watercolor photo treatment

Using a watercolor photo treatment that looks right was very difficult in the past. Most automated WC actions look like they had are done by a machine. I have a feeling that getting all the subtle nuances inherent in watercolor into a math equation would be amazingly difficult. It’s still not easy even when you do it by individual strokes.

Enter England’s Tom Shelbourne. He has developed a watercolor palette for Photoshop CS6 and CC that can move you way down the road to having more realistic watercolor techniques at your fingertips. You can go to Russell Brown’s website and download it for free. It takes you step by step, inch by inch (OK Layer by Layer) through a technique that helps you with the line drawing, setting up brushes and the opacity for laying down washes and getting more detail oriented as each layer is completed. This is NOT a push button watercolor system, but it will move your imagery much further in a realistic direction. Watch a video explanation of the WC Palette here.

If you like what you see there but feel the limitations you can go to Tim’s web site The Artists Quarter and Tim Has tutorials that take you even deeper into creating fine watercolor art with unlimited variations. I bought his watercolor tutorial ‘Fast and Loose’ and it really opens up the creativity and possibilities!

I wanted to create a tribute as a thank you for the Code Talkers service performed during WW2.

navajo code talker photoBill Toledo – WW2 Navajo Code Talker in Albuquerque, New Mexico

Here is the original photo I started with of a Navajo Code Talker taken with the Panasonic Lumix GX7.  I wasn’t able to get Bill to a cleaner background but we did move under an overhang so I could get some better light on his face for depth with a bit more shadow. You can see it’s a busy background. Fortunately, when creating paintings you have the option of only showing what you wish to show.

digital watercolor imageDigital Watercolor of Bill using some of Tim Shebourne’s techniques

Here’s the same photo after spending some time working with a few more of Tim’s techniques. I haven’t finished the tutorial yet so I know there’s even more realism down the road in creating Fine Art Watercolors with my photography as a base. I highly recommend you check out Tim’s tutorials if you want to have realistic digital watercolor as part of your offerings.

digital watercolor image of Bill Toledo with flagAnother watercolor version combining a US flag to help tell the story.

The images are created in honor of the Navajo Code Talkers service to our country, but I would like for you to take time to remember all of our veterans, living and fallen during this Memorial Day. As General George Patton said, “It is foolish and wrong to mourn the men who died. Rather we should thank God that such men lived.”

Yours in Photography,      Bob

coyote photo

These bad boys do blend in. This was taken during a hike in Sedona with my Lumix GX7 and 35-100 f2.8 Vario Lens. It reached out pretty far and rendered the animal tack sharp. I like how there are so many different textures in the scene.

We see the ‘Trickster’ as the Native Americans refer to them, on a regular basis. This is from Wikipedia – “The name “coyote” is borrowed from Mexican Spanish coyote, ultimately derived from the Nahuatl word cóyotl, meaning “trickster”.[10] Its scientific name, Canis latrans, means “barking dog” in Latin.[11]”

coyote photoThe ‘Trickster’ AKA coyote during dawn hike in Sedona, Arizona

Part of that I believe comes from how coyotes hunt and the fact they have a dual voice-box capable of making many sounds and seeming like there are multiple coyotes when there is only one. The calls a coyote makes are high-pitched and variously described as howls, yips, yelps, and barks. These calls may be a long rising and falling note (a howl) or a series of short notes (yips). These calls are most often heard at dusk or night. You can learn more about the Coyote here.

Your in Photography,      Bob

lumix gear bag travel and hiking

Traveling light these days!

Thought I’d share what my shooting kit is these days for a couple different scenarios. Panasonic Lumix has made me lean and mean these days. My favorite camera for travel and for hiking is the Lumix GX7. It has all the features I like and has an extremely low profile. The screen tilts up and down for low angles or overhead shooting. The screen is quite viewable even in bright sunshine but just in case there is a 90 degree moveable viewfinder. The camera is capable of in-camera HDR or up to a seven stop auto-bracket, in-camera Panorama, and a host of other specialty settings I’ve been enjoying putting through its paces.

