wizard academy austin

I spent most of last week a Wizard Academy, a creative business learning environment, in Austin, Texas in Creativity Mode.

You ask, “What the heck is Creativity Mode Bob??”

Creativity Mode is any time when I can throw off the shackles of having to create a specific image for a specific reason. It allows lots of time for experimentation, play, trying new techniques with plenty of chances for failure of a concept with no negative consequences. And usually leads to pushing the boundaries of photography. In this case it was the ‘Photographers Roundtable’ led by Roy Williams and Daniel Whittington. 17 photographers gathered to be pushed to create interesting imagery. Challenges were issued to look harder for shadows, challenge composition rules with frameline magnatism, use color as a statement, push the use of portals and framing to new levels and more.

All of this taking place in a target rich environment with wonderful architecture, artwork everywhere designed to delight and surprise the visual senses. Good times.

Here’s one of the images created with the Lumix FZ 1000 with a tweaked creative filter program mode.

spiral staircase photo in black and white

In Spence House the high ceiling and spiral staircase create wonderful lines.

This photograph was made using the Illustrative Art setting on the FZ 1000 (setting is available on most Lumix cameras). The nice part about the art settings is that you can tweak them in camera. In this case I changed the white balance to black and white. The monochrome allows the shapes, forms and glow to come to the forefront of the photo. 1/40 sec ISO 1600 f2.8

I’ll be sharing more images and ideas from spending mulitple days talking about pushing envelopes and experimenting with other photographers…

Yours in Creative Photography,         Bob

PS – Talk about an all around camera the FZ 1000 is 25 to 400mm f2.8-4 all in one. Under 2.5 lbs. Captures 4K video and syncs to 1/4000 of a second with flash. The link here to Amazon has the camera (as of today prices go up and down a bit) for only $728

esteban black & white photo

Pre-visualization Part 2.

And, the anatomy of post production of an image to meet the pre-visualization. That’s what we’re continuing talking about today. I saw this final image in my head before I even made the photo. (if I could only get there in time) Here’s the story…

Esteban is an extremely talented artist with the guitar. I have been fortunate to photograph him on numerous occasions. Last time out (see post here) I made images of him for marketing and promotion and I was gifted with seeing a lighting situation during a live performance that I knew would be wonderful in color. And, then especially in black and white. If only I could get to the right position, with the right lens, before the dynamics of the situation changed.

Moved quickly across the room while changing lenses. Dropped to the floor and fired off about 8 frames before he came out of the position and the lighting changed.

Here’s the Black and White version building upon the color version from yesterday followed by an Animated Gif showing the steps of post production…

esteban on guitar live in black & white

Esteban image after building on the color version.

estaban animated gif in black & white

Color processed file. NIK Silver FX Pro 2 for BW conversion. Clean up background distraction. Add detail to hand from another capture. Tone down Background w/ Curves Layer. Duplicate Curves Layer. Add Soft Light Layer Painting with grey to burn down image. Copy of previous Layer. Remove distracting shadow from leg near guitar. Final Soft Light Layer for final burning adjustments.

Was there more in post? You betcha! Some things are very subtle like selective sharpening of certain places in the image to further guide the viewer around. They would be too subtle to show the differences in this Animated Gif.

Yours in Creative Photography,         Bob

PS – Original image was captured with the Lumix GH4 with the 35-100mm f2.8 Vario Lens under stage lighting conditions during a live performance.

PPS – So which image do you like better? Color or Black and White??

black and white photo conversions

Take away the color!

Let the shape, form and tones come forward… Simplify.

It’s easy to do but not necessarily simple.

Making black and white conversions of our images can give a whole new level of depth to our image making skills. With the ability to touch every single pixel we have more control than ever before. Ansel Adams would have been in Heaven to have this level of control to achieve the image he saw in his mind. That was what the Zone System and his special ways of exposing the scene and processing film not to mention choosing paper, light source and dodging and burning in the darkroom to pull the print he wanted.

Today’s subject is a green bloom from a Gopher Plant. Lots of green tones from light to dark are represented in the capture. By the way I used the Lumix FZ 1000 in Macro mode. When zooming in to 400mm you can fill a frame pretty well with it’s minimum focusing distance of 3.3 feet. If you shoot wider you can focus down to 3 centimeters but without adding supplemental light I find I have too many shadows to deal with so photographing from a distance can be helpful. In this case I was back just a bit with a 27mm equivalent setting.

gopher plant

Original capture.

black and white conversions of gopher plant

Different settings and conversions to black and white.

You may or may not like the one I choose which is a combination of some of the settings seen above. The point is through experimentation and using different ways of stripping color from an image you can create many different feelings from the same information. One of my favorite programs for converting to black and white is Google’s NIK Silver FX Pro 2. By the way if you own a license for almost any NIK product Google will hook you up at no charge for the full NIK software suite. If you don’t have a current one you can get the suite for, I believe, $149. This is some solid software with lots of creative possibilities.

Yours in Creative Photography,       Bob

 

 

three on three photo sketch

Experimenting.

Sarasota.

Sandpipers.

I call these overexposed images ‘sketches’. I enjoy the minimalist detail that comes forward yet still has a story to tell with my camera. I call this image ‘Three on Three’

sandpipers on the beach

Sandpipers scurrying on the beach in Sarasota, Florida with snowbirds coming in their direction.

sandpiper photo sketch

Here it is pushed just a bit further taking away the color and adding a bit of contrast… I see something interesting happening here and I’ll explore this with a larger subject. Maybe with some washes of color…

When was the last time you pushed your camera to do something a little different? Overexposure, underexposure, movement during capture whether zooming or panning or twisting or… Well, you get the idea.

Yours in Creative Photography,        Bob

mikes camera colorado

Heading to Denver tonight to do some speaking at Mike’s Camera stores Friday, Saturday and Sunday for the Photo Expo. I’ll be talking about the Lumix 4K video capabilities and some of the new cameras Panasonic is putting out. It’s some pretty amazing stuff. If you are in the Denver area stop by Mike’s and check out the new Micro 4/3rds 4K video gear!

Here’s the the stuff I’ll be touching on…

Fine Art, Commercial Photography and 4K Videography

Program description – Fine Art and Commercial Photography is a specialty of Lumix Luminary Bob Coates. 4K video capture is a specialty of the newest cameras in the Lumix line. Bob has been working on ways to use the 4K video capture to enhance his commercial and art captures by pulling stills for processing into artistic images. Bob will also share some of his ideas on using Photoshop to max out the potential of the capture possibilities.

Friday in Boulder. Saturday in Park Meadows. Sunday Colorado Boulevard store.

Had to add some photos to the post so I thought a couple details from the Denver airport would do nicely…

denver airport canopy black and white

Took away the clarity and most of the color in post…

denver airport architecture black and white photo

The brushed metal and slick floor called for the exact opposite treatment and all color was removed and more sharpness added.

Images were captured with the Lumix GH2 and the 14-140mm lens. This is the gear set-up that got me excited about the Micro 4/3rds system. And it’s only gotten better!

Yours in creative Photography,     Bob