by successfulbob | architectural photography, black & white, Lumix GX8, photography, photography creativity, photography gear
Processing Black & White Photography
Ansel said it.
He likened great photography to a concert. The Print is the performance. The capture is merely the score.
OK. Maybe I paraphrased a little bit but the idea is there. And the word ‘merely’ is undercutting the value of the capture. But, by virtue of the camera only having one opening it can only see so much density in a single exposure. How we process the image is a huge part of the success or failure of the photo.
We now have some technological advantages over Adams with software that allows up to combine multiple images t different exposures to expand the amount of information we can have in a single file. We can build up density and exposure in a picture without resorting to chemistry changes as Adams did. In addition to Curves and Levels, we now have the ability to add luminance masks to target very specific tones within the photo. Sharpening can be selectively applied throughout the image to help move a viewer’s attention through the image. And more. We are in a golden age of photography should we choose to follow the possibilities.
I was attending a little courtyard guitar concert at Tlaqapaque in Sedona and just happened to have a camera with me. (imagine that!) Here are a couple grabs where the image definitely has more power in black and white.
Tlaqapaque detail. Mexican shopping Village in Sedona, AZ
Images processed in Adobe Camera RAW & Nik Silver FX Pro 2 (You can get this software plugin for free)
Original capture
Images captured with Lumix GX8 with 14-140mm f3.5-5.8 lens
Portals within portals within portals add depth and dimension to an image
Original capture
I’ll be doing a more in-depth blog post on black and white processing on LifePixel’s website. You can look for it early next week.
Yours in Creative Photography, Bob
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by successfulbob | photography, photography education, photography marketing, success education, tuesday painterly photo art
Tuesday Painterly Photo Art
John Chandler, CPP & Teresa Chandler
I first saw some of Chandler’s images while judging for Professional Photographers of America. I was not aware of them at the time bu the imagery stayed with me. When I saw a Facebook post, I tracked down the website and saw more interesting imagery so I asked John if he would share some thoughts and ideas on photographic art.
I turn today’s post over to the Chandlers.
The Start
John and Teresa Chandler established Chandler Studios in 2002. Their concept was to combine John’s skills in Photography with Teresa’s skills in Oil and Pastel painting. This came at the same time Photography, as a profession, was in the “Chrysalis” phase transitioning from film to digital. Their transition was not difficult. The digital revolution kicked their business forward. This is a result of John shooting transparency film underwater for 35 years. For them to get his transparencies into a print market they had to become proficient at slide scanning and preparing the image for printing in a very young, and rapidly advancing world of Photoshop. In the 90’s Teresa had the same challenge with her oil and pastel portraits. John would photograph her portraits with transparency film and she would then color-correct each scan until she was satisfied that it was a near exact copy before printing. This early experience in Photoshop, experience with transparencies and their collective ability to review, correct, prepare and produce a printed image using Photoshop prepared them well for the digital revolution. And all of this had to be done while they were living in Japan!
“Dancing with Degas” © Teresa Chandler Accepted into the IPC 2015 Loan Collection.
In this image, Teresa took an image captured in the Studio during a High School Senior’s session. Using both Photoshop and Corel Teresa created this image. Her experience with painting in oils gives her a superior ability to “feel” light and textures needed to make an image like this. Corel gives her capacity to interpret the electronic brushes and then make the strokes necessary for the image to succeed.
The Team
John is the Photographer and Teresa is the finisher, and together they are Chandler Studios. They have been married for 39 years. John is a Certified Professional Photographer (CPP). Both are driven by the annual Print Competitions in their State Affiliate as well as the International Print Competition of PPA. Teresa has had three of her images in the PPA Loan Collection while John has only enjoyed one image in the General Collection. But both are avid competitors, and both are working toward Masters in Photography and Art.
Thoughts on progressing
Education is the KEY TO SUCCESS. This digital world is simply not something that will suddenly dawn on most people. You cannot “Fake it, till you Make it.” Anyone who wants to move forward in terms of sales, creativity and ability must take the time and resources necessary to get a first class education in Photography. We work in Portraits so most of our education comes from Photographers who are not only at the peak of their career but are also proven teachers. Passion is simply NOT ENOUGH. Passion plus education equals ability. We learned early in our careers that Passion does not make an artist. While passion may drive you (and drive you crazy) it does not give you ability. Education and the experience that comes with it will gives the ability to create the images that are driven by passion.
“Steampunk Rocker” © Teresa Chandler. This composite began in the Studio and then was transformed in the computer by Teresa who used Photoshop to composite and Corel to finish giving the image its texture and contrast.
Mentorship
Can YouTube and Creative Live do this for you? Well, we think that videos can be an element, but not the only element. We feel you need to have “Hands On” kinetic learning to make the leaps needed to compete in today’s fast-changing market(s). Video learning combined with a mentor can be powerful tools needed to improve your ability. There are more workshops available today than ever before so that means that photographers have to choose wisely and ensure the workshop will move them forward and not just be a social event. We recommend a new photographer actively seek a mentor who can recommend workshops for them and guide them. This will certainly save that photographer a significant amount of money. We chose workshops with Joseph and Louise Simone, Richard Sturdivant, Tim Kelly, and most recently John Gladman. These workshops are not inexpensive. We consider them an investment in our Studio. We have also learned that cutting corners is just a waste of money.
