snow in sedona

Red berries interlaced with green and red leaves topped with a coat of snow grabbed my attention and put me in the holiday mode. Had a wee bit of snow yesterday which is a relatively rare occurrence here in Sedona. I had my Lumix GX8 with me and grabbed an image that put me in the season spirit. Add a little Photoshop Bevel & Emboss, a canvas texture and some text with a Bevel and Emboss with a soft Drop Shadow to, as they used to say in the Playtex bra commercials, ‘lift and separate’ it from the background…

happy holidays berry photo

Happy Holidays to you and yours for the rest of this year and deep into the next!

I feel so fortunate that I am able to make a living creating imagery and being able to share thoughts & ideas with you. If you get the chance take a little time each day and think about all the wonderful things that are happening in your life. Cheers!

Yours in Creative Photography,       Bob

arcanum survivor challenge

I am a Master in the Arcanum.

“Arcanum? What the heck is that Bob??”

It’s a new learning platform put together by photographer Trey Ratcliff of Stuck in Customs fame and a few others. You apply to be an apprentice in the Arcanum and a Master will ask you to join his or her group called a Cohort. You have challenges to meet and along with the rest of the group’s support and feedback you increase your photography skills at your own pace. You can find out more by clicking on the link.

And now to the rest of the story for today. As a side event within the Arcanum a team of masters and a team of apprentices are facing off in a Survivor type environment of photography challenges and teamwork. Images are scored each for each challenge and the highest scoring team gains immunity and the losing team sends a member home. It’s a fun little exercise and is pushing people to be creative. We were given the challenge to create an image based on a swimsuit. Being at a loss to find a model I created something quite different from the expected with a self portrait.

Here are the comments of the judge, Luke Ballard…

Video of my critique by Luke (BTW highest score is three)
As my wife said, “It pays to not take yourself too seriously!” She got quite a laugh out of this when she discovered me putting this together in my studio. She even had a hand in helping with the styling as she remembered a hat I bought on vacation in Cedar Key, Florida. Here are some of the outtakes from putting this together.

swimsuit preview photo

I used the Lumix GH4 and the 35-100mm f2.8 lens with a single Paul C Buff flash head bounced off the wall camera left. I used the Wifi connected to my IPhone to see what the camera was seeing and operated the camera remotely. Then, since my wife was there laughing, I put her to work triggering the shutter with the phone so I wouldn’t have to remove the phone in post production.

Hope you get a laugh too!

Yours in creative Photography,      Bob

kazm radio tech talk show

Had another Tech Talk Show with Mike Tabback on KAZM Radio here in Sedona. We talked about the newest capabilities of the the Panasonic Lumix cameras to choose the focus of an image after you have made the exposure. (previous post here) In addition to choosing your Depth of Field after the fact you can create more Depth of Field using Adobe Photoshop to Layer Stack for hyper-focus.

lumix gx8 & g7 camera photo

The Post focus feature is available on the Lumix cameras – GX8, G7 and FZ300 (not pictured) cameras.

Tech Talk Show on KAZM Radio

Yours in Creative Photography,      Bob

post focus

Choose your focus later.

The photography world is changing around you as I write this post! At least it feels that way as new cameras and features are introduced in short order. I’ve never been on the front edge of technology before and it’s fun trying to figure uses for features as they come out. A lot of the new capabilities is driven by possibilities not available before 4K mirrorless cameras came on the scene.

This is a very interesting new feature called Post Focus.

This is for stable non-moving subjects where you might not be sure of the focus point you want and would like to have options to choose later for a totally different look and feel to a subject of a scene.

Here’s how it works. The camera makes a quick video of a scene while moving the focus point throughout the frame. Because the camera is automatically set for Photo Mode each still frame can be extracted from the video as an eight MP file. At the end of processing after a few seconds you can see the individual frames on the back of the camera and choose any that you would like to save out as individual jpeg photos.

Want to be able to choose later? Not a problem. Download the video file and take it in an editing program like Adobe Premiere, Final Cut Pro, or Lightroom. There you can step through each frame and choose at your leisure on a large screen and save out your file.

I decided to see if I could use the system to help with the capture of Macro images and the process of focus stacking to get deep detail in an image.

And guess what ?? It works!

I Imported the MP4 file into Adobe Premiere and used the right arrow to move through each individual frame. Selected the ones I wanted to work with and pushed the save as an image (camera icon) and saved the images out as a TIFF. Then it’s off to Adobe Bridge.

adobe bridge window

Screen capture of Bridge selections with all 28 files selected with the still captures pulled from the video.

With files selected the next move is Tools > Photoshop > Load Images into Layers

layers palette

Layers Palette with all layers selected in preparation for Photoshop magic.

Once all layers are selected they need to be put in registration because a change in focus changes the size of the image. Menu Edit > Auto-Align Layers.

auto blend dialog box

Once layers are aligned Menu Edit > Auto-Blend Layers with the Stack Images and Seemless Tones and Colors checked. Depending on the number and size of your files the the RAM horsepower of your computer this could take a little while but it’s doing all the work you see below masking in all the sharp portions of the images.

layers palette with masks

Palette window with proper selections for picking and masking in all the sharp bits it can find in the images. Making all of these masks would be super time intensive. Sometimes the individual masks may need a little tweaking if you didn’t get enough detail or colors and tones are very close.

focus stacked grasshopper

Grasshopper with detail and depth of field exactly where I want it.

The image was captured with the Lumix GX8 and the 45mm f2.8 Macro lens set at f9 in Post Focus Mode. “Why f9 and not f22 and be done with it Bob?” When photographing close-up Macro subjects the DOF is very shallow even at f22. In addition as the aperture gets smaller diffraction is introduced starting to blur details. (learn more about diffraction and check out your camera lens combo to find the sweet spot here)

Yours in Creative Photography,     Bob

PS – No grasshoppers were harmed in the making of this tutorial. The grasshopper was already mummified when I found it on my porch.

sound bites grill art

Dinner!

MMM good! Filet skewer with mashed potatoes… Sound Bites Grill. Sedona, AZ.

Back to our regularly scheduled programming for this space.

Had my Lumix LX100 an energetic little point and shoot with me when I went out for a meal with my wife. I try not to get too carried away with my camera gear when we are out for a pleasurable meal so I just bring the little guy for the occasional frame grab when something grabs my attention. So when the entertainer went on break I noticed the lighting on the mic and stage and thought “There’s a pretty cool scene…”

sound bites grill photo

Sound Bites Grill stage waiting for the return of the guitarist.

This is a pretty powerful little camera which I have dubbed, “the professionals point & shoot”, with all the pro settings available outside the electronic menus on easy to use dials. I set this for Aperture Priority and knocked the the Exposure compensation down about one stop to preserve the highlights. Brought the shadows back up a bit when processing in Adobe Camera RAW. Shooting at 3200 ISO gave a bit of noise in the shadows so I used NIK Define 2 to knock out the noise. Make a square crop and Viola…

Yours in Creative Photography,      Bob

PS – I was at a client restaurant for dinner and entertainment and will gift them this image and a couple others to use for some marketing. Solid long time client!