Tuesday’s on Successful-Photographer, now dedicated to the art of converting images beyond that of a photograph and converting the image in a more Painterly/Artistic direction. We’ll be taking to look at the artist/photographers who are forging their way forward in creating a new art form with photography at its base.
Today’s artist is photographer Richard Ramsey.
I met Richard through a Mastermind group of which I was a part. I got to see him move forward and develop this technique until I recognized him as an absolute master His work is very painterly in the traditional sense and looks much more like a painting than a photograph sometimes entirely swapping out the background for a different look.
Let’s take a look at some of Ramsey’s work…
This painting was created from an IPhone capture.
A combination of two source photos was the start of this painting.
Corel’s Painter software program is Richard’s toolset of choice. He has become so good at Painter, he has taught other photographers in the past and created DVD tutorials on Painter 10. As I understand, Richard is working on a new DVD of tutorials to help get photographers on track to creating their own masterpieces. (but like many photographers he’s a bit of a procrastinator) If you want to learn how to use Painter you might check into Richard’s dvds. Richard is in a transition period where he doesn’t have a website with the DVDs on it. For now, send him an email and he will return a flyer showing the DVDs offered. [email protected]
To see more of his Painter work for clients check this website – ramseyphotography.com
As far as learning Painter on your own, Richard says, “Just be persistent and don’t get in a hurry. Creating a painting is not that complicated. When looking at any program, it can be overwhelming. Hundreds of brushes and controls to deal with but you only need to use a few to create a beautiful painting.”
If you are into learning Painter, get in there and dig around. Use the advice I give my Photoshop students, “Play, play, and play some more!!” (ed.)
So, if you are into learning Painter, get in there and dig around. Use the advice I give my Photoshop students, “Play, play, and play some more!!” I have decided, after trying a few times and taking some classes, that Painter is not for me. If you find that is the case for you but want to offer this kind of legacy product to your clients, hire Richard to make the painting for you. Here’s his email for questions about the Painting program or hiring him to paint for you. [email protected]
Notice when Richard creates his paintings the entire image is transformed. I’ve noticed during my judging that many photographers new at this leave too much photo realism in the finished piece.
Note Richard’s use of color that is carried throughout his paintings.Couldn’t resist sharing one more!
I enjoy photographing musicians and entertainers. Whether it be a studio or location shoot for marketing or CD covers or live performances there are challenges to be met. In a studio or controlled environment creating the lighting that tells the story and eliciting emotion and expression is the challenge. During a live performance, lighting is what it is and the emotion is always there but the challenge becomes capturing the right moment when all the pieces come together.
Whether it be a studio or location shoot for marketing or CD covers or live performances there are challenges to be met. In a studio or controlled environment creating the lighting that tells the story and eliciting emotion and expression is the challenge. During a live performance, lighting is what it is and the emotion is always there but the challenge becomes capturing the right moment when all the pieces come together.
I love a challenge.
Here are some images from a location photo shoot for the Saith band (here’s lead singer Nathan’s web site). I was hired by Valerie Romanoff (Sedona/New York Musician) to capture here working with the band over in Jerome at the Spirit room. And here’s bass player Dom’s web-site.
In between sets we needed to make a band/group photo. The awning out front with everyone standing on the bench with a little fill flash was just the ticket.
Here’s one of my favorites of Valerie. It shows her in her element. Action and energy! The Lumix GX8 and the 7-14mm Lumix G Vario f4.0 lens was perfect for getting in all the action from a very close position.
Another fav… Shows the sparkle in her eyes and smile!
Images in this post were captured with the Lumix GH4 and 35-100mm Lumix Vario f2.8 lens (except for the ‘dancing guitar’ image) I’m still enjoying the smal, lightweight form factor of the Lumix line of pro camera gear. It allows me to be low key in live situations but still gives me the quality I need!
Just a reminder I am a Lumix Luminary and am sponsored by them for speaking to photography groups. That means I get to try out a lot of the new gear too!
Yours in Creative Photography, Bob
PS – Need a speaker for your photo group or organization? Get in touch and let’s see what we can put together! Contact info is right at the top of the page. Here are some of the programs I teach.
Looking for a way to better serve your business clients?
Here’s a way to make that happen and become more valuable to your clients. Many businesses have staff members that change regularly either through attrition or expansion. Whatever the reason keeping the marketing materials up to date can be difficult if your clints need to assemble the entire staff for a group photo every time there is a change in personnel it isn’t going to happen. You can save your clients money by being creative and offering solutions that meet their needs. Saving money for your clients also means an opportunity to earn more money for you.
Original advertising photo for Sedona Integrative Medical Clinic
A staff change called for a new group but did not necessitate gathering all employees for a new group photo
Addition and expansion were shown again without unnecessarily disturbing the rest of the employees.
To make this work you need to keep notes on lens choice, distance from subject, aperture and lighting settings so there is a consistent look. Shadows and shadow edge transitions need to be consistent for this to look right when adding people to the scene. In this case, we choose a high key rendition because it was a health business. The high key white background has a clean clinical look that helps sell the business. If this was a more formal group, like a law office, I would have opted for a low-key or black background.
