tuesday photo artist – julieanne kost

tuesday photo artist – julieanne kost

Tuesday Painterly Photo Art

Julieanne Kost – Adobe Photoshop Evangelist – Part One

One of my heroes, Kost, has been an inspiration from the first time I saw her give a presentation on Photoshop.

Knowledgeable, talented, giving, humble, and funny she is. I highly recommend that anytime she is giving a program near you, just go. You will be entertained as you learn tips and tricks in processing images with an incredibly powerful software program.

Let’s turn this over to Ms. Kost and start with her artist statement featuring her personal artistic work. In the future, we’ll revisit Kost featuring other facets of her work.

“In my work, I combine a passion for photography, a mastery of digital imaging techniques and knowledge gained from a degree in psychology, to construct a world similar enough to appear familiar, yet obviously, an interpretation of the physical reality that surrounds us.

julieanne kost digital artImage ‘Untitled’ – © Julieanne Kost

Although the images are highly personal representations of my dreams and personal reality, they are abstract enough to allow individual interpretation (based on each individual’s history and life experiences). I hope to engage the viewer with the image to allow them to leave the reality that they hold true and explore, even if only for an instant, and venture into the visual placeholder of my thoughts and dreams.
 
Over the past 20 years I have created libraries of individual elements ranging from photographs of textures and landscapes, to scans of found objects, to encaustic paintings and charcoal drawings. Although these ingredients are not an end in and of themselves, they are waiting to take their position as a component of a larger message. The common thread is that each individual element must evoke an emotional response. What that response might be (positive or negative, comforting or confrontational) is not important at the creation stage, because how the image will be used at that point is not clear. I draw from these libraries to build images and communicate my message.

Image 'Two Birds' - © Julieanne KostImage ‘Two Birds’ – © Julieanne Kost

Because the components are created at different times in different locations, I find that my work falls somewhere between the more traditional photographic practice of capturing a single decisive moment and the time compression techniques used to tell a story in cinematography. In my images, I create imaginary scenes layering elements together that are unconstrained by linear time and physical location. By choosing elements that work together to form a cohesive message, I am able to create a composite image more powerful than it’s individual parts.

Image 'Waiting' - © Julieanne KostImage ‘Waiting’ – © Julieanne Kost

The interactive process of selecting and assembling images is one of the most challenging and thought provoking parts of my creative exploration. Although overall, the images may appear serene and calm, the act of creation is anything but passive. I begin with a concept in mind, yet I may not know exactly how the pieces will fit together at the end. As the image takes on its own life, I often allow myself to explore additional directions, sometimes finding that the final image only faintly resembles the one first imagined.

Image 'Perception' - © Julieanne KostImage ‘Perception’ – © Julieanne Kost

From a technical standpoint, I feel that a computer is not merely a shortcut for what is possible with a camera, but instead it allows me to discover what is possible in no other medium. However, with the digital realm being so forgiving and offering so many options for exploration, that discipline becomes part of the challenge. The paint is never dry, the exposure is never fixed, and the print is never final -all components can be done differently at any point. Here the art form is knowing when to stop and realizing when you’ve said what you set out to say.”

If you would like to learn more about compositing from Julieanne she has video classes available.
https://www.lynda.com/Photoshop-tutorials/Introduction-Photo-Compositing/191608-2.html
https://www.lynda.com/Photoshop-tutorials/Art-Photoshop-Compositing/147534-2.html

Yours in Creative Photography,      Bob

Kost’s bio below.

Named one of Fast Company’s “100 Most Creative People in Business,” Julieanne Kost is a Principal Evangelist at Adobe Systems, responsible for fostering relationships with customers through meaningful and inspirational Photoshop and Lightroom instruction. As a highly sought-after speaker for the industry-standard Digital Imaging franchise, she devises and presents motivating and educational training sessions, sharing original techniques and tutorials worldwide — via live events, Adobe.com, her own website (jkost.com) and blog (blogs.adobe.com/jkost). She is also the author of “Passenger Seat—Creating a photographic project from conception through execution in Adobe Photoshop Lightroom” and “Window Seat — The Art of Digital Photography and Creative Thinking”, (I have an autographed copy: Ed) an accomplished photographer and fine artist, and creator and host of the popular Photoshop CC Essential Training, Adobe Camera Raw Essential Training, and the Art of Photoshop Compositing for Lynda.com.