Lumix camera equipment photoLet’s start with the hiking kit as you see pictured above. 45mm Leica DG Macro-Element f2.8 Aspherical lens for going after those close up details like flowers. Added to that the Lumix Vario 12-35mm f2.8 for the medium to wide angle scenic landscapes and the  Lumix Vario 35-100mm f2.8 to help compress longer distance scenes or trying to reach a bit further. Note the mini-tripod. I tend to hike more often traveling light which means no full size tripod but with the mini I can place on or lean against a rock, tree, car or fencepost to help steady the camera. Very handy indeed. Of course, a fully charged spare battery is always in the kit. The Westcott twenty inch Five in one which folds to a very manageable 8 &1/2 inches rounds out the equipment list. So I’m covered from 24mm to 200mm – 35mm DSLR equivalent along with a MACRO and it weighs less than four and a half pounds.

Conversely, my DSLR weighs four and a half pounds with a single lens.

wildflower imageWildflowers captured with the 45mm Macro

For travel I swap out the 45mm  Macro for the 7-14mm f4 Asperical lens which covers me from 14-200mm 35mm DSLR equivalent and I the kit is still well under five pounds.

Both kits are supported by the Tenba Mirrorless Mover 20 bag which fits comfortably on my belt and holds all the lenses and gear including spare cards, cleaning cloth, etc.

Yours in Photography,       Bob

practice photography

One of the ways I keep in shape with my photography skills is to practice and try new things on a regular basis. Yesterday I was having an IPA (that’s India Pale Ale for the brew bereft) I quickly photographed the chilled glass of beer and then the bottle before enjoying my libation… By the way it was quite tasty!

Then, before I went to bed I decided to build a mock up of a magazine ad for the brew. Here’s what I started with…

ipa beer bottle photoIPA beer bottle capture.

frosted beer glass photoFrosted beer glass with a nice head. Images captured with the Lumix GX7 and the 20mm f1.7 lens.

Then it was off to Photoshop with three different textures and the tools to separate the bottle and the glass from the background. Using Layers and Blend Modes some drop shadows and a little VooDoo Magic I came up with this…

ipa beer ad mock up photoIPA ad mock up.

How have you stretched and practiced your skills lately?? Let me know…

Yours in Photography,        Bob

depth of field

Mirrors are funny critters… They will lie to you as you look at them thinking, “Wow, I look good!” Whoops! wrong blog post. Back to our regularly scheduled conversation…

The focus point in a mirror is on a totally different plane than the frame that contains it. Been caught by the, photographed the bride in the mirror and found either the subject you wanted to have in focus in the glass or the surrounding area surprisingly out of focus?

Here a possible work-around when you would like to have everything in focus but don’t have time to get on a tripod with a really small aperture. And even if you had time to do that you still might not have enough DOF to make it work. This is an extreme example with several focus points in play. The background which has the sign telling us where we are. The side view mirror on the car. The side view mirror. And the convex utility mirror for helping to keep the driver out of accidents. All are important to telling the story I want to share so I made an exposure for each of those individual surfaces then blended them together in Adobe Photoshop. Here’s the result…

sedona scenic image with mirrorThe assembled photo with all the pertinent information in focus. Bell Rock Vista in Sedona, Arizona.

bell rock vista image in car mirrorHere are the raw captures before assembly.

Photographed with the Lumix GX7 and the 35-100 f2.8 Vario Lens while focusing through the range of the scene.

Now how about that bride shot with mom reflected in the mirror and crying???

If you have any questions don’t hesitate to give me a shout or comment on this post.

Yours in Photography,      Bob

successful photographer happy earth day

“It is spring again. The earth is like a child that knows poems by heart.”
― Rainer Maria Rilke

A little slice of Sedona I Thought I’d share with you. A flower I enjoyed
while on a hike this AM. Hope you like it as much as I do…
Captured with the Lumix GX7 Lumix Vario 35-100mm f2.8 lens – Exposure f/10 1/80 sec ISO 200 at 100mm

After the capture of the flower it was extracted from the background and placed in another file with an organic background I made a couple days ago. The flower was enhanced and a drop shadow added. It was then duplicated and moved numerous times until I came up with what you see here.

“Those who contemplate the beauty of the earth find reserves of strength that will endure as long as life lasts.”
― Rachel Carson, The Sense of Wonder

“And forget not that the earth delights to feel your bare feet and the winds long to play with your hair”
― Kahlil Gibran, The Prophet

Happy Earth Day to you… Yours in Photography,           Bob