I photograph all subjects from both sides without changing lighting direction. This way when it comes time to build the composites I can place people on either side as things change.
With this system in place, the marketing materials can be kept up to date without disrupting the entire office. Each person is photographed individually. If someone leaves for a new job or, as in this case, new people are added to the staff during expansion images can keep up with the change. Being able to adapt the layout without involving the rest of the employees is key.
The individual photos can also be broken out as singular head shots for promotion and other placements in marketing for brochures and advertising collateral material.
These photos were created with the Lumix GH4 with Paul C Buff lighting. A 35″ foldable Octabox with a large silver reflector on the opposite side completes the look. A high key white background makes separation of the subjects for compositing easy. (here’s Photoshop tutorial technique that can help with extractions)
Wall of Fame in Sedona, Arizona – Sound Bites Grill
Putting in some new imagery at Sound Bites Grill in Sedona, Arizona.
And it’s me…
My image for the Wall of Fame
As you may or may not know I create art for Sound Bites Grill based on the live performances. Steve asked me to design some signage to introduce the Artist of the images (hey that’s me!) in the hall of the ‘Wall of Fame’. So I needed to come up with something similar to the art that is in the halls.
And as long as I was working on something a little different I thought I’d show you some of the inner workings from my thinking (that’s scary!) and how I utilize Adobe Photoshop to create the art using Textures in Layers with Masks and Blend Modes.
The Layers Palette tells a lot of the story but not all…
You get an idea of the workflow but a major part of the story is how the Layers are Blended using the Blend Modes. Almost all of these Layers are in a different Blend Mode with opacity changes and of course Layer Masks to further refine hoe the layers will interact. Hope this peek into the process will give you some ideas. If you have any questions give me a shout.
Most of the images were made with the Lumix GH4. (which is $200 off for a bit right now at $1300) The head shot was made easier in studio because of the free Panasonic APP I use on my phone & IPad which allows me to change settings and focus as well as trigger the shutter from subject position. In the past I would have had to pre-focus and hope I was in the right spot and if I moved I ended up out-of focus which used to drive me crazy!
It was fun putting this together… Let me know what you think!
An interesting thought for today’s Photo/Art Quote from Freeman Patterson. It’s not really something I’ve thought about much over the years. I guess as I’ve been exploring photography as more of an artistic endeavor verses a realistic process I would be attracted to this thought.
“The camera always points both ways. In expressing your subject. You also express yourself.” Freeman Patterson
I’m going to guess that this is the reason if you give ten photographers the same subject to photograph you will end up with ten different images. I also believe that the story given when the subject is presented to a photographer can have a huge impact on the final outcome.
Witness Canon giving six photographers the same person to photograph who told each photographer a different story about his life and got six VERY different photographs in return.
Canon video of six stories and six results. One subject.
Spend some time thinking about this and please share your thoughts. This is one of those things that fascinate me.
A new member for the Sound Bites Grill ‘Wall of Fame’ in Sedona, Arizona. Sound Bites is the largest live entertainment restaurant in Sedona and over the years have brought in some great entertainment. I have been fortunate to record many of the fine musicians and entertainers and create photographic art to celebrate their performances. Here’s one of the latest, guitarist Darius Lux.
Darius Lux ‘Wall of Fame’ Art
For the curious, here’s how I create the images for the ‘Wall’.
Capture live performance while trying to get good poses that tell the story of the artist. For example, Darius bill himself as ‘Acoustic Spirit & Soul’. That’s why I choose a shot of his eyes down in a thoughtful position. To capture the stage show I use the Lumix GH4 usually mounted with the 35-100mm f2.8 Lumix Vario lens. This makes it possible to capture the action with no flash and from low profile so I don’t disturb guests who enjoying the show.
The artist signs his or her autograph on a blank white sheet of paper with marker that is then scanned into the computer. Using Adobe Photoshop I invert the color so the words and signature are white and the paper black. Then the signature is moved to the file and changed to Screen Mode. This has the effect of making the paper ‘disappear’ and the text remain. This is resized to represent a regular autograph. This would not be possible after the fact as many of the musicians are from out of town. At the very least even of they are from Sedona getting up with them for the signature would take quite a bit of time.
The artwork is accomplished in Photoshop by selecting other images that contain textures and using more Blend Modes, color layers and masks to get the final look. While there is a unifying feel to all the images no two are created in the same way.
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
Learn Photoshop in a fun environment. Aaron Nace applies the right amount of fun with easy to understand and follow tutorials. Actions and brushes are included with lessons!
Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
Cameras Get Smarter -
A High Speed Smart Camera Remote
Best embroidery ever. Give Queensboro a try, get a $20 instant credit to get started by clicking on the logo! They specialize in great quality custom logo apparel and promotional products with the best customer service.
Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.
This painting was created from an IPhone capture.
Notice when Richard creates his paintings the entire image is transformed. I’ve noticed during my judging that many photographers new at this leave too much photo realism in the finished piece.
Note Richard’s use of color that is carried throughout his paintings.
Couldn’t resist sharing one more!
