Time lapse Photography – Sound Bites Grill & Snoopy Rock
aka – Snoopy Goes to Sleep
I get to spend quite a bit of time at Sound Bites Grill, being the house photographer. So I am very familiar with the view. And as many times as I see the sun set on the red rocks I am always amazed at how each sunset differs from the one before. On this day with no clouds to help I decided to concentrate on the comic feature built into the red rocks a Charles Schultz character called Snoopy.
Snoopy Rock Time Lapse Video
The initial images were captured with the Lumix GX8 with a 35-100mm f2.8 Vario lens. The settings were for an image captured every 3 seconds. The video was processed in-camera in the GX8 to 4K video with playback speed at 12 frames per second. I had previously processed the 916 images into a 4K 24 fps video and felt it was too fast.
One problem that I wasn’t aware of during capture (cause I was having dinner at the bar) was there were some very severe wind gusts shaking the camera. That’s not a good way to view video. Adobe Premiere Pro CC 2015 to the rescue. Opened the file in Premiere Pro then added the graphics and music. Even more important used the Warp feature to examine and fix the shaky wind buffeted footage to rock steady. Also added a slight Ken Burns effect zooming slowly into the image featuring Snoopy that is possible because of the 4K size files that still leaves you plenty of quality on an HD timeline.
As an added benefit to shooting time lapses there are individual images to choose from to create stills from the same scene. Here’s one with just a bit more color correction in Adobe Camera Raw and Photoshop.
Snoopy Rock still photo at sunset.
I’m really enjoying the ease with which time lapse videos can be made with the Lumix cameras. You don’t need to take the subsequent video into and additional processing program but that enables the addition of information and flourishes depending on your final output.
In a post a couple days ago I talked about an art installation at the Scottsdale Museum of Contemporary Arts and how it moved me and made me sad…
Well, there was another installation there that saved me from spiraling too far down into the depths. It was Bruce Munro’s Ferryman’s Crossing.
When I first walked in to the Crossing I thought, “WTH??? It’s a bunch of CD’s on the floor…
First look at Ferryman’s Crossing
And despite my initial reaction I decided to spend some time checking it out. Glad I did.
The CD’s are tilted in two directions with lights flashing down from the ceiling from different angles, timings and places. This is not an environment you want to be in if you are epileptic but strangely enough it is a very calming place to be. There are large expanses of concrete receiving the reflections bounced off of the cleverly placed CD’s.
Sounds of a stream with birdsong and wildlife are piped in while the reflected lights play as a dance upon the walls. The longer you stay in the art the more you see. Yes I said in the art. You can walk as though on the banks of the stream. As in Joseph’s Coat from the bible many colors appear among the CD’s while the soft reflections play upon the walls.
Here’s a short video to give you a feel for the movement within the art.
Maybe it’s because I consider myself a ‘child of the water’ and enjoy all kinds of water I felt more at home here the longer I inhabited the space.
I did think to try and push the envelope of my creativity to see what I might capture with my camera. So in addition to the ‘straight’ images I photographed here are a few from my experimental foray. I looked for slightly different images to tell the story of this art piece.
Zooming the lens slightly during capture led to the electric colors and patterns
Rotating the lens and moving during capture…
Images were captured with the Lumix LX100 camera. To make the colors appear richer I set an underexposure of approximately 2 stops. Slight processing and enhancing with Adobe Camera Raw using the highlight and shadow sliders…
Sometimes we need to spend time in a place before it begins to share it’s innermost secrets with us.
Take an electric guitar. Acoustic guitar. A bass guitar. A small sax… and a large one. Throw in someone who knows how to play the drums. Add in a voice that is pure magic and the namesake of the band. And what do you get?
A really good time listening to Southern Soul!
What is SOUTHERN SOUL? A sweet blend of blues/gospel/americana/r&b with a splash a cayenne pepper.
Saturday night Miller and the Other Sinners performed at Sound Bites Grill and I had the fun job of photographing them for the ‘SBG Wall of Fame’. This group really rocked the house with a bluesy sound that had everyone bouncing in their seats.
