butoh posing

Pretty amazing what we get to learn as photographers…

I was asked by a model friend, Pash Galbavy, (see her site and work with other artists here) to help document a life drawing modeling session she was doing utilizing Butoh posing.

Butoh posing?? What the heck is that? And the continuing education of this photographer goes on…

Butohis a form of Japanese dance theatre that encompasses a diverse range of activities, techniques and motivations for dance, performance, or movement. Following World War II, butoh arose in 1959 through collaborations between its two key founders Hijikata Tatsumi and Ohno Kazuo. The art form is known to “resist fixity” and be difficult to define. If you’d like to learn more check Wikipedia here.

model pash

Pash Galbavy of Sedona at Elephantine in an art rendition using textures and colors photographed at the same time.

fine art with pash galbavy

Pash wore clay and twined straw into her hair to enhance the Butoh look.

Pash galbavy art image

Pash is absolutely amazing as a model. She’s able to hold poses for a long period of time with no motion
yet still able to bring emotion forward.

Images were captured with the Lumix GH4 and the Lumix Vario 35-100mm f2.8 lens. ISO’s were from 1600 to 3200…

Images were then taken into Adobe Photoshop where I added layers of color textures from photos and used Blend Modes, Selections and Masks to create the final artwork. In working this way I have numerous renditions with different amounts of color. or lack thereof for each of these images. This is the technique I’ve dubbed ‘Photo-Synthesis’.

Yours in Creative Photography,       Bob

PS – If you are ever in the Sedona, Arizona area and need a life model who is incredibly talented make sure you see if Pash is available. She’s truly a work of art in her own right with her posing ability.

future seminar w AZPPA

I’m working on a video for a future seminar being hosted by the Arizona Professional Photographers Association (AZPPA) in the fall and here is an image of one of the character actors expected to join us in a western setting. Steve AKA the ‘Sheriff’ is a pleasure to work with as are all the  people who will be dressed in period costumes at the event.

'Sheriff' Steve photo

‘Sheriff’ Steve in costume.

Steve was captured with the Lumix GH4 and the 35-100mm f2.8 Lumix Vario Lens. Natural light from a somewhat overcast but bright day coming through a doorway camera right and behind Steve so I could shoot into the shadow side of his face to add depth, dimension and drama to his features.1/15th sec f3.2 ISO 1600 in Aperture Priority with a slight bump in Exposure Compensation to open shadows just a bit.

Post processing often plays into the creation of my images. As Ansel Adams proclaimed, “The negative is comparable to the composer’s score and the print to its performance. Each performance differs in subtle ways.” So here is the original digital capture with no adjustments.

photo of 'sheriff' steve

Straight Out of Camera (SOOC)

Top Image was processed in Silver FX Pro 2 to convert to Black and White.

Then some small retouching moves, mostly dodging and burning to control the contrast of the scene.

NIK Color FX Pro 4 Bleach Bypass Filter. Used a Layer Mask to bring back some detail that got whacked.

Back into NIK Color FX Pro 4 to use the Tonal Contrast Filter to highlight details and bump contrast.Layer Mask to control specific areas.

Added a Soft vingette.

Soft Light Blend Mode Layer added to retouch and add extra life to his eyes.

Then a conversion to Sepia Tone using a Hue Saturation Adjustment Layer with the settings Hue 30 Saturation 10 Lightness 0 and Colorize checked. (Got this recipe, or something very similar, about 15 years ago from longtime photographer friend Tom Cheswick)

Link to NIK Plugins

Yours in Creative Photography,       Bob

want more pixels

Sometimes you just want more pixels in an image.

Do you have to buy a new more expensive camera? Nope. You just have to learn how to sew… I mean stitch.

Basically even with the 16MP micro 4/3rds chip we are working with in the Lumix line of cameras we have multi-megapixel (like 100MP plus) cameras in our hands if we take multiple images and overlap them. Here is an example.

sedona panorama

This is 13 images overlapped with the camera held in the vertical orientation. This file comes in at 385MB after processing in Photoshop.
I could easily print this image 26 inches by 158 inches. That’s about 2 feet by 13 feet!

sedona arizona panorama

Here’s another version with 2 rows of 10 images overlapped with camera held in vertical orientation. This file is almost 400MB after processing. Could easily be printed to 3 feet by 10 feet…

This technique can be used with large group portraits, architecture and any stationary subjects.

Images were captured with the Lumix GH4 and the Lumix Vario 35-100mm f2.8 lens at ISO 200 f10 1/320th sec. The built in level on the GH4 helps to keep the horizon straight during this hand held capture to make the panorama stitching easier in the software. My overlap of individual images is about 30%. Any less than that and you’ll tend to find stitching errors in the final image.

