And, I can’t tell you how many times I heard, “Oh, you’re from Sedona! You are so lucky to have such a beautiful place in which to live!”
Now I don’t actually dispute that statement because I am lucky and I do live in a beautiful place. But, photographically we all live in beautiful places. Why do I say that? Because it is the light in which makes a beautiful photograph not necessarily the subject matter. Believe me I’ve seen plenty of butt-ugly photographs of the red rocks of Sedona.
The other part of the equation is that I believe we are inspired by the unfamiliar. When we see the same things before us day after day I believe our eyes and minds become fatigued by the repetition. Moving out of my comfort zone to new visuals on a regular basis via the travel I do when presenting programs around the country I find stimulates my creativity. Just by virtue of seeing something I am not used to can lead to creating new imagery that is interesting to me.
Wherever You are is Beautiful
Wherever you are is quite interesting when seen with new eyes. There have been many times a photographer from out of town has come into my neighborhood and shown me new ways to see the beauty around me. And I have shown others beauty in their own neighborhood.
I have found I really enjoy seeing new things. I think the secret is to use the same eyes at home as we do on the road. I suggest you and I try to not wait to travel to look at our own city or town with new eyes… I guarantee you will start creating more and better images. Although it doesn’t hurt to get a little ‘refresher’ by taking a little trip as a reminder.
One Image from the City of Atlanta
The convention was in Atlanta, Georgia. This image was captured from the Onmi Hotel 11th floor. I enjoy the architecture, lines, forms and light as I look out over the city.
This is pretty much SOOC (straight out of camera)
This version is with color correction and a bit of artistic adjustment.
Using NIK Silver FX Pro 2 to create a black & white version makes tone and form more of the star than the color.
All three images have a slightly different feel due to different processing. I’m sure there’s even more but that’s all the time I have today. I be sharing more of my ‘city safari’ images in posts next week.
For those who have inquiring minds about gear and settings for the capture… Lumix FZ1000 1/200 sec f4.5 ISO 200 in Aperture Priority
When making a time lapse (view time lapse video here) image you can leverage a thing I often do to create a solid look of a scene by using images captured over a time period to get the best of all worlds. As our eye can change the size of the pupil in any scene when looking into the shadow or highlight area we sometimes need to arrest time and blend it into a single image to represent what the eye would actually see. I call this an advanced form of HDR imagery as the images are not captured in one go but with the camera on a tripod blend images that were made while the sun was up, as it was going down, and long after it had crept below the horizon.
Here’s the final image.
Here are the images combined and used to create the final. The photo on the left was used for the treeline across the bottom. Next image was used for the cloud formations. The third image was used for the red rocks. and the final image was blended for the deep colbalt-blue sky.
Why use Multiple Images?
I went back and selected images based on the subject matter that was exposed exactly for the area of the scene and using masks blended them together for the final look.
The use of images captured over time verses capturing all the images in a single HDR capture is the quality of the information in the highlight areas and shadow areas as they are captured exactly as they should. This will give you less noise in shadows and cleaner highlights, allow the glow of light in a scene and more.
Gear
A Lumix GH4 was mounted on a tripod with the 7-14mm f4 Vario lens. Images were captured every three seconds over a long time period for the time lapse video. If I was using this for the ultimate capture of a scene verses also for a time lapse I would set the interval for more like an image every five minutes or so.
Yours in Creative Photography, Bob
PS – this technique can also lead to multiple iterations and mood of a scene… Try it you’ll like it!
In a previous post I showed you a finished time lapse video captured from the parking lot of Mariposa Restaurant in Sedona overlooking the red rocks after having lunch there last Sunday afternoon. While having a great lunch we were watching the clouds clear after a bit of weather. And you guessed it, I had to run home and grab my gear. Today I’d like to share some ideas on what settings to look at when thinking about creating your own time lapses.
Depending on your scene and how long you would like to cover it you should decide the space between your image captures. Math comes in handy here and you will start to have an idea of your settings almost by instinct. For example, depending upon the speed of moving clouds I’ve found the interval that works for me is between three & five seconds. The rate that the images should be played back is between 12-24 frames per second. The time lapse in the previous post covered a period of about 40 minutes with 3 second intervals and 24 fps. This translated into a video that was about 35 seconds long. Now not being a fan of that much math here is a calculator that will help you figure things out including how much memory you will need to have in your camera to complete your session.
Time Lapse Calculator
Time Lapse Calculator from PhotoPills. You can download your own for your web site or get the App to calculate while on site. Try it right here you’ll like it!
Lumix Time Lapse Processing Features
A great feature in the Lumix cameras like the GX8 used to capture this time lapse is the ability to process the video in camera choosing from a large number of settings in quality and frame rate. When calculating how much memory you need to have on your card remember you’ll need room to process and store the final video as well. I processed out the video using the 4K setting. 4K is four times bigger than HD video which means you can place it in an HD timeline then have room to pan and zoom which adds a lot to the final product. There are many programs you can use but I used Adobe Premiere Pro CC.
Screen Capture of still files in Adobe Bridge.
I shoot in RAW so I can process the original files for stills or for color tweaking if necessary. Then process out the files into jpegs and use a free program such as Time Lapse Assembler to put your video together. (link for MAC for link for PC. There are plenty of free or freeware programs to choose from. Find the one you like.
Time Lapse Assembler window. I like it because it’s pretty simple and straightforward!
