merit, or not.
Also returning this year will be the IPC Live broadcast hosted by renowned Florida wedding photographer and co-host of The Photobomb Podcast, Booray Perry, Cr.Photog., CPP. Each day at 10:15 am and 2:15 pm EST, IPC Live will feature live critiques, interviews with the judges, and live Q&A sessions.
If you have any questions about the process, don’t hesitate to get in touch with me. Happy to help you.
Infrared Photography – Some Members
of Infamous Mopar AZ Chapter Car Club in Sedona
You never know who you might run into when you are out photographing clouds. While I was catching some infrared photos at Bell Rock Vista in the Village of Oak Creek in Sedona, three pretty cool cars started backing into spaces right behind me. When I realized they were lining up to take photos of their cars I moved out of their frame.
We started to chat, and it turns out we have a lot in common. They are members of the Infamous AZ Chapter Mopar Car Club, and I once had a cat I named Mopar because of the way she purred. OK, I have a weird sense of humor, but you get used to it I think. I believe all people are connected in one way or another.
Since the cars were lined up, I captured some photos with my infrared set-up. (see this post on processing infrared files from this session)
Here are a couple of captures.
Three couples from the INfamous Mopar AZ Chapter
The three couples I met while photographing with my infrared Lumix G6 camera at Bell Rock Vista. This image was processed in the same way as was described in the other post.
Cars from the Infamous Mopar Car Club AZ Chapter in front of Courthouse Butte in the VOC, Sedona
Straight out of Camera (SOOC)
This image was processed in a different manner from the on above. I started with the RAW file. In infrared converted cameras, the RAW image will have a severe magenta cast.
ACR Palette with settings
First stop was into Adobe Camera RAW for initial processing. Settings were to move the Temperature Slider all the way to Blue. The Tint Slider all the way to Green. Exposure boosted 1/3 stop. Contrast increased. Highlights were lowered, and Shadows raised. Whites bumped up a bit, and Blacks brought down. A small amount of Clarity was added, and Vibrance was lowered.
Adobe Photoshop Layers Palette
The Background Layer shows how the image comes out of Adobe Camera RAW with the processing shown. It is quite a Sepia tone which cold be OK but not the look for which I was going Above that is a Black & White Adjustment Layer. Next up, is the Layer generated by a trip to NIK Silver FX Pro 2. (available free of charge from Google) It created the full black & white conversion. I added some structure, grain, and controlled the intensity of the black and white. There’s a Layer Mask to allow some of the original image to show through without the processing from NIK. Above that is a Layer in Soft Light Mode for dodging and burning. The top Layer is a Curves Layer to allow some selective lightening of the image to bring some extra attention to the cars.
I think these infrared images would look great printed on metal.
If I have one word to share about John that would be it. I am jealous of his ability to absorb information and ideas about photography and photographic arts and then find a way to earn income from it. John has been sharing his photography and business knowledge for over thirty years and he’s still breaking new ground on a regular basis.
Throughout his 42-year professional career, this Wisconsin-based photographer has made it his life and business mission to find out what everyone is doing and then doing something different. One of his recent personal projects has been mastering the art, science, and business of the technique of painting with light. Exposing dozens or sometimes hundreds of separate shots with continuous LED lights and then blending them together in Photoshop, a light painted photograph simply looks like no other image.
Once the process was mastered, he began testing the commercial viability of this new product. Clients have responded enthusiastically, resulting in commissions that include images up to 10 feet long and sales that often reach into five figures. Subjects include automobiles, jewelry, food, architecture, motorcycles, musical instruments, farm tractors and aircraft. His clients include corporations, collectors, hobbyists, enthusiasts and others who own and appreciate the finer things of life.
Light Painted Fire Truck in station Single Capture of firehouse
One of his light paintings of a Ferrari F12 Berlinetta was chosen as a Grand Imaging Award finalist at Imaging USA in 2015, and was also included in the 2015 World Cup Photographic Competition.
Interestingly, nearly 100% of John’s light painting clients are males, who are proud of their ‘babies’ and are willing to invest whatever it takes for a unique image for their office, home, garage or man cave.
Motorcycle Garage Light Painting You got it. This is before!