Kost is well-known for her unique approach to instruction, infusing practical tips and tricks with an equal amount of humor and creativity that keeps audiences entertained and engaged. She often serves as a guest lecturer at distinguished photography workshops, industry events, and leading educational institutions around the world. She’s a contributing columnist and author for a variety of print and online publications and has created over 500 instructional videos as the host of Adobe’s “The Complete Picture” featuring Lightroom and Photoshop, serves as producer and instructor of the “Lightroom Getting Started” and “What’s New in Lightroom,” training courses, as well as the “Revitalize your Workflow with Lightroom” seminar on CreativeLive.

Kost has been recognized for her outstanding service and contributions to the professional photographic industry, winning the Gerhard Bakker Award from the Professional Photographers of America, the Honorary Educational Associate Award from the American Society of Photographers and was inducted to the Photoshop Hall of Fame by the National Association of Photoshop Professionals.

The combination of her passion for photography, mastery of digital imaging techniques and her degree in psychology, makes her photographic and fine artwork familiar, yet surreal with inventive and mysterious worlds where things are not quite as they seem. Her work has been exhibited numerous times and featured on Behance.net, PetaPixel.com, thisiscolossal.com, photographyserved.com, and Photoshop.com.

Kost holds an AA in Fine Art Photography and a BS in Psychology.

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sunday photo/art quote – newton

sunday photo/art quote – newton

Sunday Photo/Art Quote – Helmut Newton

What is your job as a photographer?

If portraiture is your genre then showing people at their best is your work. That means you need to be very good at lighting the form to flatter, right? It means being great at photoshop and retouching is an important part of your work, correct? Having the right equipment and knowing the proper settings, that must be most important, right?

While all of the things listed above have merit and are part of the equation. I think if you have Mr. Newton’s quote in mind as the main part of the job then you are probably doing pretty well.

helmut newton quote“My job as a portrait photographer is to seduce, amuse and entertain.”  – Helmut Newton

I’ve found in the past that if I don’t connect with my subject the final portrait is usually less than stellar. It was when I found this quote from Helmut that I found the words for what my true job is as a portrait photographer. Sometimes just having the words makes all the difference in a career.

I find that it can be interesting to find out about the lives of those photographers that have come before and inspire. Helmut led a VERY interesting life. Born in Berlin, and forced out of Germany to Australia, then spending time in Paris, London, Monte Carlo, and in the United States iPasadenana, California.

helmut newton image© On Gallery Helmut Newton

Check out some imagery* from Newton. He made some very powerful portraits. While don’t suggest that your images move in the sexually charged direction that much of Newton’s work entailed, you can learn a lot for his lighting patterns and the connection he made with his subjects, You know that people are comfortable in front of his lens.

Yours in Creative Photography,       Bob

* Caution: If you are offended by the human form, AKA nudity, you won’t want to follow this link.

reticulation effect

reticulation effect

Reticulation

Reticulation.

“H’mmm, Bob what the heck are you talking about?”

If you asked the question above you probably were not a black and white film photographer from past days. We usually learned about the reticulation effects when we treated our film badly by either getting it too hot, processing it at the wrong temperature or some other variable I can’t remember now.

But, after seeing the effects, I remember trying to screw up the film for art purposes. I came across the look when I was messing about (read that playing) in Photoshop.

original photoPhotographed around sunrise with haze in the distance. Straight out of camera (SOOC) Lumix GX8 with Lumix G Vario 100-300mm f4.0-5.6 lens @ f5.6 1/1250 sec ISO 800 @ 300mm (600mm equivalent)
I choose this lens to compress the scene.

current day reticulation photo effectAfter processing.

I had made a set of images one morning near dawn, and I was feeling a bit of a ‘Japanese aesthetic’ in what I saw through the viewfinder. Things like that can happen when you are out shooting thinking you are getting one thing then, being a bit disappointed upon return to the studio process the files. I still felt I had something worth which to work. I liked the distance imparted by the haze that we don’t usually see in the high desert due to the dry air. This particular haze was thanks to some forest fires sharing some smoke with us.

After trying various filters, I stumbled on a look that reminded me of the reticulation of old. I pushed for it some more, and you see what I got above.

