wetlands sedona

wetlands sedona

Sedona Wetlands

Difficult to believe that there are wetlands in the high desert of Sedona. But, there are! And it’s becoming one of my favorite places to test out new cameras and lens combinations.

The Sedona Wetlands Preserve is approximately 27 acres in Effluent Management Area 2, located south of the Sedona Waste Water Reclamation Plant.  The wetlands have six basins, with a total water surface area of approximately 12.2 acres or 9.6 million gallons. They basins are set up to have different depths of water from very shallow up to four feet which make for excellent habitat for a variety of critters. There are some thoughts for making sure all who go enjoy the experience, including the wildlife I pulled from the wetlands website.

Wildlife Viewing Etiquette
• Our viewing behavior can also harm the animals we are looking for unless we take special care.
• Please keep these considerations in mind.
• Observe from a distance, so the wildlife being watched are least disturbed.
• Never chase wildlife or pick up their young even if the parents are not visible.
• Leave feathers, eggshells, nests and even dead animals where you find them.
• Respect other viewers to avoid intruding on another person’s enjoyment.
• Limit the time you spend closely viewing any animal

I took the Lumix GH5 for a spin with the Leica DG Vario-Elmarit 100-400mm lens yesterday afternoon when I had a few minutes to work (er’ play) trying out the stabilization and handhold-ability with this combo. Remember, due to the Micro 4/3rds chip, I’m holding an 800mm equivalent lens and very comfortable with the resulting images.

ruddy duck in sedona wetlandsThis image is a severely cropped image of a Ruddy Duck which can be printed to about 18 inches square.
(see full size below)

ruddy duck wetlands of sedonaFull-size capture of the Ruddy Duck at the Sedona Wetlands

purple flowersThese flowers are quite small. Using the 100-400mm lens extended all the way gives an almost macro feel to the photo. The blooms are about the size of my thumbnail.

flower puff at the wetlands in sedona arizonaA tiny flower puff around the scale of a fingernail. It is kind of a life amongst past life with the fading buds.

In a day or so I’ll share some more images with a bit more of an artistic flair to them. This camera and lens combination is extremely versatile.

Yours in creative Photography,        Bob

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sunday photo art quote – thomas jefferson

sunday photo art quote – thomas jefferson

Sunday Photo Art Quote – Thomas Jefferson

I’ve seen this quote attributed to Tom although I’m certain it belongs to him as there are variations in place attributed to others. I try to research my quotes for accuracy. With that in mind if you know who the originator of this quote was, please let me know.

thomas jefferson quote“I am a great believer in luck, and I find the harder I work, the more I have of it.”  – Thomas Jefferson

You might ask, “What in the heck does this have to do with art, Bob?”

It all has to do with getting in there and doing the work. Whether you feel like doing it or not. Many times I will happen into a fortunate art situation just because I keep on trying even though things have not worked out crazy good in the past. If you see a concept, you need to keep acting on it until it comes to fruition.

Here’s an example. I love photographing wildlife, especially birds. I enjoy the texture of their wings. Studying and anticipating their movements to capture more compelling images. The time alone searching out new behaviors. It can be very frustrating to try to come up with something original. That doesn’t stop me from going out and trying. Over and over. And over. Until that magic moment when the luck part comes into play. Because I was still there trying I was treated to this perfect moment of a Snowy Egret chasing fish.

I captured approximately 200 images of the bird working the shallows in front of me. And this is the composite I thought I wanted to accomplish.

snowy egret composite by bob coates photographyWorking composite of Dance of the Snowy Egret

I had sifted through and extracted many images of the snowy egret to get this far but wasn’t happy with what was happening. It was the vision I originally had in my head while I was photographing the bird, but it just wasn’t working form, although my wife loved it. So I kept working.

So I kept working. And working.

And because I kept working on it even though I wasn’t happy I had another stroke of luck. In turning off the background to clean up my extractions of the birds, I saw the image in it’s simplest form. All attention became focused on the positions of the birds with absolutely no distractions.

dance of the snowy egret © bob coates photographyPPA Loan Collection Image – Dance of the Snowy Egret by yours truly

I entered the image in the International Photographic Competition from Professional Photographers of America, and it was judged into the Loan Collection in the Master Artist category. That judging is based on twelve elements (click here for more on the twelve) including composition, technical excellence, and storytelling. Also, how the artwork was accomplished is a significant part of the criteria which is why the reference images are shown.

I feel I was lucky on two fronts in the creation of this photo. But I did work hard to get ultimately get there

But I did work hard to get ultimately get there.

Yours in Creative Photography,        Bob

PS – I think one additional piece of luck was the equipment I’ve been using. Because the micro 4/3rds format is so small and light I was able to handhold a 600mm equivalent lens and track the egret comfortably for a long period of time. Heavier gear would have required a tripod and been much less mobile. Lumix GX8 with the 100-300mm f4.0-5.6 lens

bosque del apache wildlife refuge part five

bosque del apache wildlife refuge part five

Bosque del Apache Wildlife Refuge Part Five

This post is the final in this series from a very productive shoot at the wildlife refuge in New Mexico. The refuge is a very target rich environment for making bird images. The scenery wasn’t bad either! Let’s talk about creativity just a bit more. I saw a lot of photographers while I was there. And except for gear difference such as long lenses, I believe most photographers there were getting pretty much the same photo.

