are you the reluctant super-hero

This is a guest post for Successful-Photographer by Jenika McDavitt

Say This To The Next Fan You Meet & Watch Them Become A Client

I’ve begun to think of creative business owners as the world’s most reluctant group of superheroes.
Imagine: You’re a superhero. Cape and all. And you see a building on fire.
What do you do?
1) Stand on the sidelines, scuff your superhero boots, and say quietly: “I know how to save the day.
Do you want me to save to day? I’m really good at it. Look, here’s a list of other buildings I’ve saved.”
or:
2) Run over and say “That building’s on fire! Don’t worry! I’m here to save the day!”

Silly question, right?
Most creative entrepreneurs tell the same story:
I’m so tired of feeling like I’m begging people for money and attention.
In other words: I don’t want to ‘sell’ my stuff. I don’t want to spin lines about how great I am.
I don’t want to run ragged getting people to go from fan-dom to client-dom.
I just want people to buy what I offer.

It might be because you’re taking the Reluctant Superhero approach.
If you were to sum up most people’s websites and marketing, here is how business owners often pitch themselves:
“I am passionate about X. Here are a lot of people who think I am fantastic at X. Here is a portfolio of my past work. Hire me to do X for you.”
This is all good stuff. Some of it is vital, even. No one is slamming it. But there’s a snag that might leave you on the sidelines, scuffing your boots.

This business owner is making two tragic assumptions:
Assumption #1: That fans already explicitly recognize their deep need for X.
Assumption #2: That fans believe that you can provide X without Q, R, and S terrible things happening, each of which would render X a waste of time and money.
There might be a better way, superhero.

And it’s all about where you start the conversation. Instead of starting with how great at or passionate you are about X, try starting here:
“Hey there! THAT BUILDING IS ON FIRE!! But don’t worry – I will save the day. I am here to bring you X.”

Believe it or not, if you’re struggling to convert fans into clients, it could be because people don’t always know what buildings of theirs are on fire.
People rarely stop and spell out their own problems. They can sense them, sure, but they don’t always know exactly what’s wrong. They know the general neighborhood of the problem (“I need a photographer”) but they can’t always put their finger on exactly where the fire is that needs to be put out (“I need a photographer who makes my husband excited about family photos and who also will make me look great in the process.”)
If you spell out for them that your secret sauce methods ensure everyone (yes, even Dad!) has a blast while making sure Mom looks like the goddess she is, and let me tell you how…..well, you’re going to stand out to them.
It is your mission to name their exact fire and assure them you can put it out.
People feel a huge sense of relief when someone articulates their problem and they can sense that yes, that’s exactly my issue. And at that point they are open and vulnerable, and much more ready to listen to hear you say “and here is the solution, all you have to do is ____.”
That makes your fans far readier to hire you.

Remember: Your target client’s problem might not be exactly what you think it is.
Their problem is rarely a simple a matter as “I need photos” or “I need someone to photograph my wedding.”
That might be a basic issue that caused them to look for a photographer, but it’s not necessarily the precise burning building that they need you to save.
Their burning building might be:
A) “I want photos, but I always look terrible in them, so what’s the point. I should just save the money and do it myself.”
B) “I’m going to be too exhausted after giving birth to get all dressed up, get the baby ready, and drive to a studio to spend three hours having photos taken.”
C) “I don’t want to spend money on having someone take photos for my real estate listing when it’s already been on the market forever, and I’ve already spent too much money on this process.”

So instead of saying “I’m a great photographer and can give you great photos!”You might address their burning building first, instead.
If your ideal client has problem A), you can start your conversation by describing that problem: “You love the photos that you see here. But you’re worried that I couldn’t possibly get photographs like this of you. Because you’re not “photogenic enough” or feel like you need to make some drastic change in yourself first. Not necessary! Here’s how I make sure your photos will look just like these…”
And now that you’ve described their burning building, you can describe your Solution X.

Here is one reason why describing the burning building works so well at converting fans into clients:
It’s something called the Ambiguity Effect.
People will pick the thing where they know the probability of a decent outcome. They rarely invest in something when the probability of a decent outcome is unknown.
For example, more people will choose a teacher who fellow students say is “okay” over a teacher who is brand new to the university.
Even though the new teacher might be better – people would prefer to go with the one where they know what the outcome is likely to be. Where their chances aren’t ambiguous. They’d rather not take the risk that the new person would be awful, because that risk looms larger than the chance they’d miss out on someone good.
(This is also true in deciding what stocks to invest in, which business to hire, which gamble to take, etc.)
People particularly hate situations where the chances of their problems being solved feel ambiguous.