Not sure I’m where I want to be with this set of images. I’m going to put them away for a little while then revisit at a future time. Sometimes you need to try something out and come back later to see how you feel about it. There are a lot of compositions involving this same scene. Who knows? These files may be a treasure trove with this processing or some other treatment.

Or, it could just be a pile of… We’ll find out later.

Something old could be new again. Reticulation anyone??

Yours in creative Photography,      Bob

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photography book review – after the camera

photography book review – after the camera

 Photography Book Review

After the Camera, by Thom Rouse

Digital Transformations for Conceptual Nude & Portrait Photography

Way more than a How-to, After the Camera, is a peek into the mind of a wonderfully creative artist. You can’t help but view Thom’s images and find your story wrapped in and around his multi-layered imagery. His images have the depth and dimension of fine art from the master painters through the ages. This is no surprise if you know Thom. He is a student of the great artists and borrows an idea here, a color palette there, and a look from over there. By combining his art knowledge with his photography, experimenting with the capabilities of our digital age, he transcends visual boundaries, taking us to a new world.

isis by thom rouseIsis – Many of the elements were created from the manipulation of a single leaf. This includes the background, parts of her dress, and the hairpiece.

Text in this book reads as if Thom is talking directly to you. He shares his inspiration, along with trials and tribulations, during the shoot and post-processing. While this is not a book to teach you techniques in Adobe Photoshop where he does most of his processing, there are many important concepts shared. I’ve found a number of ideas that I can’t wait to try out in my work.

urban mermaids by thom rouseUrban Mermaids – Concept inspired by a regular model.

Is this book for everyone? Heck no. But most books are not. This is for photographers pushing their work to new realms of art. This is for photographers looking for inspiration. This is for photographers who understand that the nude has been part of the fine art landscape over the millennia. It’s for those who want a peek into the mind of a creative person who has studied fine art painters and can share concepts behind the why of an image.

dance within fine art image by thom rouseDance Within – One of the few images where Rouse used Corel Panter to help finish the look of the piece.

I can see this book becoming a dog-eared staple on my bookshelf as I plan to go back and review this on a regular basis.

Yours in Creative Photography,     Bob

PS – Thom was featured a couple of weeks ago in a Tuesday Photo/Art post. You can read it here.

rouse book coverRouse’s book ‘After the Camera’ is available on Amazon.

tuesday photo art thom rouse

tuesday photo art thom rouse

Photo Art Tuesday – Thom Rouse – M.Photog, MEI, CR, CPP, F-ASP

Tuesday’s on Successful-Photographer, now dedicated to the art of converting images beyond that of a photograph and converting the image in a more Painterly/Artistic direction. We’ll be taking to look at the artist/photographers who are forging their way forward in creating a new art form with photography at its base.

Thom is one of my heroes!

I have been a fan of Thom’s work ever since seeing the first image in a PPA Loan Collection Book. Thom has a fresh and unique style that is unlike any other photo/art work I have seen. Every chance I get to see Thom share his thoughts through a program I’m right down there in the front row.

Interested in seeing or hearing more from Thom? Thom Rouse lectures and teaches regularly at PPA affiliates and schools. He also holds private small group workshops around the country.  Email [email protected] or through his website: thomrouse.com

Here are a few of his works of art.

gravities consent thom rouse artGravity’s Consent

thom rouse image lilithLilith

thom rouse image symbol treeSymbol Tree

andromeda image by thom rouseAndromeda

I asked Thom to share some ideas about creating art. Here are some words that are as poignant as his images.

“Art has its own DNA. We don’t create art in a vacuum; we create art based on 40.000 years of human creativity that has preceded us. The same themes and visual concepts bounce around not only decades but centuries and millennia. The more visual experience we gather from viewing art, the better informed and inspired our creations will be. Inspiration provides the fuel for our creative engines. We need to steal the color palette of one artist, the composition of another, the subject and themes from others and transmute them and make them our own. We need to take inspiration from everyone and compare ourselves to no one. We need to both meet the expectations of our viewers and simultaneously subvert them. Art works best when it’s something that you know and something you don’t know.” – Thom Rouse

rouse book coverRouse’s book ‘After the Camera’ is scheduled for release on June seventh on Amazon. I’ve already ordered my copy and can’t wait until I can immerse myself in his words and imagery.

Yours in Creative Photography,       Bob

PS – All images in this post are © Thom Rouse – All Rights Reserved. Used with permission.