Why would I say that? Check out the photo below of the scene at almost every location in the refuge. What do you see?

photographers at bosque del apacheTake a careful look. Every camera is at the photographer’s eye level.

I saw this ALL the time. To obtain a different look to your images, you need to look at things from a different viewpoint. I spent a fair amount of time on my knees, sitting on my butt and getting the camera off of the tripod. Look back through my past posts, and I think you’ll see lots of variety. Bosque Pt 1 Bosque Pt 2Bosque Pt 3 Bosque Pt 4 Changing the height that you shoot from can have a dramatic effect on what is in the background of your subject.

I also heard a lot of motor drives at 8-15 frames per second going off. Motor drives can be helpful when tracking moving subjects or quickly changing background and lighting conditions, but I would see that happening when a photographer was shooting a relatively stable subject in constant light. Save yourself from extra editing time on the computer, Turn off the motor drive when you don’t need it.

sandhill cranes with reflection photoTaking a lower angle allowed for the reflection with the grassland environment in the background.

scenic photo bosque del apacheHad to be on my knees to get the composition of the reflection where I wanted it placed.

sandhill cranes in flight photoGenerally, a gimbaled tripod head would be needed to capture solid images of birds in flight. With new gear and in-camera stabilization improvements, more creativity is possible. The Sandhill Crane images were captured handheld with the Lumix GX85 and the Lumix 100-400mm lens (200-800 35mm equivalent) lens fully extended.

Excited about possibilities as I push this camera and lens combo even further.

See what you can do to differentiate your images from others at every chance you get.

Yours in Creative Photography,     Bob

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bosque del apache wildlife refuge part four

bosque del apache wildlife refuge part four

Bosque del Apache Wildlife Refuge – Part Four

Getting Artsy

When photographing a specific subject or area I always shoot for good solid captures at the beginning. After I know I’ve got some good work ‘in the can’, I see what I can do to push the creative ‘Artsy’ side. Here are some of those images.

Let’s look at some tracking flight images with the shutter speed set to a slow speed in this case most were at 1/250th sec. Images were captured handheld with the Lumix GX85 and the Lumix 100-400mm lens (200-800 35mm equivalent) Most were with the lens fully extended.

sandhill cranes photographed at takeoffSandhill cranes photographed at takeoff panning with slow shutter speed.

_1060178This technique adds lots of movement and an abstract feel to the images.

post processing added to this imageFurther into the art arena using additional post-processing techniques. MacPhun software Focus CK was used to bring more attention to the flight of the cranes.

sandhill cranes at bosqueCropped SOOC (straight out of camera) 1/40th SEC shutter speed.

sandhill crane art photoImage from above worked with additional post processing.

canada geeseCanada Geese on a flyby 1/1600th SEC shutter speed.

Experiment. Push. Play. Don’t be afraid to get an imperfect result in camera. Playing can lead to more interesting and personal image creations.

Let me know what you like, or don’t care for, in these images. I have an inquiring mind!

Yours in Creative Photography,     Bob

 

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bosque del apache wildlife refuge part two

bosque del apache wildlife refuge part two

Bosque del Apache Wildlife Refuge – Part Two

You can take a peek at part one on the Bosque Wildlife Refuge shoot here.

Made four total trips into the refuge which included a couple of sunrises and sunsets. Here’s a tip I’ve found to be handy when photographing in the same location multiple times. Download the images you capture as soon as you can for review. When you have a look, you can tell if any settings need adjustment. Nothing worse than making the same mistakes two days in a row and not finding out how you might have improved until you get back home. I’ve been a pro for over twenty years, and I still find slight improvements can be made when making images in the same location on subsequent days.

Let’s look at some tracking flight images captured handheld with the Lumix GX85 and the Lumix 100-400mm lens (200-800 35mm equivalent) Most were with the lens fully extended.

sandhill crane in flightSandhill Crane in flight over the corn stalks.

sandhill cranes in flightFlying into the corn field getting ready for landing.

sandhill crane photoWings are flared to slow ascent.

sandhill cranes in flight photoOpposite synchronization of wing position. Mountains in the background with just a streak of sun add interest to the image.

sandhill cranes in flight photoTaking off from the cornfields heading toward the nighttime gathering area in the pond.

There are many ways to capture a different ‘look’ to a wildlife photograph even though the subject matter is the same. In this case, the subject is Sandhill Cranes, but all the photos have a different feel. The different look is accomplished with a change in position of the subject. Using a different background. Changing the crop can make quite a difference also.

I’ll be sharing more options and possibilities for differences with the same essential subject in subsequent posts. I look forward to hearing your thoughts as I move through this series of with the Sandhill Cranes.

Yours in Creative Photography,      Bob

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