tuesday painterly photo art – sperling

tuesday painterly photo art – sperling

Tuesday painterly Photo Art – Karen Sperling

Karen’s exquisite work speaks for itself. I’ll let her tell ‘the rest of the Story.’

“My mother was an artist and my father enjoyed photography, so I’ve been painting and taking photos for as long as I can remember. But I never actually finished anything because I was never encouraged to paint or take photos. So I majored in English in college and after graduating, I worked as a writer and an editor for newspapers, magazines and book publishers, including McGraw-Hill. But I never forgot about art and photography. I minored in art in college and continued to dabble in painting and photography through the years and spent a lot of time in museums and galleries.

© karen sperling original image by Kevin Kubota© Karen Sperling – Photo © Kevin Kubota

“Little did I know that I was creating the perfect skill set for writing the first Painter manual, a gig I got through networking in the New York Mac Users Group in the late 1980s. And I’ve been writing about and teaching Painter ever since.

I never thought of myself as an artist and in the early days, I featured the work of other artists in my Painter tutorials, classes, and books. In 2001, after my talk at the national PPA convention, the editor of PEI, a magazine that was later folded into Professional Photographer Magazine, invited me to do an article about creating my art in Painter. When I said I didn’t paint, she said, “You could do it.” And I did! A little encouragement went a long way, and I use this experience daily teaching photographers to paint. I honestly believe if you think you can paint, you probably can, and I’m here to encourage you to try. It’s amazing how much you can do when someone whispers in your ear; you can do it.

© karen sperling

 

 

 

 

 

 

 

 

© Karen Sperling -Photo © Karah Sambuco

“My involvement with Painter has opened doors that I would never have imagined. In 2003 I started to paint commissioned portraits directly for clients and photographers for their customers. And in 2007 I had my first gallery show in New York of my abstract art. More recently, I was named the exclusively commissioned painter for a TV cover manufacturer.

© karen sperling© Karen Sperling – Photo © Don Ling

“So I went from not thinking of myself as an artist to being paid for paintings, which is why I truly believe if I can do it, you can, with study and practice, and I encourage you to try.

Because of my many years teaching Painter, I have many different painting styles because I’m always interested in showing something new. One of the things I like about Painter is experimenting and inventing new looks and styles. I know having a lot of different styles goes against the grain of most photography experts who say you should promote one style, but I look to Picasso, who had many styles during his career. So we’ll call my style eclectic so that I can keep painting in any way I like at the moment.

© Karen Sperling - © Karen Sperling – Photo © Felicia Tausig

“I find offering different styles helps sell commissioned portraits to a broader base of clients and photographers. I also offer a variety of styles in my books, videos, and classes. I encourage students to try all the different styles I teach. In this way, they can pick and choose elements to include in their own paintings to create their individual style. Too many times, students paint exactly like someone they studied with instead of finding their own voice and vision.

© Karen Sperling - © Karen Sperling – Photo © Don Ling

“If you’ve been thinking about learning to paint, I encourage you to try, and if you’ve been thinking about offering paintings based on your photos to your clients, I urge you to try that, too. And I’m here to either paint for you or to show you how to do it yourself!”

Biography

Karen Sperling is an Elite Corel Painter Master and the original Painter expert—she wrote the first several Painter manuals when the software was first invented, and many published Painter books, including her newly published Painting for Photographers Volume 3, currently available at Amazon.

Karen wrote one of the Forewords and was a featured artist in Cecil Wiliams’ book, Painter Showcase.
Karen has been interviewed on radio and in many podcasts, including Michael Coy’s Cashtography.

Sperling has taught photographers to use Corel Painter at just about every venue there is, including the national Professional Photographers of America (PPA) and WPPI conventions, local PPA affiliates and PPA schools. Photographers travel to study with Karen in Los Angeles from as far away as the United Kingdom, New Zealand and South Africa, and from all around the United States, both in classes and individually.

Karen is known for taking complex art and software concepts and boiling them down into easy-to-follow, thorough steps. Her concise, complete books, tutorials, and classes have made painting accessible to photographers who never thought they could paint, but always wanted to try. Karen demystifies Painter’s mysteries and photographers who study with her report being able to sell their works of art to commissioned portrait clients and in galleries for tens of thousands of dollars.

Clients and photographers alike commission painted portraits by Karen Sperling, an artist in her own right who minored in art in college and who has exhibited her paintings in New York and Los Angeles and during Art Basel Miami Beach.

