Sunday Photo/Art Quote – The Art Spirit Robert Henri
I was recently turned on to this book and am enjoying it immensely. Robert Henri has written about art in a way I have never heard before. He is very straightforward in presenting his ideas about art and the creation thereof.
I have a feeling that I could use this book to populate the Successful-Photographer’s Sunday Photo/Art Quote for the better part of the year. Here is a quote from Henri…
“Paint like a fiend when the idea possesses you.” Robert Henri
I enjoy this quote as I occasionally find myself super-inspired in creative spurts. During these creative times I seem to see things in a new light, viewing everyday subjects in a new way. Strangely enough, this often happens when I am traveling or upon my return home from an extended stay away. (or on nights when I can’t sleep because I drank coffee too late in the day ; )>. I have a feeling that any huge change in environment tends to sharpen the visual senses. May I suggest that you strike while the iron is hot.
When it’s working, make sure you are too…
“The student is not an isolated force. He belongs to a great brotherhood, bears a kinship to his kind. He takes and he gives. He benefits by taking and he benefits by giving.” Robert Henri in The Art Spirit
I also share this quote as it explains to me some of the reasons that I am so passionate about sharing the knowledge I’ve gained with others. As he states, “He benefits by taking and he benefits by giving.” I learn so much when I am teaching. Much of the education comes in the preparation of the programs and more from the students when I am teaching as they share lessons they have learned.
I say if you want to learn something inside and out, teach or write a book about it.
When I travel to speak sometimes, I get a little behind on my blog posts. For good reason. This past weekend I had the honor & privilege of sharing some knowledge and judging imaging competition for the New Hampshire Professional Photographers Association. What a great group! If you are in that neighborhood & not a member of this association you are missing out big time on great photography education and camaraderie with fellow photographers.
I can’t speak highly enough about Professional Photographers of America (PPA) Affiliates. Education. Yes, there is a lot of it available online and through DVD and streaming products but I have to tell you nothing beats in-person education. Weirdly enough, your learning opportunities are magnified, and you learn as much or more during the breaks sharing ideas with fellow photographers over a cold beverage or hot meal.
I’ve been a member of PPA since 1997, and as soon as I moved to Arizona in 1999, I became a member of the Arizona Professional Photographers Association (AZPPA) and, in spite of living almost two hours away, have been attending monthly meetings, conventions, and special events. That’s a lot of commuting time! I added to my education by using audio training on sales and marketing during the drive back and forth.
If you read this blog regularly, you know that I am a huge proponent of the imaging competition system. The state organizations that are PPA Affiliates are a great place to get your feet wet in the process. Most state affiliates have an annual competition with some of the PPA Approved Jurors on the panels. Also, they have some form of image critiques and networking with other photographers who are familiar with the best practices in competition. Please don’t let the word competition hold you back. It is not a battle against the other photographers for awards. It is a challenge against yourself to be better than you were the previous year. The awards start coming as you improve. I’ve seen it time and time again, those that get in and participate find they improve their photography skills exponentially. Those that say, “I’m not ready’ seem to progress at a MUCH slower pace.
Networking is another large part of belonging to associations. Getting to know the other photographers in your area can be a great help to you and your business. What do you do if you become ill or have an accident just before a big job?? Do you have backup people in place to make sure your clients are served correctly? Also, many photographers share leads with fellow photographers with overflow business or with genres of photography that they don’t pursue. Sharing ideas on lighting, posing and pushing each other to become the best they can be. Sharing time by heading out for little photo trips together. All these things tend to start with joining your local affiliate.
What are you waiting for? Here’s a link to the PPA Affiliate list.
Become the best photographer you can be. Check out the next meeting in your state!
If you look at yesterday’s post you’ll see the capture and processing of an orangutan photographed through a dirty plate glass window which pushed capture and processing skills. Today I want to share an artistic rendition of our countries’ symbol of freedom, the bald eagle.
While we’re looking at this image let’s go back in time with the Steve Miller Band’s Fly Like an Eagle for a little musical accompaniment…
The theme here is to practice skills of photography. What did I get/learn while photographing the eagle that I can carry with me to my regular photography gigs??
Number one – People were moving through on a regular basis, so there were distractions to manage. awareness of surroundings while concentrating of my subject.