The more accurately you can describe the exact problem they face, and tell them how you’re going to solve it, the more confident they are in their chances of a good outcome.
Hiring you feels like less of an ambiguous risk, and more of a certain success. “This person gets exactly what I’m going for. They aren’t going to just deliver photos, they’re going to do it in a way that addresses the exact things I’m concerned about. They get me.”
In other words, if someone is worried about how they’ll look in images, choosing a photographer can feel like a total toss-up – maybe this person will make me look like the people in their portfolio, but maybe not. But if you speak to their concern – I know you’re worried about the way you’ll look. Lots of people have this worry, including the people you see in my portfolio here – suddenly the chances of their exact desired outcome coming true feels a lot more certain.
If you want to turn a fan into a client, find exactly the problem they’re worried about. Describe it to them in the very words they’re using in their mind to describe it to themselves.
This shows that yes, you’re the right superhero to put out this specific fire.
And hiring you brings actual relief because you’ve rigged the odds in their (and your) favor.

Try that on your next marketing piece and let me know how it goes!

***

Need some help finding out what your target client’s burning buildings, er, problems are?
And want some assistance translating that knowledge into actual words for your website, without feeling
like you swallowed a sales manual?
We cover how to do exactly that in Week 3 of Irresistible Words (but don’t worry, you get the whole thing in a single download, so you can read it right away). You’ll also master three sequences that will help you sell anything, and learn how a single essay about chickens landed me an 8 – week, all-expenses-paid trip to Tunisia – and how to steal that technique to sell your most important work. I wrote Irresistible Words to answer the question “But how do I SAY that?” and to help frustrated people spend less time writing. Because just as too many people struggle up the proverbial ladder only to find it leaning against the wrong wall, too many people spend hours writing only to find that the result doesn’t convert clients the way they want it to.
And there’s no need for that. Let me show you why.

Irresistible Words normally only sees a sale on Black Friday – but I’m making an exception for the next 48 hours.
Summertime is when you probably need to do a great deal of marketing and persuading, so you might as well save yourself some aggravation.
From June 3-4, you can get this powerhouse course for only $199.Want to learn more? Head over to the info page, and grab a free sample where it says “Peek Inside!” The free sample alone teaches my best trick for keeping people’s eyes glued to anything you write.
See you over there –>!

PS – Bob here – I bought Jenika’s Irresistible Words and learned a LOT!

irresistable words

ppa imaging competition

Wanna make better images?

I do.

Always.

Which is why I continue to participate in the Imaging Competition through Professional Photographers of America (PPA) after 16 years.

Probably the word Competition should be removed as it implies that you are competing against others as at a sporting event. Not so. You are competing against a standard and your personal past performance. This is an incredible learning opportunity

Entries are open for the International Photographic Competition (IPC).

PPA IPC

You can get more details and see a slide show of the 2014 PPA Loan Collection here

If you are a PPA member and not participating in Photographic Competition I believe you are missing out on one of the best benefits of your membership. The feedback you get from putting your images in front of trained fellow photographers is very important. I would have to say that Imaging Competition has been one of the driving forces in making me a better photographer, growing my skills exponentially.

Take advantage of this opportunity. If you get the chance PPA members can view the judging live in Lawrenceville, just outside Atlanta, GA. Another option is to view the judging via the Live Streaming. If you have images in the competition don’t forget to order the critiques for your images. You get a video review with one juror giving you feedback on what was good about your image but even more important how it might be improved.

So get your images together and compete with yourself to be the best photographer and image maker you can be.

Yours in Creative Photography,         Bob

nilmdts fundraiser

Got a burning business question?

Need help with Photoshop or an art project?

Just want to run some photo ideas by me?

It’s time to help support NILMDTS and yourself at the same time. There’s an online fundraising auction and there’s a bunch of photography stuff up for grabs including 2 different 2 hour coaching sessions with me. You can use the sessions to ask about business advice, get some one on one coaching in Photoshop or any other photography related session. These sessions are 1hour long but you get two of them. Normally $125 per hour but bidding starts at $100 for the package. If you wanted to try me out at a discount there’s a great chance for you. Click here to get to the photography items up for auction.

NILMDTS donation

Here’s a screen grab from the auction. I’m donating my time. You’ll get a deal. NILMDTS gets the money. Win, Win, Win!