“The process of painting with light is neither simple nor intuitive,” says Hartman. “The high skill level required ensures the look will remain unique and will not be bastardized or diluted by a set of actions or plug-ins. The photographer willing to invest the time and effort required to become proficient in light painting can develop and retain 100% of that lucrative business in their market area.”
Violin & case Light PaintingThe violin looks just a wee bit different in the before image
John is currently experimenting with an unmanned aircraft vehicle (a drone) using a mounted LED to light paint larger subjects such as buildings, landscapes and large vehicles such as farm implements and fire trucks.
Photographers have taken notice of John’s work, and requests to learn his process have resulted in a four-city tour titled The John Hartman Light Painting Workshop, to be held in his hometown of Stevens Point, WI, as well as in Pittsburgh, Seattle, and Sedona, AZ (hosted by Bob Coates). Click here for more information.
A major league baseball manager, Yogi Berra, was a font of excellent one-liners that more than stated the obvious.
The one I wish to share with you today can easily be applied to the arts. Yes, while it’s obvious, sometimes we need reminders of just that. And Yogi was a pro at that!
“You can observe a lot by watching.” Yogi Berra
The reason I bring this up today is the quote jumped out at me after returning from a guitar concert under the stars last night by Anthony Mazella at The Collective in Sedona. Anthony is a world class musician who creates magical times with his guitar.
As always I carry my camera. Lately, I’ve been trying to follow Yogi’s advice although I didn’t realize it was coming from him. I’ve been trying to be more aware of light. Paying attention to it. And trying to capture more of it in challenging situations.
I used the Lumix GX8 with a 35-100mm f2.8 Vario lens. While Anthony filled my head with his music, I kept myself aware of the changing light as the sun dropped below the horizon. The lights in the area began their illuminating dance through the venue. And I recorded.
Here are a few of those captures.
Shadow, color, composition, shape, and form were the things that caught my eye
A glance up and this silhouette appeared. I watched for a few moments, and the little girl was moving in and out of the frame I waited until she was moving out to capture this. The play of the complementary colors was a bonus.
Of course, the star of the show couldn’t be left out. The blue, purple and magenta lights added some serious color to the warm toned brickwork.
Had I not been aware and keeping my eyes peeled for an opportunity to see I might have missed these little vignettes of light and color. So remember Yogi’s advice, “You can observe a lot by watching.”
I find myself playing with my photography images in Photoshop.
This is where I test out new ideas, explore possibilities, and have a bit of a romp through Adobe Photoshop’s Blending Modes just to see what I might discover.
A Juniper tree was the subject. Depth, dimension, and color were the objectives.
Here are some results.
Here’s one that’s good fun but a bit over the top of in saturation. If you don’t push the boundaries, you don’t know how far to go.
Easing up the saturation through changing blend modes makes this an entirely different image.
Adding the moon changes things once again
Here’re a few tweaks to the moon addition. Gives it a bit more life.
If I were doing this as more than an exercise or decided that I wanted to make this into an art piece for printing, I would have spent much more time on making selections and blending the various textures and layers together. Play doesn’t always have to have a pay-off more than a new feel for the tools with which you are working.
Lessons learned in this session. Be careful with selections from the beginning of the process. Verify before moving too far along in the project. Once a mask is made and reused throughout the process any mistakes will be magnified. Ultimately, having had this session I will save time and frustration in the future.
Initial image was captured with the Lumix G7 with a 20mm f1.7 lens. The moon photograph was created with the Lumix GH2 handheld with a 100-300mm lens extended to 600mm equivalent. I keep lots of reference files of textures and various elements on hand to help in the art process. I think of my texture images as an artist would their paint & set of brushes.
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
Learn Photoshop in a fun environment. Aaron Nace applies the right amount of fun with easy to understand and follow tutorials. Actions and brushes are included with lessons!
Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
Cameras Get Smarter -
A High Speed Smart Camera Remote
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Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.
‘Randy’ – General Merit & Showcase Book 2006
‘Enduring Comfort’ – General Merit 2009
‘Variations on a Theme’ – Loan Collection 2006
‘135 Painted Cliffs’ – Loan Collection 2007
‘Tango Toes’ – General Merit 2007