Number two – Patience. I wanted the eagle’s beak to be closed and there were only fractions of moments when this was the case. I had to learn this behavior and movement and time it to get the position I wanted.
Number three – The eagle was caged so there was the fencing to account for which meant shooting at a shallow Depth of field and focusing on the eagle and not the fence.
Finally, number four – Processing the image into an art piece that is more than the sum of the parts. Always working on these techniques to improve them. As they say, practice makes perfect…
Original photograph. Captured with Lumix FZ1000 1/400th sec f4 ISO 200 at 420mm (35mm equivilent)
A process through NIK Silver FX Pro 2 gave a very gritty black & white rendition of the eagle. I like the idea of the eagle in a square crop portrait style but not all the cage elements and distracting background.
I wanted a larger portrait rendition so I choose a larger crop and started adding my art embellishments.
The artwork is accomplished using photographs of textures and colors combined together using layers and Blend Modes. Utilizing Layer Masks on the texture layers allows for control of specific effects in certain areas of the image.
I thought the eagle was just holding it’s wing up when I photographed it, but it was bothering me. Then my eagle-eyed wife Holly came in and liked the art treatment but also spotted that the eagle’s wing was probably broken hence the residence at the zoo. I did a little plastic surgery for the final image you see below.
The last bit of work was accomplished with Adobe Photoshop. I copied the broken wing onto its own layer. Then repositioned it as if it was folded in its normal place. Using a layer mask to blend it into place.
I do! I always try to improve my skills by pushing out of my comfort zone and create different images from different places.
I always try to improve my skills by pushing out of my comfort zone and create different images from different places.
So how do you do it? One of the best ways is to continually practice and expand your skillset. Anyone who is at the top of their game in any sport, yes I consider photography a sport as well as an art form, practice daily. Why do I consider it a sport? Depending on your photographic genre you need coordination, timing, and stamina. This goes for shooting sports, weddings, wildlife or other fast moving situations. Why art? Art because you need to create or recognize wonderful lighting in order to have your images rise above the ordinary. Both the ‘art and sport’ parts of your work can be improved by working on your muscle memory. And, you guessed it, that takes practice.
Guess what? Your composition gets better when you practice too.
You also need to practice your post production as well… And the more you do it, well you get the idea.
I always try to improve my skills by putting myself in different situations and today I’ll share some images from the Phoenix zoo. For a little accompaniment push the button to listen to Paul Simon’s song ‘At the Zoo’.
Paul Simon with Garfunkle “At the Zoo’ from around 1967. (am I showing my age here??)
Orangatang at Phoenix Zoo. Captured with Lumix FZ1000 1/40th sec f4 ISO 200 – With a range of 25-400mm the FZ1000 is a very handy lens covering a wide variety of situations.
“OK Bob, so how is this zoo practice good for practicing other types of photography?
I’m fighting crowds to get the angle I want. Looking to capture expression which happens very quickly. In this instance, I am also going to be working hard in my post processing because this image was made in less than ideal lighting conditions through a thick, colored, and dirty pane of glass.
Did I say it wasn’t an ideal situation? That never happens on a regular photo shoot… (cue the laughter bouncing off the walls!)
Here is the final image I was able to pull from the original capture.
A couple of post processing tips I picked up from working on this photo of the orangutan. Adobe Camera RAW has a feature called DeHaze. This was quite helpful in getting a lot of the reflections and dirt on the glass to disappear. Did a much better job than I thought it would!It was designed to help with scenics to take some of the blue out of a landscape image but it worked very much like a Polarizing filter in this situation. I will be revisiting this filter more in the future. I love how tools and setting designed for one thing can be leveraged to do more.
After the initial processing in Photoshop I moved over to my favorite black and white conversion tool NIK Silver FX Pro 2. I made my black and white selections in the filter. These process out onto their own layer, and with a Mask, additional adjustments can be made. One more time back into Silver FX Pro 2 (it’s free now!) and I made some adjustments to the Structure, dialing in very strong enhancements to the mid tones and the fine structure. I changed the Mode of that new layer to Luminosity and filled the mask with black. Then I was able to paint with white on the mask to selectively sharpen specific areas of the image.
Last on the list was a Soft Light Mode Layer to dodge and burn.