Karen’s fine art and commissioned portraits are held in private collections around the world.
To study with Karen or to commission her to paint portraits for your clients, visit her website:
http://www.artistrymag.com/ Email at [email protected]
Karen’s books at Amazon
Connect with her on Facebook
Subscribe to her on youtube

Yours in Creative Photography,      Bob

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sunday photo/art quote – goodin

sunday photo/art quote – goodin

Sunday Photo/Art Quote – Seth Goodin

Seth Goodin is an author of seventeen books and shares lots of ideas about marketing. I’m grabbing a quote from him that hits the heart of creators.

seth godin quoteArt is not in the …eye of the beholder. It’s in the soul of the artist.” ― Seth Godin

Let’s go to the expanded version from which I pulled this quote.

“Art is what we call…the thing an artist does.

It’s not the medium or the oil or the price or whether it hangs on a wall or you eat it. What matters, what makes it art, is that the person who made it overcame the resistance, ignored the voice of doubt and made something worth making. Something risky. Something human.

Art is not in the …eye of the beholder. It’s in the soul of the artist.” ― Seth Godin

Show your soul.

Yours in Creative Photography,        Bob

PS – There is one other thought that I believe came from Dean Collins. “Beauty is in the eyes of the checkbook holder.” Hmmmm, maybe there’s a middle ground somewhere. You decide.

back to sedona wetlands

back to sedona wetlands

Sedona Wetlands Photo Gear Testing

Well, I gotta tell ya it’s been very busy and I’ve been remiss in posting here for about a week. I photographed a four-day event coverage job with its attendant post-processing along with my regular work. There are only so many hours in a day so the blog had to wait.

I’m back!

And I got a lens I was lusting after to add to my quiver that I’ve started testing. The Lumix 100-400mm G Leica DG Vario-Elmar f 4.0-6.3 lens is as beautiful as I thought. I do not normally get too excited about glass for my cameras. I think of them as tools, and if they do their job as advertised, I’m cool with them. Occasionally, a lens tends to perform over-and-above That’s when I get excited. The 100-400mm is one of those lenses.

I went back out to the Sedona Wetlands for a quick test and here are some results.

blue dragonflyBlue Dragonfly – I was unable to identify this dragonfly. Wonder if it’s because it’s a juvenile and the wings haven’t changed yet. Any ideas??!!

Even though there were quite a few of these critters darting in and out of the stalks of green I could barely see them. They are tiny. Tiny and almost transparent. With some patience, I was able to finally track one of the dragonflies down that took a moment to rest. Excellent detail of something I almost couldn’t see. Oh by-the-way, I was hand-holding the shot with the lens racked all the way out to the 800mm equivalent. As a matter of fact I handheld all the images in this post at the 800mm equivalent. The GX85 was the camera and was a help in this regard as it is using five-axis image stabilization.

yellow flowersEven at f6.3, there’s some beautiful separation from the background with this lens.

dove photoMourning Dove – A bird capable of attaining flight speeds of 55 MPH hung around for a portrait. Sweet.

Not so much a beautiful photo, but a test to see the amount of detail that can be represented in the feathers. Sharpness is enhanced in this camera by the removal of the anti-alias filter. I might look to extract the bird from the background and use the pattern of the feathers in an art piece. We’ll see.

Yours in Creative Photography,      Bob

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infrared clouds

infrared clouds

Infrared Cloud Images

I enjoy the high-contrast look of clouds when photographed in infrared. I use a Lumix G6 with the filter changed out to infrared by LifePixel.

infrared cloud photoProcessed in Adobe Camera RAW

Clouds can have lots of personality when paired with an infrared capture. The high contrast can be a lot of fun. I’m starting to collect IR cloud images just as I have for my regular work. Having a library of clouds can help add interest to art photo composites.

infrared cloud photoThese were taken in Sedona.

I was cooking dinner and looked out of the window and saw the clouds starting to march through the area. They only showed this kind of depth for a few minutes. If you see cloud formations happening, take it ASAP. Usually, if you wait a little bit, or drive down the road a little ways you won’t get what you were looking for as clouds are an ever changing kaleidoscope of shape and form.

Yours in creative Photography,       Bob

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tuesday painterly photo art – harrison

tuesday painterly photo art – harrison

Tuesday Painterly Photo Art
Sandy Harrison

The Artist

“As a child, I was always intrigued with the old black and white photos my dad shared with me about his experience in WWII and how each image told a story of a time before me. My dad gave me my first SLR camera when I was in middle school. My love of photography took off! I was hooked and drawn to capturing landscapes, flowers, and bug pictures. Together, we used the darkroom equipment in our basement. I was in awe as I watched images appear on the glossy white paper right in front of my eyes.