Yours in Creative Photography,        Bob

fine art america web site

If you are a photographer trying to sell your artwork and use Fine Art America to sell or want to sell your artwork I’ve got some information that will be extremely helpful for you if you aren’t already aware…

Fine Art America has a wonderful system that allows you to display your images in galleries, as individual pieces and even more important show what your images would look like in various treatments like framed, framed and matted, on canvas, as gallery wrap, acrylics, cards etc. You can keyword your entries and of course they have the shopping cart and fulfillment of your orders. If you were to try and build this kind of web site for yourself as a stand alone I would think it would be around $10,000 if not more. A bit out of reach for the average artist photographer. The problem is you are lumped in with over 100,000 artists selling their work. If you drive traffic to this site you are also competing with all these other artists whose pricing may be quite a bit less than yours…

Fine_art_america_personal_page

My personal page on Fine Art America. Note the branding is for Bob Coates Photography not FAA.

You can have all the features available at Fine Art America in your own PERSONAL web space. Why is this important? If you drive traffic to your personal FAA web page ONLY YOUR IMAGES are available. For example, when you do a search for black and white images or use the navigation search bars on the side on my FAA site see the different results below.

faa_search_bcp

Search window for Black and White images http://1-bob-coates.artistwebsites.com Note branding & all images are from Bob Coates Photography

faa_search_result

Result from search on main FAA web site page. Note branding and results are from everyone on FAA.

As you can see Fine Art American now has the ability to allow you to have your own personal web space so when you drive traffic to the site it is to see your, and only your images. This takes away a problem I had with Fine Art America in the past. Here is the Admin page and the place to set up your own web site within FAA. You will still be seen on the main side with searches but people who come to this particular address where you have driven traffic will be your alone.

admin page in FAA

Look for the ‘Your Own Website’ option in your FAA Admin page.

Here is the text from Your Own Website.

1-bob-coates.artistwebsites.com

This is your very own website.   Take a look!   It’s an extremely powerful promotional tool for your artwork.   You’ve got all of the features of Fine Art America packed into your very own, fully-customizable website.   You can login to your website here using your Fine Art America username and password.

Happy promoting and selling!

Yours in Creative Photography,        Bob

 

sunday photo/art quote 4/5

Great works of Art.

What do most of them have in common? I posit that Michelangelo has it nailed.

Photo art quote michelangelo

“Genius is eternal patience.” Michelangelo Buonarroti

The patience and perseverance to complete the task would be very high on the list. Even works of art that were completed in a very short period of time had in their basis a long time learning and practicing the skills necessary to make that happen. Think of the great photographers and artists that come to mind immediately. All devoted their lives or a major portion of it to learning, practice, perfecting, practicing some more. It’s apparent in the depth of their work.

An artist goes through stages of learning. A child attempting art often starts with stick figures and very rudimentary shapes. As growth and practice occur perspective is added. Shadows create more dimension. Color begins to play a part with mixing, under-painting and differing colors laid side by side to give unusual effects. Final touches of opaque paint give the illusion of highlights and deeper shadows.

A musician starts with basic notes. Chopsticks on the piano. A slightly more advanced simple song. Then scales to train the brain and fingers in motor memory. Study. More in-depth practice until it’s possible to play notes at a speed and clarity for advanced intricate pieces.

Just as the other artists go through their paces as photographers we need to ‘learn the scales’ and add perspective and depth to our work as we advance our craft. There seems to be a tendency to think we are pretty good at making images before we even understand what makes a great image. I know I went through this at various stages of my photography career thinking I was pretty good at this or that. Now when I begin to think I am good at some area of my photography I go out and find those that really are and aspire to learn more.

We can take bits and pieces from other arts to make us better photographers.

As the musician practices scales to create motor memory we can sit with our cameras and make changes to settings without looking at the camera. Confirm it’s the setting we were trying for and repeat until all the controls become automatic.

Learning the vocabulary of our profession is important. You can’t create what you can’t think about or visualize in your brain and you can’t do that without knowing words for all kinds of light, shadow and form.

I guess the long story short is how much are you willing to work, to make mistakes, to study, to practice, to play in order to be able to create better images?

How much patience do you have??

Yours in Creative Photography,       Bob

sistine chapel

Мікеланджело; Michelangeloвласне фото (by Qypchak)

PS – Michelangelo made an appearance here last week in the Photo/Art Quote…. and that’s just coincidence.