photographer copyright

photographer copyright

Copyright Protection for Photographers

Ever found an image of yours being used without being paid for it?

I’ll bet you have. Whether it was a portrait client making prints from scans of your images or someone lifting a photograph from your website and using it without permission. Wait a minute, we all know as soon as you press the shutter button you own the copyright to the image, right? Right!

That’s true. But, professional photographers have long been left out of the copyright system. Legislation is underway for a Small Claims Process that will give photographers an equal seat at the copyright table!

Get the basic story in the video below.

Unless the infringement is more than $30,000 you won’t be able to defend your copyright in court.
And that sucks!

Professional Photographers of America has been on Capitol Hill lobbying legislators to help creators be able to have a small claims court option for protection of their work.

copyright helpAnd now YOU can help! It’s easy but necessary for all creatives to get involved.

Join the Grassroots team to be part of getting the legislation passed. http://ppa.com/grassroots

You do not have to be a PPA member, or even a photographer, to be part of this copyright protection for ALL visual artists. Sign in to see how you can help. It won’t take much of your time. Encourage all of your photographer and artist friends to be part of this historic legislation. There probably won’t be a chance like this again in our lifetime. Everyone is needed to contact congress about how important it is to implement this small claims system

Everyone is needed to contact congress about how important it is to implement this small claims system. Add your voice to help protect your rights and livelihood.

Yours in Creative Photography,     Bob

PS – Please share this post with ALL creative artists

sunday photo art quote – charles maring

sunday photo art quote – charles maring

Sunday Photo/Art Quote – Charles Maring

Met Chuck at a WPPI convention quite some years ago.

Impressed I was then. And even more-so now. He has grown and pushed his skills in tremendous ways. He has been at the forefront of creativity, and I have enjoyed watching his growth. He has leveraged technology to improve his photo and art imagery and expanded his skill set to include video production to rival pro houses. He is a great marketing person; I think you should take a look at the Maring’s website. Notice the plural. I would be remiss in not mentioning the Chuck is part of a team. As they say behind every successful man, there’s a strong woman. His wife Jennifer fulfills that role exceptionally well.

Can you tell I’m a fan of the Marings?

Here’s the quote that I grabbed from his art website that led to today’s post.

charles maring quote“The ability to observe and capture truth with eloquence is an art form that takes instinct. However, even instinct can be honed, and when the experience solidifies one’s sixth sense, it becomes intuition.”     Charles Maring This quote continues

I often reference practicing your skills here on Successful-Photographer along with not being afraid to fail as that is one of the strongest ways to learn. I believe what Chuck is referring to in his quote is the ability to push and practice and study until you move to the place where your mind is working so well that you almost don’t even know all the thought that went into the creation of an image.

I’ll ask, to remind you once again, how much have you practiced this week? How much have you studied? Have you pushed enough to make your thought process in creating imagery intuitive?

If the answer is no, time to get on the stick.

Yours in creative Photography,     Bob

infrared photography on the creek

infrared photography on the creek

Infrared Photography on the Oak Creek

My job is tough!

Yesterday I took on the task of going hiking in Oak Creek Canyon in Sedona, Arizona to capture infrared photos. OK, maybe tough isn’t the correct word for this assignment. I love almost all aspects of working in photography. Getting out into nature and exploring is high on the list of the good parts.

I’m up in Oak Creek Canyon between Sedona & Flagstaff. The picnic area is called ‘Halfway.’ So named because it’s halfway between the hugely popular (& crowded) swimming hole known as Slide Rock and an excellent trail called West Fork. Halfway is a little less traveled spot as you have to scramble down a fairly steep embankment while climbing over rocks. Once down to the creek there’s a bit of rock hopping to navigate your way around.

sedona oak creek infrared photoLUMIX G6 20MM LENS F1.7 LENS @F9 ISO 160 1/200TH SEC

But I digress.

On to today’s thoughts on working the with a camera converted to infrared. I had my Lumix G6 converted by LifePixel with a standard IR filter ad it is working out pretty much as I had hoped it would. I find myself using the 20mm Lumix f1.7 lens quite often. It’s sharp, fast, light and has a very low profile. I guess at a 40mm full frame equivalent it pretty closely matches a standard field of view which I feel lends itself to most of my infrared captures.