So you’ve heard the expression “Go big or go home!” Now you can with whatever gear you are working with….

Yours in Creative Photography,    Bob

PS – using links on this site to make your gear purchases help to support this web site and the education being shared. Thanks in advance!

 

red rocks sedona in storm

They say the camera you have with you is the best camera. I’m a big believer!

How many times have you been out and about and left your gear at home because it would be too bulky or a PIA to have with you? Since joining with Panasonic as a Lumix Luminary I have had access to a number of cameras, all of them smaller and lighter than my former DSLR kit. As a result I almost always have a camera on hand and less of those found moments are getting away from me.

I was giving a workshop and stepped out to go to the rest room and saw this scene unfolding in front of me. I dashed back and grabbed the Lumix FZ – 1000 because of it’s 400mm reach and was able to grab these two images of the red rocks of Sedona being lit in front of some storm clouds.

Red Rocks of sedona, az

The camera allows for up to a 7 stop bracket. In this case I bracketed 5 stops at one stop intervals and processed in PhotoMatix Pro 5. This kept the rocks being lit by the sun from being blown out against the dark background of the sky.

strom clouds behind sedonas red rocks

Don’t forget to ‘Work the Scene’ when you come across different photo ops. Shoot as a horizontal, vertical, zoom in, try different crops. I didn’t have much time to do this but at least I captured 3 different renditions of the scene.

The Lumix FZ 1000 is often the camera I am grabbing to have with me all the time. 25-400mm f2.8-4 all in a body unit that weighs about 2 and a half pounds. Sweet!

Yours in Creative Photography,    Bob

PS – Please remember that if you use the links from this web site to make your purchases it helps support the education provided on Successful-Photographer.

new wacom tablet

Since I am traveling so much and I got tired of switching out my Wacom tablet between my desktop and my laptop I needed to get a second tablet. So I ordered one from Amazon and it arrived today.

One word.

SWEET!

This tablet is small and portable for travel and staying hooked up to my laptop. But here’s a bonus. The model I bought is like having a giant touch pad to boot. It has the gestures available for scrolling, resizing, zoom ,swipe images and such. It’s the Intuos Pen and Touch Small Tablet and only having it hooked up only for a few minutes and I love it! It has the 1024 pressure sensitivity.

wacom tablet photo

Wacom Intuos Touch Tablet

If you use Photoshop a tablet is very important. Making selections with a track pad or a mouse can take you a lot more time and is not near as accurate as using a pen tool. The difference is akin to drawing with a rock or a pen and makes a huge difference. For under a hundred bucks I think this one is a great value. You can spend a bit less or a bunch more with the Bamboo or any of the other Wacom Products. I would only recommend spending more money if you would like a larger size or you are a graphic artist that needs the higher pressure sensitivity because you actually draw or use the airbrush…

Yours in Creative Photography,       Bob

location shoot with fillex brick p-100

I was called on to capture some in-situ art pieces. The mandate was to show the pottery as art but also in place as decor. Of course budget was a concern as is often the case in shoots like this. So in finding the quickest, easiest way to capture the scenes I came up with mounting the Lumix GH4 with the 12-35mm f2.8 Vario lens on a tripod and using the Fiilex P-100 AKA ‘The Brick’ to light small portions of the scene and blend them together in post to gently highlight the pieces without overwhelming the scene…

room image with pottery

Four exposures blended together to help light  the subjects (pottery) keeping the ambiance of the scene.

pottery photograph

Just a kiss of light brightens up the subject nicely…

The really nice part of the Brick is the ability to change the intensity of the light and the color temperature to add just a kiss of light where you need it. Here’s the description of the light from the Fiilex web site….

“The highly compact Fiilex P-100 is the most versatile solution for someone who is constantly on the move and lighting in unconventional locations. Fully dimmable and color-tunable to match daylight or tungsten, this brilliant LED features a spot-to-flood lens and runs off an integrated Li-ion battery. Easily modifiable, “The Brick” puts out 100W of high CRI (>90) light that can serve as either key or fill and will translate all your colors precisely. Revolutionize the way you light with the P100’s flat form factor – place it on almost any surface, mount it on your camera, use it in a three-point set, or simply hold it in your hand. With no bulbs to break and no cords to plug in, go anywhere knowing that you’ll be able to light your shots quickly and beautifully.”

fiilex p-100 LED light
P-100 LED Light from Fiilex. A little smaller than a standard building brick.

I’m enjoying the possibilities while working with LED light and seeing the results of color temperature changes immediately. Often when working on location mixed color from windows, incandescent and florescent lighting can be a problem to match without overpowering the scene.

Yours in Creative Photography,       Bob