© sandy harrisonPainted Image – © Sandy Harrison

© sandy harrisonBefore Image

I landed a job at the local 6 Hour Film Lab. Instead of sending the small cassette of film off to be developed, I was able to develop and print in the small re-purposed gas station. I spent mornings in the dark cracking open cassettes and hanging the film on big reel hangers which mechanically dipped the hangers into the developing bins and through the big dryers. Afternoons were spent viewing the film. Once the film was printed, I gathered the big reel of paper and started it on its way through the paper developer machine.

Didn’t know then, but later was amazed that my Lab experience helped me in my photography business
with such things as color, density, and over and under-exposed negatives.

© sandy harrisonPainted Image – © Sandy Harrison

© sandy harrisonBefore Image – © Sandy Harrison

I loved to work for the owner’s of the lab at their Camera Store/Portrait Studio. I would spend hours watching the owner take portrait sessions. She encouraged me to learn.

I’ve studied under some amazing talented masters but a few who really touched my heart throughout the years are Van Moore, John and Mary Beavers, Colbert Howell and Rick Alexander.  Without the teaching and giving of themselves, I would not be who I am today.

I have welcomed the digital era diving full force in 2000 converting to one hundred percent digital medium from film and have never looked back. I love the flexibility of the digital darkroom aka the computer! I continue to learn and move upward with the flow as the digital medium is in constant change.

© sandy harrisonPainted Image – © Sandy Harrison

© sandy harrisonBefore Image

With the switch to the digital era, came a glimpse of something new again. I sat in a class taught by Marilyn Sholin teaching Correl Painter. It was the vibrant colors and uniqueness of her portrait art that caught my eye. I told myself that day; I needed to learn more about this amazing technique. She was offering workshops just two hours from Charlotte. I enrolled in one of her workshops and again was hooked! The creativity I hoped to accomplish with painter was that of what I see on the walls in museums! I have continued to grow as a photographic artist the past six years or so with the help of Marilyn and her workshops and private tutoring.

© sandy harrisonPainted Image – © sandy harrison006-beforeBefore Image

Myself, being a photographer, I was inclined to stay in the lines and make a photographic print. She has taught me to be loose, messy and think outside the lines. She encourages her students not to copy but to create a style of their own. In doing so, Marilyn directed me to another Master Artist, Heather Michelle. Heather’s style of painting is more of a traditional approach as well as teaching color theory. Just what I needed as a classically trained portrait photographer. After studying under both of these Master Artists, I’ve tried to take both styles and techniques
and make something of my own. Every painting I do is a work of art from my heart.

I would encourage you to always continue your education. Embrace the new! Accept the challenge of change and make it your own.

Take your craft and your experience and be open to share it with one another.  Looking back on my successful career of over 30 years, I am so thankful to those that shared their knowledge with me.

One Moment, One Click of a Shutter and Time Stands Still Forever…

Happy brush strokes!”

To see more of Sandy’s work. www.PhotographicElegance.net

Biography

Sandy Harrison was born in Port Huron, Michigan. She started her career in photography at the age of 20, just newly married. She continued living in Michigan while starting a family and pursuing her passion for photography until moving to Charlotte, North Carolina in 1988 where it
would be a reality and full-time employment in a portrait studio. There she learned the art of classical lighting and posing from Master photographers at the local and state conventions
and workshops.

Sandy embraced her craft and was hired to photograph well-known dignitaries such as Michael Gorbachev.  She was hired to photograph basketball star, Larry Johnson’s wedding along with many of the Charlotte Hornet basketball families in the 1990’s. She was also the first to be featured on the Carolina Bride Magazines cover adorning Lisa Cooley, Charlotte’s premiere news person. Sandy’s keen eye and ability to capture the true essence her subject makes her a sought after photographic artist. Her work continues and hangs in many homes in Charlotte and the surrounding area.

Sandy pioneered the digital era in the Charlotte area being one of the first to make the transition to
the new digital media.  In doing so, she surpassed many of her associates and got a head start
in the digital world in 1999 and has never looked back.

Keeping true to her passion and drive wanting to learn new things, Sandy started painting portraits in
2009. She continually studies under several Master Painters and is always expanding her knowledge in
yet another medium.

Yours in Creative Photography,          Bob

 

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