As I make my IR captures I have been bracketing exposures. When I first started I was bracketing by five stops as I was learning how the camera ‘sees’ with the IR filter installed. I’ve now moved to a three-stop exposure bracket but I also set an exposure compensation adjustment depending on the dynamic range of the scene in front of me. I am capturing the images in RAW plus jpeg with the camera set to black and white. White balance is set to daylight.

The image above is two jpegs blended together to achieve the tonal contrast for which I was looking. After getting the tones blended in Photoshop using a mask, the Layers were merged and a trip to NIK Silver FX Pro 2 for some sharpening. I used the Structure and Fine Structure settings si tweak the sharpness and change the resulting layer blend mode to Luminosity. Only the luminous information is then transferred to the image. Then NIK Color FX Pro 4 was added utilizing the Glamour Glow to add some IR life to the highlights. The shadows were protected from the glow.

infrared photo on oak creek sedona arizonaLUMIX G6 20MM LENS F1.7 LENS @F14 ISO 400 1/200TH SEC

This image was processed from a single jpeg which was opened in Adobe Camera RAW. Jpegs can be opened in the RAW editor to use the controls available but it does not have all the information of a RAW file. I was just trying to control contrast with this treatment so I didn’t feel the need to start with the RAW file. Exposure was adjusted as well as the highlight and shadow detail. A soft light layer was added for some dodging and burning. A vignette completes the treatment. I enjoy all the textures and tones of this scene.

Infrared photography can take  midday, which is usually a tough time of day for making photographs and turn it into a blast.

That was my play yesterday. I created a few more scenes I’ll share with you tomorrow.

Yours in Creative Photography,        Bob

radio show interview tech talk KAZM

radio show interview tech talk KAZM

Tech Talk with Mike Tabback on KAZM Radio

Once a month I get to chat with Mike on the air. We talk about trends & new technology in photography and new camera equipment & features. This month we talk about my travels, coaching, teaching, photo/art, Panasonic Lumix cameras and more. Listen here, about 20 minutes.

kazm tech talk logoTech Talk with Mike Tabback

mike tabback & bob coates photoMike Tabback (left) & I having a chat at the radio station live on air. Taken by traffic manager and production coordinator Josh with my Lumix FZ1000

sunday photo/art quote 3/27

sunday photo/art quote 3/27

Sunday Photo/Art Quote – Excellence

Let’s go back…

WAAAYYY back.

Around the time  when the calendar was going lower as it progressed toward Anno Domini from the time Before Christ. There was this dude named Aristotle who was a scientist but more importantly to today’s discussion a Philosopher. Even back then he recognized that we need to practice – a lot – to become the best we possibly can be. He might have been near the first to recognize the phenomenon but he assuredly was not the last. Repetition has been touted by all the great instructors as one part of how to become good at what we do.

I believe that a major part of the secret is that little secret sauce of making it a habit. Once formed habits self-perpetuate. This makes it an almost unconscious route toward excellence. We still have to program our habits to be good ones moving us forward and not just rote repetition. We need to continue to study, to learn and to practice what we learn. The secret is to make practice the habit and just make sure we program the practice properly.

aristotle quote“We are what we repeatedly do. Excellence, then, is not and act, but a habit.”   Aristotle, 384-322 B.C.

I feel in order to practice properly we not only need to keep at it, but we need to have some outside help in reviewing our practice. One of the ways I continue to receive outside perspective on my imagery is to participate in Professional Photographer’s of America Photographic Competitions. I respect the jurors and their opinions (FYI I am also a PPA Approved Juror) but I also sign up for the critiques to get additional feedback. It’s not like I need the feedback to earn PPA Merits and awards. I have been fortunate and hold the Master of Photography and Artist degrees and have managed a few awards along the way. The awards and degrees have not been the ultimate goal but been byproducts of my participation in trying to learn more about my craft.

There’s no doubt in my mind that I wouldn’t be the image maker I am today without my participation in PPA’s Photographic Competition.

I encourage you to practice. To learn. To repeat again and again. And seek feedback so you have some outside opinions to help you on your way.

Yours in Creative Photography,     Bob

PS – I am in no way suggesting that the feedback you get will always be spot-on. You still need to run the information received through your own filters. But, I have found on many an occasion that information to be extremely valuable especially when time has passed and I can view my work with a more critical, and less personally involved, eye.

PPS – “10,000 hours.”   Malcom Gladwell