Sound Bites Grill Wall of Fame image for Miller and the Other Sinners
I used two cameras for the event.
I used the Lumix GH4 with a 35-100mm Vario f2.8 lens for the individual band member captures. I generally shoot at ISO 3200 in aperture priority with a minus 2/3rds of a stop exposure compensation in RAW. This will generally get me an exposure between 1/60th & 1/100 of a second. Taking the images into Adobe Camera Raw with just a little push up of the shadows slider and a reduction of the highlights I am able to get the entire dynamic range of the scene.
The second camera is the Lumix GX8 with a wide f2.8 12-35mm Vario zoom. These images are of the whole band and used for press releases and marketing. Same basic settings on the camera. A great feature of shooting with these cameras is the Live View function as you are seeing the image as it is being captured so it’s easy to make tweaks to the settings before firing the shutter.
Marketing images are created in color but I specifically do the BW conversion myself so the best quality will be printed rather than someone at the publication just pushing the greyscale button. NIK Silver FX Pro 2 is the go-to software plug-in.
Knowing how the images are going to be used dictates how images are processed. I always try to create the best image file for the job at hand. Remember to ask questions in order to be able to provide the best product.
HDR. High Dynamic Range. AKA how to jam a whole lot of light into an image the way our eye would see the scene. I’ve always been a fan. As a matter of fact I was one of the first authors to teach this when I was making videos for Software Cinema. I showed how to use this process to make landscapes and real estate scenes look their best.
Unfortunately, I didn’t have a catchy name for it. Nor did I design a software program or cause others to do so on my behalf that did most of the heavy lifting for the HDR process either… Oh well.
Five image sequence, handheld, processed in Aurora HDR software.
Even though there have been many iterations of HDR software it’s been a while since there was a new player with a different interface that included many new possible settings in and easy to understand interface and, wait for it, layers too! The new software is called Aurora and was designed by HDR travel image specialist Trey working in conjunction with Mcphun Software.
I was given the software to play with… And, I like it!
Another 5 image handheld bracket using Aurora HDR software
Same image as above processed differently from same exposures.
It gives you the ability to totally go HDR berserkers! Or, create a very natural scene with full dynamic range. Or somewhere in between so you can have the best of all worlds. An artistic, realistic representation of a scene that DOESN’T SCREAM HDR!!
All images were captured with the Panasonic Lumix GH4
Yours in Creative Photography, Bob
PS – At this time Aurora is only available for the MAC platform at the moment
Photographing at night can be a challenge. The dynamic range of any camera can be challenged by bright lights in a darkened scene. Trying to make that read properly usually takes some work with and HDR program but sometimes you don’t want to work quite that hard and want to just get a decent grab of a scene.
Before switching to the micro 4/3rds system by Panasonic I was never a fan of any presets on a camera. But after playing with some the results have been impressive. Several Lumix Cameras have presets that can help you with extreme situations. For example, the GH4 has an artistic setting called High Dynamic which can be helpful. The new G7 and the FZ1000 have a setting in the scenic menu called Handheld Night Shot where the camera is basically making multiple exposures and blending them together quickly for you.
Strangely enough I hadn’t tried the Handheld Night Shot preset until a fellow photographer I had recommend the FZ1000 to asked me if I had tried it. When I did I was quite happy with the results. Always fun when others share features that work really well with you. Considering I was shooting this through the window glass and doing a quick test this works. I’ll be trying it under better conditions soon.
This was captured from my hotel room at the Omni in Atlanta during the PPA Imaging USA convention using Handheld NIght Shot setting on camera. Lumix FZ1000
In future posts I’ll be looking at leveraging other presets from the Lumix cameras as well as exploring some new HDR software from Macphun called Aurora…
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
Learn Photoshop in a fun environment. Aaron Nace applies the right amount of fun with easy to understand and follow tutorials. Actions and brushes are included with lessons!
Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
Cameras Get Smarter -
A High Speed Smart Camera Remote
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Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.