In a previous post I showed you a finished time lapse video captured from the parking lot of Mariposa Restaurant in Sedona overlooking the red rocks after having lunch there last Sunday afternoon. While having a great lunch we were watching the clouds clear after a bit of weather. And you guessed it, I had to run home and grab my gear. Today I’d like to share some ideas on what settings to look at when thinking about creating your own time lapses.
Depending on your scene and how long you would like to cover it you should decide the space between your image captures. Math comes in handy here and you will start to have an idea of your settings almost by instinct. For example, depending upon the speed of moving clouds I’ve found the interval that works for me is between three & five seconds. The rate that the images should be played back is between 12-24 frames per second. The time lapse in the previous post covered a period of about 40 minutes with 3 second intervals and 24 fps. This translated into a video that was about 35 seconds long. Now not being a fan of that much math here is a calculator that will help you figure things out including how much memory you will need to have in your camera to complete your session.
Time Lapse Calculator
Time Lapse Calculator from PhotoPills. You can download your own for your web site or get the App to calculate while on site. Try it right here you’ll like it!
Lumix Time Lapse Processing Features
A great feature in the Lumix cameras like the GX8 used to capture this time lapse is the ability to process the video in camera choosing from a large number of settings in quality and frame rate. When calculating how much memory you need to have on your card remember you’ll need room to process and store the final video as well. I processed out the video using the 4K setting. 4K is four times bigger than HD video which means you can place it in an HD timeline then have room to pan and zoom which adds a lot to the final product. There are many programs you can use but I used Adobe Premiere Pro CC.
Screen Capture of still files in Adobe Bridge.
I shoot in RAW so I can process the original files for stills or for color tweaking if necessary. Then process out the files into jpegs and use a free program such as Time Lapse Assembler to put your video together. (link for MAC for link for PC. There are plenty of free or freeware programs to choose from. Find the one you like.
Time Lapse Assembler window. I like it because it’s pretty simple and straightforward!
Shoot longer than you think is necessary. The first couple times out my time lapses were only seven seconds which was a little disappointing. Use the calculator above to save yourself some heartache.
Always found myself interested in time lapse imagery. The Netflix Original series House of Cards show intro brought back the ‘want’ to try to create some of my own. The short time lapse clips used were quite captivating! I had held back in the past because the techniques were too cumbersome and software was a bit of a PIA to manipulate to get some good results. For most cameras you had to have a separate timing gizmo (called an intervalometer if you need one) for a camera to capture your images and be able to program it properly.
Fast Forward to today
Like many things there have been some incredible changes happening in camera technology. Most of the newer Lumix cameras (and other brands and cell phones) have the time lapse capture built right in. You can easily program the camera to capture X number of images at X seconds for X number of captures. The camera will tell you the time the shooting will be completed. OK here’s the really wonderful part. The camera will even process the images into a finished time lapse giving you many choices of quality, size, number of frames per second and output format. This takes a lot of the hassle out of creating time lapses. Now you can use that as a finished file or take it to an editing program like Adobe Premiere Pro to add some more action.
Here’s the Time Lapse
Cloud Time Lapse captured 700+ images with one image every three seconds. Processed in camera at 24 frames per second.
Final Time Lapse Video Thoughts for Today
Used the Lumix GX8 with the 7-14mm f4 Vario lens. Couple of things to think about when setting up the capture. How often should you fire the frame? Subject matter and speed of moving objects need to be considered. Manual or Aperture Priority exposure? How many frames are needed? How long do you want the finished video to run. We’ll talk about these settings and processing in a day or two.
Time lapse videos are very popular these days and they are now easier to create than ever…
I took new Lumix G7 out for a time-lapse spin. The clouds were streaming over the red rocks with an azure blue sky as an accent. Camera was mounted with the Lumix Vario 12-35mm f2.8. Settings were – time lapse with a three second interval. There were 149 images captured. Inside track note – to save wear and tear on the camera’s shutter you can use the electronic shutter vs the mechanical shutter.