Focus on your product.
Focus on what you are wanting to produce and then produce it. Practice your skills daily. If we could say that a hundred times in this short discussion we would. Practice every day! We are in the process of re-branding our efforts in Chandler Studios by developing two new products. One is called Vintage Couture that focuses on retro PINUP. This is our approach to producing a product akin to boudoir (sexy) but still something our client can show their mom!
This is image was selected to be in the 2015 General Collection. This is titled simply “Oops!” It was produced for a client who loved it.
Sandlot is our most recent image and shows another product that we are producing for our clients. We call these “Illustrative” Portraits our SANDLOT collection. This product is focused on the youth sector providing our clients a retro look in the Rockwell genre. © John Chandler
Conclusion
So that’s it. We have had a focus on Family Photography but we are now giving that a bit of a twist to give our products just a bit more. We firmly believe that education and professional affiliation is a path to success in this vocation we enjoy so much.
Our website is Chandler-Studios.com Our Vintage Couture can be on our website and at https://www.facebook.com/ChandlerVintagePINUP Our SANDLOT products are featured on our website and at: https://www.facebook.com/Sandlot-Portraits-1095078590564124
Hope you got as much out of the Chandlers sharing how they are pushing the digital envelope in their business as I have.
Yours in Creative Photography, Bob
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by successfulbob | inspiration, photography - art quote, photography education
Sunday Photo/Art Quote – Steve McCurry
Camera as a passport.
A very interesting thought.
I hadn’t thought of my camera as a way to witness and become part of events, but now that I look back over the years I was exposed to many opportunities I wouldn’t have had in another line of work.
An iconic photojournalist who traveled the world documenting life in many cultures Steve McCurry created many images I’m sure you know. Magazine articles, covers and books too numerous to count are among his output with his camera. The quote below sparked today’s post.
“My life is shaped by the urgent need to wander and observe, and my camera is my passport.”
— Steve McCurry
While I did not have the need to wander quite as much as McCurry, I have moved around the world a little bit. I came to photography relatively late in life a camera led me to experiences, adventures and the ability to set up shop in a new place when my wife tired of the constant threat of hurricanes when we lived in the Caribbean.
Some highlights that come to mind.
Professional Photographers of America cover by yours truly
Aerial photography with my first magazine cover shot while hanging out of a helicopter flying on its side so that the downdraft would not interfere with the Rolex Regatta sailboat race below.
Photographing President Clinton when he made a trip to St, Thomas in the US Virgin Islands.
Documenting the wedding memories of hundreds of couples.
Being behind the scenes with entertainers and performers.
My camera doesn’t have quite as many passport stamps as McCurry’s as yet, but I know that it will take me to more places in the future.
What a great thought.
Where has your camera taken you? Share here if you get a moment.
Yours in Creative Photography, Bob
by successfulbob | photography
Help Protect Visual Artist’s Copyright
All visual artists PPA needs your help now!
(you do not have to be a PPA member)
PPA.com/Advocacy
Historic once-in-a-generation change is coming to Copyright law in the U.S. Professional Photographers of America (PPA) has been at the forefront of this issue for a decade and it’s now time for YOU to get involved!
PPA has been working with legislators along with other visual arts organizations to get this legislation done. You can join the GRASSROOTS ACTION TEAM to help support a Copyright Small Claims option to better protect visual artists.
Learn about the issue, sign up and share with other visual artists.
Every Voice Counts!
Understand Small Claims Relief for Visual Artists
Learn About the Action Plan
Join the Grassroots Action Team
Take Action!
I’m already signed up and urge you to do the same. Please share this information with all visual artists. You do not have to be a PPA member to be on the Grassroots Action Team.
Yours in Creative Photography, Bob
by successfulbob | graphic design, inspiration, Lumix GX8, Lumix Lounge, photography
Cliff Castle Casino Fireworks Photography
Fireworks! Always beautiful and fun to view.
And, interesting to photograph.
These were taken Sunday night July 3rd with a LumixGX8 and 7-14mm f4.0 Vario lens. Settings f8 ISO 200 for five seconds.
Single five-second exposure
This burst was one of my favorite captures for the evening
Composite image with the Casino, which was behind me and the fireworks in front of me.
Fireworks composite image.
There’s a secret o create composite fireworks images. Develop each image to be it’s best. Drag and drop the images one above another as Layers. The secret is to change the Blend Mode of the Layer to Screen. The mathematics behind Screen mode makes all the dark area of the sky to disappear only allowing the light from the image to register. (Bonus tip: if the fireworks burst is not as bright was you wish to make a copy of the layer and the lighted areas will become brighter. Too bright? Lower the opacity to taste) The next move is to place the bursts where you would like them using the Transform tool. Once the photos have been rearranged, there will be areas that need to be masked out. Adding a Layer mask and painting with black will conceal the unwanted information on the Layer.
File this post away for the next time you get ready to photograph fireworks.
Yours in Creative Photography, Bob
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