working a scene

working a scene

Working a Scenic Landscape

The light was fantastic. Scenery amazing. Time? Very short!

I was on my way to a photo shoot in the evening and saw the moon just starting to peek above the horizon as the light from the fading sun had already dropped below in the west. I grabbed the Lumix GX85 and the 7-14mm f4 lens to see what I might capture in the few minutes I had available. I don’t usually like to rush when a situation like this appears, but duty and a deadline called.

sedona red rocks by bob coates photographyThis was the first quick image to make sure I had something in the can.

I first quickly grabbed an overall scene-setting image. Then I tried a couple quick grab shots. I ran down the parking lot to get a better overall view. Having the wide angle lens gave me a lot of the scene but I knew I would need more to be happy.

adobe bridge screen grabNine image panorama capture for further work in post. Note the images have already been adjusted a bit in Adobe Camera RAW

I set up and shot a nine image panorama with the camera in the vertical orientation to gather as much info as possible. Already the light was starting to fade and my job was calling.

sedona red rocks by bob coates photographyImage output after using Photomerge in Photoshop.

I allowed the Adobe Photomerge tool to do a lot of the heavy lifting for me. I highlighted the images in Adobe Bridge selected Photomerge from the Tools drop-down menu Tools>Photoshop>Photomerge… Layout was set to Auto. The following text boxes were checked. Blend Images Together for obvious reasons. Vignette removal. This was checked because the lens had a bit of vignette and would have made for messy skies. A reason for not checking the vignette box would be if you had files that had no vignette because the files could process faster. Geometric Distortion Correction. You can try working without this but I have found in a scene like this the red rocks would have curved. Content Aware Fill Transparent Areas. When a handheld pano is  made like this there is often areas that don’t completely fill the rectangle of the final image. Photoshop will look around and use it’s best guess to fill the areas. You can check on them quickly as it will also leave a selection around the areas it filled in case you need to make some adjustments. In this particular case, it did a great job. All setings are available for you to play with if you don’t get the exact results for which you are looking.

Post-production is a huge help in these instances to obtain quality images.

full mon photo by bob coatesI pulled a full moon from my files as the moon area was blown out. Another case of the eye being better than the camera. If I had more time I would have bracketed exposures to get the detail I needed.

red rocks moonrise sedona by bob coates photographyHere’s the final. The moon has detail. The image was cropped to bring attention where I wanted it and
a little judicious Cloning was used to remove the couple under the tree.

If you have any questions or comments give me a shout!

Yours in Creative Photography,      Bob

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live entertainment photography anthony mazella 2

live entertainment photography anthony mazella 2

Live Entertainment Photography – Anthony Mazzella Black & White

Many times if I want to check that I have a good solid image capture I convert to black and white to see how the tones do without the distraction of color. The fact that I produce advertising and marketing images for Sound Bites Grill makes me check that even more often as many of the images I create will end up in a newspaper in black and white.

I recently photographed the Legends of Guitar show at Sound Bites featuring Anthony. You can check the color images in my previous post. Here are the black and white versions.

anthony mazzella guitatist by bob coates photographyThis image still carries the blues feeling. I remember working hard to get Anthony in a spot where there was a separation light on his hat.

anthony mazzella guitatist by bob coates photographyShows the full line of instruments telling the story of the show.

anthony mazzella guitatist by bob coates photographyA little smoke machine action gives extra depth and dimension.

bob coates photography photograph of anthony mazzella guitatist Here’s one that needs the distraction of color. The hot spot of the light is too distracting in this image in black and white.

Check the color versions in the other post to get the most from this post. Images made with the Lumix GX85. The fact they removed the anti-alias filter give a better ‘grain pattern’ in my opinion. Makes for sharper images. And the five-axis image stabilization makes for better handhold ability in the low light.

Yours in Creative Photography,       Bob

 

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sunday photo art quote – thomas jefferson

sunday photo art quote – thomas jefferson

Sunday Photo Art Quote – Thomas Jefferson

I’ve seen this quote attributed to Tom although I’m certain it belongs to him as there are variations in place attributed to others. I try to research my quotes for accuracy. With that in mind if you know who the originator of this quote was, please let me know.

thomas jefferson quote“I am a great believer in luck, and I find the harder I work, the more I have of it.”  – Thomas Jefferson

You might ask, “What in the heck does this have to do with art, Bob?”

It all has to do with getting in there and doing the work. Whether you feel like doing it or not. Many times I will happen into a fortunate art situation just because I keep on trying even though things have not worked out crazy good in the past. If you see a concept, you need to keep acting on it until it comes to fruition.

Here’s an example. I love photographing wildlife, especially birds. I enjoy the texture of their wings. Studying and anticipating their movements to capture more compelling images. The time alone searching out new behaviors. It can be very frustrating to try to come up with something original. That doesn’t stop me from going out and trying. Over and over. And over. Until that magic moment when the luck part comes into play. Because I was still there trying I was treated to this perfect moment of a Snowy Egret chasing fish.

I captured approximately 200 images of the bird working the shallows in front of me. And this is the composite I thought I wanted to accomplish.

snowy egret composite by bob coates photographyWorking composite of Dance of the Snowy Egret

I had sifted through and extracted many images of the snowy egret to get this far but wasn’t happy with what was happening. It was the vision I originally had in my head while I was photographing the bird, but it just wasn’t working form, although my wife loved it. So I kept working.

So I kept working. And working.

