Lots of information and detail. That’s what I look for in a book.
Are you a photographer just getting started? Find yourself in a photographic rut? Getting the same old photographs from iconic places?
And this one has it.Are you a photographer just getting started? Find yourself in a photographic rut? Getting the same old photographs from iconic places?
Are you a photographer just getting started? Find yourself in a photographic rut? Getting the same old photographs from iconic places?
A pro and find yourself in a photographic rut?
Getting the same old photographs from iconic places?
Maybe it’s time to take a look at a book called Visual Palette by Rocky Nook Author Brian Matiash.
I always appreciate taking a peek into another artist’s thought process when it comes to finding new ways to view and capture a scene that lay before me. Brian gives a great primer on the basics of composition and then moves the process forward with ways to apply the basics in a more advanced way. The
The images included in the book are solid examples of the point that is being made. Are all stellar? Nope. Some are. But, do they do the job? You bet. This book is about, and should be about YOUR photography. You get to experience Brian’s work and thought process but he is sharing ideas and concepts that you can take out for a test drive.
And that’s what it’s all about. Learning new ideas or being reminded of those long forgotten.
Yours in CreativePhotography, Bob
PS – here’s a small excerpt from the book to give you a taste of Brian’s ‘voice’…
“I, Photographer I am sharing the backstory of my life as a student to illustrate a few points as it relates to you, the photographer. The first, and probably most important, point to make is that photography absolutely is a journey with no set destination. There isn’t a geographic coordinate to plot to, a set distance of miles to travel, or a number of exposures to take. There is no master class you can complete where you’ll receive a certificate stating, “You’ve Made It!” Don’t feel any despair over this. The fact that this is a never-ending
journey should be something to rejoice! I first picked up a camera to use with meaningful intent in 1996. At the time of this writing—nearly 20 years later—I’m still forging ahead on my path to discover who this person, this photographer, really is. Sure, I have a solid understanding of the correlation between the aperture, ISO, and shutter speed of my camera equipment, but beyond that, I will be a student of this craft for life. To think otherwise is to resign myself to the idea that I am done growing as a photographer. And that, dear reader, is a terrifying thought to ponder.” Brian Matiash
Last Saturday night The Jeff Dayton Band played their Salute to Glen Campbell at Sound Bites Grill in Sedona, Arizona. Jeff and the band share stories of backing up Glen Campbell on the road and in the studio. It’s a fun show that’s an emotional roller-coaster with lots of laughter.
Stories and music led to Steve and Michele to add Jeff and the band to the Sound Bites Grill ‘Wall of Fame’. Here’s the band.
Jeff Dayton Band – Salute to Glen Campbell
Jeff Dayton
Images were captured with the Lumix GH4 with the 35 to 100mm f2.8 Vario lens. Then the individual musician images are selected and cut out using Adobe Photoshop then layering the images together then using textures and blend modes to create the artistic look.
I really enjoy photographing and creating art for musicians. And sharing ideas with you.
Here’s a different time lapse from the same location as a few days ago at Sound Bites Grill. Was able to set the tripod up on the deck that overlooks this wonderful scenery in Sedona.
This time I set the camera behind a red rock stone column in order to stay out of the gusts of wind that caused some extra work on my last time lapse at this location. I also unclasped the camera strap and tied down the camera for even more stability. I was able to do this quickly because I have the Peak Design Camera Strap. I really enjoy the ability to quickly be able to remove the camera strap when shooting video or time lapse images. This cuts down on the wind profile of the gear leading to to steadier capture. It also make it easy to change the type of strap if I’d rather use a wrist strap instead of over the shoulder. This is a pretty cool system with lots of options.
But I digress… How about the video Bob? Here you go…
Sunset time lapse in Sedona
I used similar settings as the last time lapse on the Lumix GX8 capturing a frame every three seconds processing out to a 4K video .MP4 in camera at 24 frames per second. Then taking that video into Adobe premiere Pro to add some Ken Burns movement through the scene.
I was hoping that the clouds your view scudding across the scene were going to be there as the sun snuck beneath the horizon and giving spectacular color, but alas, it did not. Such are the vagaries of predicting the weather.
Of note, as you study this time lapse be aware of the look of the red rocks after the sun has gone down and the sky begins to move toward cobalt blue and the density range begins to tighten up. This is an ideal time to capture the red rocks as the light is being reflected off of clouds and there’s lots of depth and dimension and beautiful color. I can’t tell you the number of times I will be at a scene with other photographers and they pack it up and leave moments after the sun sets. I wait that extra fifteen to twenty minutes AFTER the sun goes down to get much more intense images. Does it always work? Nope. but way more often than you might think and the rewards are worth it. I’ll address this in more detail in a future post.
Last night I had the honor & pleasure of sharing some thoughts & ideas with the students of Gene Devine’s Business Operations and Management for Photographers class at the Art Institute of Phoenix. It was a great group who asked the right questions about being in business.
I’m very glad that this kind of a course is available for those working to become professional photographers. The business of running a photography business is often neglected in classroom environments. Sure we all want to create fabulous photographs & art! But if we don’t understand how to market, price our work, run the business and know if we are making a profit or not we won’t be around very long as professionals.
Instructor Gene Devine ‘awarding’ me the Art Institute Cup! (so proud!)
If you are newer to photography as a business make sure you learn as much as you can about marketing, pricing, negotiation skills, bookkeeping and staying profitable. If you’ve been around the block a few times & are making it as a pro get out and share your business acumen with high school, college and other groups learning how it should be done to stay successful.
Paraphrasing here but you’ll get the idea. The lyrics go something like this,
“I want it all, I want it all, AND I WANT IT NOW!!’
We live in a very now society. Information is almost instantaneous. Look at the web. I just typed the search term photography into my browser and had access to About 1,020,000,000 results (0.66 seconds) from Google. Holy Crap! The reason I bring this up is that technology has spoiled us in many ways. This quick access to information has spread to the ability of cameras to give us a quick result that’s good enough. AKA in focus and a decent exposure.
This leads to two things I’ve noticed. The lament that a photographer isn’t creating ‘enough’. Enough new or exciting or different images. Or worse. A photographer thinking that they are creating wonderful images and not receiving the just kudos.
Let us now move on to today’s quote.
“If I have any ‘message’ worth giving to a beginner it is that there are no short cuts in photography.” Edward Weston
Granted that when Weston shared this quote the processes for attaining images was more difficult than we have at our disposal today. But the abiltiy to see, and bring that vision, to our final images still takes knowledge and time.
Practice. Experimentation. Study. Making mistakes. Education. And, more practice. Push the limits of the new tech.
Rinse and repeat.
Don’t do the same thing over and over and expect different results. That’s someone’s definition of insanity often attributed to Einstein.
That is what ultimately leads to creating compelling imagery.
Yours in Creative Photography, Bob
PS – What are you doing daily, or weekly, to take your image creation skills to the next level?
PPS – Esoterica – Weston was pushing the material he had at hand. For example, in his iconic studio photographs of the peppers and nautilus shells did you know that the low rated ISO of the sheet film used made it necessary for very long exposures? Some as long as 4½ hours!!
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
Learn Photoshop in a fun environment. Aaron Nace applies the right amount of fun with easy to understand and follow tutorials. Actions and brushes are included with lessons!
Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
Cameras Get Smarter -
A High Speed Smart Camera Remote
Best embroidery ever. Give Queensboro a try, get a $20 instant credit to get started by clicking on the logo! They specialize in great quality custom logo apparel and promotional products with the best customer service.
Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.