Around the time when the calendar was going lower as it progressed toward Anno Domini from the time Before Christ. There was this dude named Aristotle who was a scientist but more importantly to today’s discussion a Philosopher. Even back then he recognized that we need to practice – a lot – to become the best we possibly can be. He might have been near the first to recognize the phenomenon but he assuredly was not the last. Repetition has been touted by all the great instructors as one part of how to become good at what we do.
I believe that a major part of the secret is that little secret sauce of making it a habit. Once formed habits self-perpetuate. This makes it an almost unconscious route toward excellence. We still have to program our habits to be good ones moving us forward and not just rote repetition. We need to continue to study, to learn and to practice what we learn. The secret is to make practice the habit and just make sure we program the practice properly.
“We are what we repeatedly do. Excellence, then, is not and act, but a habit.” Aristotle, 384-322 B.C.
I feel in order to practice properly we not only need to keep at it, but we need to have some outside help in reviewing our practice. One of the ways I continue to receive outside perspective on my imagery is to participate in Professional Photographer’s of America Photographic Competitions. I respect the jurors and their opinions (FYI I am also a PPA Approved Juror) but I also sign up for the critiques to get additional feedback. It’s not like I need the feedback to earn PPA Merits and awards. I have been fortunate and hold the Master of Photography and Artist degrees and have managed a few awards along the way. The awards and degrees have not been the ultimate goal but been byproducts of my participation in trying to learn more about my craft.
There’s no doubt in my mind that I wouldn’t be the image maker I am today without my participation in PPA’s Photographic Competition.
I encourage you to practice. To learn. To repeat again and again. And seek feedback so you have some outside opinions to help you on your way.
Yours in Creative Photography, Bob
PS – I am in no way suggesting that the feedback you get will always be spot-on. You still need to run the information received through your own filters. But, I have found on many an occasion that information to be extremely valuable especially when time has passed and I can view my work with a more critical, and less personally involved, eye.
Lots of information and detail. That’s what I look for in a book.
Are you a photographer just getting started? Find yourself in a photographic rut? Getting the same old photographs from iconic places?
And this one has it.Are you a photographer just getting started? Find yourself in a photographic rut? Getting the same old photographs from iconic places?
Are you a photographer just getting started? Find yourself in a photographic rut? Getting the same old photographs from iconic places?
A pro and find yourself in a photographic rut?
Getting the same old photographs from iconic places?
Maybe it’s time to take a look at a book called Visual Palette by Rocky Nook Author Brian Matiash.
I always appreciate taking a peek into another artist’s thought process when it comes to finding new ways to view and capture a scene that lay before me. Brian gives a great primer on the basics of composition and then moves the process forward with ways to apply the basics in a more advanced way. The
The images included in the book are solid examples of the point that is being made. Are all stellar? Nope. Some are. But, do they do the job? You bet. This book is about, and should be about YOUR photography. You get to experience Brian’s work and thought process but he is sharing ideas and concepts that you can take out for a test drive.
And that’s what it’s all about. Learning new ideas or being reminded of those long forgotten.
Yours in CreativePhotography, Bob
PS – here’s a small excerpt from the book to give you a taste of Brian’s ‘voice’…
“I, Photographer I am sharing the backstory of my life as a student to illustrate a few points as it relates to you, the photographer. The first, and probably most important, point to make is that photography absolutely is a journey with no set destination. There isn’t a geographic coordinate to plot to, a set distance of miles to travel, or a number of exposures to take. There is no master class you can complete where you’ll receive a certificate stating, “You’ve Made It!” Don’t feel any despair over this. The fact that this is a never-ending
journey should be something to rejoice! I first picked up a camera to use with meaningful intent in 1996. At the time of this writing—nearly 20 years later—I’m still forging ahead on my path to discover who this person, this photographer, really is. Sure, I have a solid understanding of the correlation between the aperture, ISO, and shutter speed of my camera equipment, but beyond that, I will be a student of this craft for life. To think otherwise is to resign myself to the idea that I am done growing as a photographer. And that, dear reader, is a terrifying thought to ponder.” Brian Matiash
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A High Speed Smart Camera Remote
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“Paint like a fiend when the idea possesses you.” Robert Henri
“The student is not an isolated force. He belongs to a great brotherhood, bears a kinship to his kind. He takes and he gives. He benefits by taking and he benefits by giving.” Robert Henri in The Art Spirit
What are you waiting for? Here’s a link to the PPA Affiliate list.