And because I kept working on it even though I wasn’t happy I had another stroke of luck. In turning off the background to clean up my extractions of the birds, I saw the image in it’s simplest form. All attention became focused on the positions of the birds with absolutely no distractions.

dance of the snowy egret © bob coates photographyPPA Loan Collection Image – Dance of the Snowy Egret by yours truly

I entered the image in the International Photographic Competition from Professional Photographers of America, and it was judged into the Loan Collection in the Master Artist category. That judging is based on twelve elements (click here for more on the twelve) including composition, technical excellence, and storytelling. Also, how the artwork was accomplished is a significant part of the criteria which is why the reference images are shown.

I feel I was lucky on two fronts in the creation of this photo. But I did work hard to get ultimately get there

But I did work hard to get ultimately get there.

Yours in Creative Photography,        Bob

PS – I think one additional piece of luck was the equipment I’ve been using. Because the micro 4/3rds format is so small and light I was able to handhold a 600mm equivalent lens and track the egret comfortably for a long period of time. Heavier gear would have required a tripod and been much less mobile. Lumix GX8 with the 100-300mm f4.0-5.6 lens

live entertainment photography

live entertainment photography

Live Entertainment Photography – Anthony Mazzella

I’ve been working capturing the performers at Sound Bites Grill in Sedona for about four years. I still enjoy the challenge of making images in this environment.

anthony mazzella guitarist by bob coates photographyAnthony Mazzella on guitar – Image captured with LumixGX85

The latest entertainer to make the Wall of Fame is Anthony Mazzella. Even though Anthony is on the Wall already from a previous performance Sound Bites felt that the stage show Anthony has developed with his salute to Legends of Guitar should have its own special image.

legends of guitar show photo by bob coates photographyFull stage with Anthony and his ‘babies’ all ready to play.

Playing multiple guitars in a variety of styles, along with looping music from other instruments makes this a really great show.

anthony mazzella guitarist by bob coates photographyLED lighting and a smoke machine add a lot of ambiance to the stage.

I’ve been pleased how the Lumix camera gear can handle the contrast range in this difficult shooting scenario. In the earlier cameras, I had to work a lot harder to have detail in the shadows and not loose the pure color of the LED lights. Now, with new processing engines and five-axis image stabilization, I’m able to get more detail across the entire range. Can you say happy?

anthony mazzella guitarist by bob coates Mazzella Playing the blues during his performance.

Monday I’ll share the black and white conversions of these images.

Yours in Creative Photography,      Bob

tuesday painterly art – elias

tuesday painterly art – elias

       Tuesday Painterly Art – Kristi Elias

I have watched Kristi grow and set her work apart from others on so many levels. It has been an amazing journey to watch. Here is some of Kristi’s work and words to inspire you in your artistic quest in photography. While Kristi’s images do not involve painting per se they have a distinctive art feel to them. I turn this post over to Kristi.

image © kriti sutton elias Look carefully at this image and check out the background build.
(not to mention the build and definition on the fighter) – image © Kristi Sutton Eliasimage © kriti sutton eliasOriginal capture. Note the kicker lights that help with background separation and extraction.
image © Kristi Sutton Elias

“I am a fine art portrait photographer, a good portion of my work is conceptual composites. I create between 40-over 60 composites a week for client orders, some are more involved than others. The amount of time to create the composite varies depending on if I am reinventing the wheel and creating a new concept and artwork from scratch or re-creating a piece that I have created for another client before.

image © Kristi Sutton Elias After processing. image © Kristi Sutton Elias

image © Kristi Sutton Elias Original capture. image © Kristi Sutton Elias

“Most of my backgrounds were taken during our vacations, I pick vacation spots based on images I would like to create. Medieval and abandoned castles are my favorite, this year we are going back to Europe and I already have a shot list of where I want to go.

image © Kristi Sutton Elias Original captures. See the final below. (I merged the three images original for this illustration: ED.)
image © Kristi Sutton Elias

Kristi Elias-14_600p Final image © Kristi Sutton Elias

“After I shoot a session, I upload my images into lightroom and cull through them rating my favorites. After that, I will open my selected image into photoshop and create the composite. Sometimes my composites could be 5 images put together to create the final image and sometimes just 2 images. After I have created my final composite, I use NIK Software Color EFX Pro 4 to create my final vision. I have a few go-to tools that I like to use, but overall each image is treated differently as its own piece of art. Some of my go-to’s are dark contrast and bleach bypass and darken lighten center. The best thing to do is go through all the filters and see what each one does and play with all the levels. Before I start an edit I look at the image and decide what color pallets, hues, and mood I want the final image to portray. I have created hand-painted backgrounds that I photographed and use for textures in my work.

image © Kristi Sutton Eliasimage © Kristi Sutton Elias

image © Kristi Sutton EliasStarting with a well-lit capture that has depth and dimension makes selling the final image that much easier image © Kristi Sutton Elias

 
“Another important part involved in my editing, I listen to Love songs or country love songs on pandora while I edit.  Mood music :).”

www.KristiElias.com (Masterpiece Portraits)
www.KristiSuttonElias.com  (Editorial and Advertising)

Kristi will be teaching a week long class on “The Fine Art of Portraiture” at Texas school this year. Click on the link to learn more about the class. It will be a very creative and fun class!

https://www.texasschool.org/speaker-lineup/kristie-elias/

Yours in Creative Photography,         Bob

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