Tuesday’s on Successful-Photographer, now dedicated to the art of converting images beyond that of a photograph and converting the image in a more Painterly/Artistic direction. We’ll be taking to look at the artist/photographers who are forging their way forward in creating a new art form with photography at its base.
First up is a photographer Helen Yancy.
If you are a member of Professional Photographers of America (PPA) you have probably heard of Helen as she has been a stalwart of the organization having served on the Board of Directors and as President, and as a PPA Approved Juror and Jury Chair for many years. Helen has earned all the degrees and most awards offered by PPA.
Helen embraced Corel’s Painter Program to takes her images into the artistic realm and has been an instructor sharing her knowledge with fellow photographers ever since. Let’s take a look at some of Helen’s work.
Here is a before image
Here is the image after Painter. Helen said the panel of judges that viewed this were not for this treatment. When we are entering painterly images, we have to remember that art is very subjective.
This painted photo is Helen’s granddaughter captured during a senior portrait session – Painter portrait in the traditional style – high key
Your subjects don’t have to be human. Pet portraits are good in this market. (Heck the subject doesn’t even have to be alive. I’ve done art pieces of buildings for businesses. ed.)
Cat portrait painted by Helen
“Creating exquisite paintings from our images to a discerning clientele raise the perception of a photographer to that of an artist because the paintings truly are art pieces that will be a treasured investment for generations. There is certainly a learning curve, but learning to paint is possible for any photographer that has the desire. I will have a class soon in my camera room, very limited, and my book – Ordinary to Elegant: Painting with Photographs (or something like that) will be available for pre-sale on Amazon (published by Amherst Media) very soon.”
Helen
Helen Yancy Commissioned Portraits
Where the camera is only the beginning…
See more of Helen’s work here.
I hope you enjoy the new Tuesday Painterly series.
I am extremely fortunate in many ways, one of which is being named a PPA Approved Juror. This gives me the opportunity to be exposed to photographers creativity in a very intense, concentrated form. Thinking critically about the work and listening to my fellow juror’s opinions. It is an intense education.
Have I told you lately how much I appreciate the educational value of PPA’s Imaging Competition? Both as an entrant and a judge I learn more about photography every time I place images before my peers or sit on a panel sharing my opinions about the quality of work before us.
A painterly image by yours truely
I love to see new areas being opened up and explored. But, I would like to add a word of caution and offer my opinion on a new trend many photographers are embracing. Creating painterly images. There are some magnificent image makers who have embraced this and I applaud a lot of the work I see coming through. A word of caution. Some of this new work is less than stellar.
The reason behind this sub-par (in my opinion) image making is that painting is a whole ‘nother skill set. Those that are producing beautiful work have studied the work of classic art and artists. They have studied and practiced with software like Adobe’s Photoshop and Corel’s Painter programs to replicate the depth and dimension found in paintings. They have learned color. They have learned to balance blending of the painting technique with the photography using the Goldilocks method. Not too much, not too little but jus the right amount.
Other photographers have seen this art trend and tried to get the look via a shortcut. That is what inspired this post. You really can’t just push a button on a software plug-in and think you are creating artistic images. The software that ‘replicates’ a Monet or Degas style of painting does not work. They are flat. There are repetitious strokes that are quite evident in the work which will limit the amount of time anyone will want to be viewing the image.
Just as learning photography has a learning curve so does creating a look in the style of the old masters or any other artistic genre.
So what are the options if you want to offer this product line to your clients?
You can ‘half-a**’ it and push the button on a plug-in.
Or you need to study, learn and practice, practice and practice some more. You will need to want to create this type of art. Immerse yourself deeply in the new art. Explore the new world with the same ferver that you brought to learning your photography skills.
Or you can continue to make your photographic images and hire out the art creation. There are some marvelous photographers who enjoy the creation of the art and are excellent sources for a new product line for your studio.
Over the next couple of weeks, I’ll be sharing art and artists that I feel are transforming true art from their photography images. See if the difference shows from those who are at the top of their game. Hopefully you’ll find inspiration to take your work to new heights.
If you look at yesterday’s post you’ll see the capture and processing of an orangutan photographed through a dirty plate glass window which pushed capture and processing skills. Today I want to share an artistic rendition of our countries’ symbol of freedom, the bald eagle.
While we’re looking at this image let’s go back in time with the Steve Miller Band’s Fly Like an Eagle for a little musical accompaniment…
The theme here is to practice skills of photography. What did I get/learn while photographing the eagle that I can carry with me to my regular photography gigs??
