I am incredibly fortunate to live in a picturesque area filled with red rocks, blue skies, and bounteous wildlife. I carry a camera with me wherever I go. I used to try to do this in the past but found myself parking my camera when I wasn’t officially working because the weight was uncomfortable. As a Panasonic Lumix Ambassador, I find that I have a camera with me at all times because the gear is lightweight and gives me the quality I need.
Path down to Bell Rock in Sedona made with FZ2500
My quest for lighter weight gear was prompted by my wife Holly who pointed out that I was hauling thirty-five pounds of photo gear with me on personal trips. When I said, “What’s your problem? You aren’t carrying it.” She replied, “Neither are you as you often leave the gear in the room because it is so uncomfortably heavy. My wife is a brilliant woman who knows how to pierce my sometimes thick skull.
Today I’m featuring the Lumix FZ2500 which is a prosumer camera. It can do almost everything as it is an all-in-one with a zoom range of 25-480mm and tons of features. The FZ2500 is a little under 2 1/2 pounds. The beauty is that it can focus in macro mode almost as close as you can get the camera to the subject. With the built-in f2.8-4.0 power zoom lens, it has a reach of 480mm optical. That’s a long way!
Detail of Courthouse Butte
One more thought is that many times a crop of the photo can be much stronger image and tell the story in a better fashion. Here’s square crop of the top photo in the post.
A stronger rendition of the top photo with a square crop.
Yours in Creative Photography, Bob
PS – Take ten bucks off Luminar or other Skylum software with the coupon code – COATES
I was working on a commercial job photographing product for the Crystal Magic website today. I’ve got to tell you the tethering experience with this camera was sublime. I know that is some pretty intense emotion for working with a camera. But, if you’ve worked with other systems that don’t hook up quickly to the computer or drop the connection in the middle of a shoot, numerous times, you know exactly how I feel.
Here’s one of the finished beauty shots of the bracelets showing the detail and closeup color.
I’ve been shooting with this set-up for a while and realized I hadn’t shared the ease of this and how wonderful it is when you are working on set with a designer or other creative. When they can see exactly what is happening with the live view, it speeds the setup time immensely. And, then immediately see the finished exposure seconds later, while moving RAW files, well what can I say? Wahoo!
I was working with Molly from https://www.crystalmagic.com, and we were shooting a large number of bracelets that needed multiple shots of each. With Molly getting confirmation on each Item and angle as we worked it sped up the process immensely.
Screen showing Live View from the with Adobe Bridge on the right with the captured photo
With the free download of Lumix Tether which you can get with Lumix G9 camera ownership, you can control the camera, use Live View and move images to your computer in a snap via a USB cord. I shoot to a folder on my desktop and link Adobe Bridge to that folder. When an image is photographed, you can see it almost immediately.
Lumix G9 on set. Note that the camera is set to show what the image will look like in a square format.
All images on the website are to be square aspect ratio. The camera is set to show that to make it easier to determine composition. It’s a great feature, but in case you want to view the entire image in 2/3 or 4/3 format after the fact you can strip away the crop and see all of the photos, but only if you shoot in RAW. If you shoot in jpeg, the crop factor is baked into the file.
In a couple of weeks I will be doing a video on the full use and ease of setup on the G9 and Lumix Tether system.
This is the show I appear on every month for about 1/2 hour. (listening time 20 minutes) On Tech Talk, I chat with Tom Tabback about photography and the tech that goes along with it. In this edition, we talk about a family portrait that was almost a world record,** art and the creation of art in photography, the value of a photographic muse and camera tech.
KAZM RADIO – Tech Talk audio
Here’s Tom!!
We have a great time on this show but we talk about some serious stuff!
Yours in Creative Photography, Bob
** PS – there will be a more in-depth post with the family portrait later this month here on successful-photographer
I gotta tell ya it is some kind of wonderful to have a creative person who enjoys being in front of the camera! I’ve never had a muse before. For those who might not know the term here’s the Dictionary definition.
Verb (used without object),mused,mus·ing.
to think or meditate in silence, as on some subject.
(in Greek and Roman mythology) each of nine goddesses, the daughters of Zeus and Mnemosyne, who preside over the arts and sciences.
synonyms:
inspiration, creative influence, stimulus;
formalafflatus
“the poet’s muse”
2.
a person or personified force who is the source of inspiration for a creative artist.
Having a person who is an artist in their own right is a gift. Pash has ideas, shares them with me and then lets the chips fall where they may. We start to make photographs with her thoughts in mind then we go wherever the first situation takes us. She has an intimate relationship with the environment which is usually the starting point. Then I add a couple of thoughts to refine, and we experiment and play, and this invariably leads me to create new imagery that I find exciting.
I usually end up pushing my personal boundaries as we work together. And then, even more, when I get into post-production.
Our latest foray into collaboration led to a photo session on Oak Creek in which she had a thought of ‘creating a mermaid.’ I had the urge to play with infrared and had her do some warm-up posing on the rocks with a dress, flowing cloth and au’ natural.
This Photo has the feeling of a Greek Statue to me. Infrared made with Lumix G6 converted by LifePixel
As the session went on, I added Tiffen neutral density filters to extend the time that the shutter would be open.
The neutral density filters extended the time allowing the wind to register in the trees.
This image reminds of one of the classic painters.
A couple of weeks ago I shared some clouds and ideas about photographing them and some thoughts on using them in working on your art images. (see the post here)
Sunset was coming together looking over the clouds from the window seat.
I referred to Judy Collins’ song “Both Sides Now” referring to clouds and said I would share some images inspired by Julianne Kost’s book ‘Window Seat.’ After seeing her book, I thought about my pictures out the porthole of the plane as I traveled around the country on my Panasonic teaching forays. I have quite a collection of photos of clouds from above I thought that they deserved a post of their own. So here you go. Images are from the upper side of Both Sides Now.
Watching a thunderhead form from this angle is quite different.
I enjoy the ‘cloudscape’ with its own set of clouds above.
It turns out that all of the cloud photos in this post were made with the Pansonic Lumix LX100 which I refer to as the ‘professional’s point and shoot camera.’ It has a smaller chip, but the lens is sweet and fast. It’s on a magnesium body, and all the critical controls are available on the outside of the camera just as we had back in the day. That said, it has a ton of features we didn’t have then including eleven frames per second burst captures. If you go into 4K Photo Mode, you can pull 3,400-pixel stills at 24 frames per second. And plenty more.
On the downside, it does not have a superzoom so if you get this for travel photos you’ve got to do some zooming with your feet, but that’s what keeps the size down.
It’s on my list to work with the clouds from above and try to put them in art pieces. I’m hoping I can make it work and give almost a sense of ‘Something is wrong here, but I can’t quite figure it out.’ But that will be a post for another day.
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
Learn Photoshop in a fun environment. Aaron Nace applies the right amount of fun with easy to understand and follow tutorials. Actions and brushes are included with lessons!
Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
Cameras Get Smarter -
A High Speed Smart Camera Remote
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Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.
Path down to Bell Rock in Sedona made with FZ2500
Courthouse Butte – Images processed with Adobe Photoshop and Skylum’s Luminar 2018 **
Detail of Courthouse Butte