Then it’s to the playback menu on the G7. The Time Lapse setting allows you to choose quality and frame rate for the processing of the video. I choose 4K Video & twelve FPS for this video which came out to be about twelve seconds of finished. The camera tells you how long it will take to render and asks you if you would like it to process or not. When you say yes, a few minutes later there’s a video saved to your card (one note – make sure you have large cards time lapse and the video take up some card real estate)
The next piece of the puzzle is the appearance of camera movement while the Time Lapse is being made. That’s why I choose the 4K Quality setting when rendering the Time Lapse to a movie. I took the resulting movie file straight from the camera and put it int Adobe Premiere on a 1080 timeline. Since the video is four times the size of 1080 there is room to use a Ken Burns type effect to show camera movement. Love the possibilities this brings to mind!!
Thirty second G7 time lapse in the Village of Oak Creek in Sedona, Arizona
It’s pretty cool when you see others appreciate the tools with which you are working. Consumer Reports Holiday Gift Guide put the G7 on the list as one of the Top Products of the Year for gadgets and gifts.
G7 is listed as on of the Top Products of the Year
Make one camera do the job of two or three. I’ve been thinking about this possibility for a while. And now I’ve figured some of it out.
In this test i’ve captured a couple of my favorite musicians performing at our local restaurant. It’s the Millers on guitar. Robin Miller the father and Eric Miller the son. You can hear the magic as you can see they ‘get’ each other. Almost as if they can read each others musical mind. This song was written by Robin. I think the title is Change in the Weather. It’s a crowd pleasing winner of a song.
Because we now have the ability to shoot in 4K during capture we have a video that’s four times the size of 1080p. What this enables is moving around inside the frame which means we can create Ken Burns movement effects and zoom in for close-ups in different areas of the frame. It’s like having the look of several cameras from a single camera position.
The video below was captured with the Lumix GX8 and the 12-35mm f2.8 lens in 4K. Please don’t worry too much about the color as I shot this on the spur-of-the-moment hand-held while hanging out. The video was processed in Adobe Premiere Pro 2015.
Robin & Eric Miller live in Sedona, Arizona
Timeline from Adobe Premiere Pro. I copied the video layer two times and used one of the layers as close up of Robin and the second copy as Eric. The bottom layer was the two of them and the overall stage.
If another camera was added with a different lens you could rove the room getting even more angles and tight detail shots for a full production look to the video. This just practice and play to learn new techniques.
By the way, I would also have better sound in a real production. Sound for this video was captured on the fly by the camera with a little tweaking in Premiere… and it ain’t too bad!
Creative possibilities abound in this new 4K world. What are you doing with it?? Let me know…
Times are changing in image capture. In the latest cameras put out by Panasonic it’s easier than ever to capture action. 4K photo mode allows you to capture up to 30 frames per second video that allows you to pull 8 MP stills. There’s even one mode that allows you to capture 1 second of action, 30 frames, abefore you press the shutter. So you can see something start to happen and still get the moment! Lumix GX8 and Lumix G7. Check out this quick video for details…
And then I felt this warm drippy sensation on my arm…
Yep! If you get underneath seagulls while they are feeding you can be shat upon.
It was interesting shooting video from behind (and under) the birds. In addition to the extra present sent my way I thought it was fun capturing this angle for something a bit different.
As I was working on the Lumix GH4 4K files I saw some still frames I want to extract to to experiment with in creating some art pieces. Since I was shooting the video in 4K I’ll be able to pull 8MP still frames. Now I wasn’t shooting in 4K Photo Mode so the frames will have some movement in them which is what I like about them. If I was to capture in the Photo Mode the shutter speed would have been automatically increased in order to make sure there was no ‘Rolling Shutter” in the still frames.
Seagulls in Sarasota, Florida video.
Lots of fun to be had with the new tools that keep coming our way!
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
Learn Photoshop in a fun environment. Aaron Nace applies the right amount of fun with easy to understand and follow tutorials. Actions and brushes are included with lessons!
Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
Cameras Get Smarter -
A High Speed Smart Camera Remote
Best embroidery ever. Give Queensboro a try, get a $20 instant credit to get started by clicking on the logo! They specialize in great quality custom logo apparel and promotional products with the best customer service.
Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.
Screen Capture of still files in Adobe Bridge.
Time Lapse Assembler window. I like it because it’s pretty simple and straightforward!