Number one – People were moving through on a regular basis, so there were distractions to manage. awareness of surroundings while concentrating of my subject.
Number two – Patience. I wanted the eagle’s beak to be closed and there were only fractions of moments when this was the case. I had to learn this behavior and movement and time it to get the position I wanted.
Number three – The eagle was caged so there was the fencing to account for which meant shooting at a shallow Depth of field and focusing on the eagle and not the fence.
Finally, number four – Processing the image into an art piece that is more than the sum of the parts. Always working on these techniques to improve them. As they say, practice makes perfect…
Original photograph. Captured with Lumix FZ1000 1/400th sec f4 ISO 200 at 420mm (35mm equivilent)
A process through NIK Silver FX Pro 2 gave a very gritty black & white rendition of the eagle. I like the idea of the eagle in a square crop portrait style but not all the cage elements and distracting background.
I wanted a larger portrait rendition so I choose a larger crop and started adding my art embellishments.
The artwork is accomplished using photographs of textures and colors combined together using layers and Blend Modes. Utilizing Layer Masks on the texture layers allows for control of specific effects in certain areas of the image.
I thought the eagle was just holding it’s wing up when I photographed it, but it was bothering me. Then my eagle-eyed wife Holly came in and liked the art treatment but also spotted that the eagle’s wing was probably broken hence the residence at the zoo. I did a little plastic surgery for the final image you see below.
The last bit of work was accomplished with Adobe Photoshop. I copied the broken wing onto its own layer. Then repositioned it as if it was folded in its normal place. Using a layer mask to blend it into place.
Wall of Fame in Sedona, Arizona – Sound Bites Grill
Putting in some new imagery at Sound Bites Grill in Sedona, Arizona.
And it’s me…
My image for the Wall of Fame
As you may or may not know I create art for Sound Bites Grill based on the live performances. Steve asked me to design some signage to introduce the Artist of the images (hey that’s me!) in the hall of the ‘Wall of Fame’. So I needed to come up with something similar to the art that is in the halls.
And as long as I was working on something a little different I thought I’d show you some of the inner workings from my thinking (that’s scary!) and how I utilize Adobe Photoshop to create the art using Textures in Layers with Masks and Blend Modes.
The Layers Palette tells a lot of the story but not all…
You get an idea of the workflow but a major part of the story is how the Layers are Blended using the Blend Modes. Almost all of these Layers are in a different Blend Mode with opacity changes and of course Layer Masks to further refine hoe the layers will interact. Hope this peek into the process will give you some ideas. If you have any questions give me a shout.
Most of the images were made with the Lumix GH4. (which is $200 off for a bit right now at $1300) The head shot was made easier in studio because of the free Panasonic APP I use on my phone & IPad which allows me to change settings and focus as well as trigger the shutter from subject position. In the past I would have had to pre-focus and hope I was in the right spot and if I moved I ended up out-of focus which used to drive me crazy!
It was fun putting this together… Let me know what you think!
I was excited to receive a call while on vacation with my wife in New Mexico from PPA headquarters. They were calling to share the news that I was named to the Top Ten in the Illustrative Category. I learned I was eligible for a Grand Imaging Award. Unfortunately, I did not earn a GIA Award but I was named to the World Photographic Cup – Team USA It was quite and honor to have an image be recognized at that level.
A photo taken by a friend as I headed across the stage during the Grand Imaging Awards at the PPA Convention in Atlanta, Georgia last week.
Here’s a better look at the image. It was created using a macaw that I photographed at Sarasota Jungle Gardens in Florida. The bird was extracted from the scene and duplicated numerous times into a spiral nautilus composition. Texture, smoke, shadows and color layers were added to add more depth and dimension.
This is the final image.
Here is an earlier version on the way to the final.
Original capture – Tech info from original capture Lumix GX7Lumix Vario 35-100mm f2.8 1/250 sec f2.8 ISO 400
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
Learn Photoshop in a fun environment. Aaron Nace applies the right amount of fun with easy to understand and follow tutorials. Actions and brushes are included with lessons!
Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
Cameras Get Smarter -
A High Speed Smart Camera Remote
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Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.
Here is a before image
Here is the image after Painter. Helen said the panel of judges that viewed this were not for this treatment. When we are entering painterly images, we have to remember that art is very subjective.
This painted photo is Helen’s granddaughter captured during a senior portrait session – Painter portrait in the traditional style – high key
Your subjects don’t have to be human. Pet portraits are good in this market. (Heck the subject doesn’t even have to be alive. I’ve done art pieces of buildings for businesses. ed.)
Cat portrait painted by Helen
See more of Helen’s work here.