Shoot longer than you think is necessary. The first couple times out my time lapses were only seven seconds which was a little disappointing. Use the calculator above to save yourself some heartache.
Dusty western streets lined with aged buildings hinting very strongly at a bygone time.
Characters in period dress move through the streets as if they’ve returned home from the present day. That was the Arizona PPA Fall Fest this year organized by AZPPA and headed up by board member Bruce Roscoe of Alayna Photography. Bruce created a calendar with this great bunch of actors and arranged to share their talents during this event. There were five instructors, ten actors and thirty-five photographers in action, learning, sharing and generally having a good time.
I gotta tell you if you live in Arizona, are a photographer and not a member of Arizona PPA you are missing out on education, networking and building lifelong friendships with those of a like mind.
But, I digress just a bit. Here’s an image created after the sun sank (sunk?) below the horizon of the ‘haunted church’ done at the end of the street.
This was ‘Filo’ one of the actors posing during a light painting exercise held at the end of the day. Lumix GH4 with a 12-35mm f2.8 lens was mounted on a tripod and a series of bracketed exposures was made of the church scene followed by Filo being lit in various positions. Images were then striped together to have our actor studying up on his ethereal image inside.
If you are not in Arizona there is probably a Professional Photographers of America Affiliated group not too far away from you. You can check the list. I travel around the country and have spoken to many of these groups and I can tel you that the education acquired from being a member and participating as a volunteer can help you grow your photography business.
Lots of photographers suggest that they can get all the photo education they need from the web and online tutorials. I beg to differ there’s no beating live in person education and if you are not already a member of one of these organizations I encourage you to at least visit for one or two meetings. You be glad you did!
Yours in Creative Photography, Bob
PS – The event was help at Canyon Creek Ranch and should you find yourself in central Arizona it’s a place you might want to check out!
As you can probably tell by my lack of posting the last few days it has been extremely busy in bob’s world. Had a full two day shoot for the Sky Ranch Lodge after their remodel. I’ll share some photos with you as soon as the processing is done along with some of the techniques I used to get the images.
In the meantime, I did have a chance to process another image from my infrared photography. I really enjoy black and white images and the infrared adds another whole new dimension to it. I converted my Lumix G6 through LifePixel with a 750 NM (standard) IR filter. This gives you images that are on the pink side and of course need some processing to get them into final shape of Infrared BW images. As I practice and process more I am able to get a better range of tones throughout the photo.
Captured in the Village of Oak Creek, Sedona, AZ. Courthouse Butte is the main rock formation.
Here’s the IR image Straight out of Camera Note the pink cast. Finding I need to underexpose a bit in order to not loose highlights even though the histogram indicates it is with the scope. You have to remember that the histogram is letting you know about visible light not necessarily infrared exposure.
One of the really great things about having a dedicated IR camera is the ability to set recording for RAW + jpeg and have both images to work from in post production. If you shoot only in RAW you don’t get the processing from the camera. I set the camera to capture BW images so I can get a ballpark preview of the scene as I work.
You don’t need to convert a camera to IR you can always go ‘old school’ with a Wratten IR filter in front of your lens. The problem with doing that is your exposure time will be lengthy and focus can be a bit of a pain as IR light rays and visible light focus at a different depth on the sensor so additional calculations need to be made. (although the extended time might be cool for capturing cloud movement!) Might have to pick up an IR filter myself too…
Best part is infrared photography really opens up the mid-day time slot for creatively capturing images as it is usually too much contrast for regular photography.
Time lapse videos are very popular these days and they are now easier to create than ever…
I took new Lumix G7 out for a time-lapse spin. The clouds were streaming over the red rocks with an azure blue sky as an accent. Camera was mounted with the Lumix Vario 12-35mm f2.8. Settings were – time lapse with a three second interval. There were 149 images captured. Inside track note – to save wear and tear on the camera’s shutter you can use the electronic shutter vs the mechanical shutter.
Then it’s to the playback menu on the G7. The Time Lapse setting allows you to choose quality and frame rate for the processing of the video. I choose 4K Video & twelve FPS for this video which came out to be about twelve seconds of finished. The camera tells you how long it will take to render and asks you if you would like it to process or not. When you say yes, a few minutes later there’s a video saved to your card (one note – make sure you have large cards time lapse and the video take up some card real estate)
The next piece of the puzzle is the appearance of camera movement while the Time Lapse is being made. That’s why I choose the 4K Quality setting when rendering the Time Lapse to a movie. I took the resulting movie file straight from the camera and put it int Adobe Premiere on a 1080 timeline. Since the video is four times the size of 1080 there is room to use a Ken Burns type effect to show camera movement. Love the possibilities this brings to mind!!
Thirty second G7 time lapse in the Village of Oak Creek in Sedona, Arizona
It’s pretty cool when you see others appreciate the tools with which you are working. Consumer Reports Holiday Gift Guide put the G7 on the list as one of the Top Products of the Year for gadgets and gifts.
G7 is listed as on of the Top Products of the Year
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
Learn Photoshop in a fun environment. Aaron Nace applies the right amount of fun with easy to understand and follow tutorials. Actions and brushes are included with lessons!
Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
Cameras Get Smarter -
A High Speed Smart Camera Remote
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Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.
This is pretty much SOOC (straight out of camera)
This version is with color correction and a bit of artistic adjustment.
Using NIK Silver FX Pro 2 to create a black & white version makes tone and form more of the star than the color.
