podcast with skip cohen

Podcast with Skip Cohen on Sprouting Photographer

Always fun chatting with Skip Cohen about the photography business. This is a chat about Embracing new tech in photography. Being a Lumix Luminary has moved me from being the last to jump into new technology to getting to try out new things that are changing faster than you can imagine.

sprouting photographer interview photoEmbracing new technology. Weekend Wisdom with Skip Cohen Listen here

With new ways of processing and capturing images in camera there are more tools at our beck and call then ever before. If you aren’t checking out some of the new ways to leverage these tools in your business you may be falling behind… Many cameras are now more like a computer with a lens attached. Time-lapse captures have never been easier with in-camera processing. 4K video allows you to capture video and pull still frames that can easily be printed to twenty inches. Again the 4K video can be leveraged to give you the opportunity to choose your focus point after the fact. I’m sure there are a number of cameras capable of many of the things I’m sharing here but, I’m familiar with the Panasonic Lumix cameras. The GH4, GX8, G7, FZ1000, LX100 and others are changing the way photographers work and the way photography is growing into the future.

Check out the podcast and let me know what you think…

Yours in Creative Photography,       Bob

photographer of entertainers

Photography of Entertainers

I enjoy photographing musicians and entertainers. Whether it be a studio or location shoot for marketing or CD covers or live performances there are challenges to be met. In a studio or controlled environment creating the lighting that tells the story and eliciting emotion and expression is the challenge. During a live performance, lighting is what it is and the emotion is always there but the challenge becomes capturing the right moment when all the pieces come together.

Whether it be a studio or location shoot for marketing or CD covers or live performances there are challenges to be met. In a studio or controlled environment creating the lighting that tells the story and eliciting emotion and expression is the challenge. During a live performance, lighting is what it is and the emotion is always there but the challenge becomes capturing the right moment when all the pieces come together.

I love a challenge.

Here are some images from a location photo shoot for the Saith band (here’s lead singer Nathan’s web site). I was hired by Valerie Romanoff (Sedona/New York Musician) to capture here working with the band over in Jerome at the Spirit room. And here’s bass player Dom’s web-site.

band photoIn between sets we needed to make a band/group photo. The awning out front with everyone standing on the bench with a little fill flash was just the ticket.

valerie romanoff at spirit room jerome azHere’s one of my favorites of Valerie. It shows her in her element. Action and energy! The Lumix GX8 and the 7-14mm Lumix G Vario f4.0 lens was perfect for getting in all the action from a very close position.

valerie romanoff live at spirit roomAnother fav… Shows the sparkle in her eyes and smile!

Images in this post were captured with the Lumix GH4 and 35-100mm Lumix Vario f2.8 lens (except for the ‘dancing guitar’ image) I’m still enjoying the smal, lightweight form factor of the Lumix line of pro camera gear. It allows me to be low key in live situations but still gives me the quality I need!

Just a reminder I am a Lumix Luminary and am sponsored by them for speaking to photography groups. That means I get to try out a lot of the new gear too!

Yours in Creative Photography,      Bob

PS – Need a speaker for your photo group or organization? Get in touch and let’s see what we can put together! Contact info is right at the top of the page. Here are some of the programs I teach.

secret canyon page arizona

Secret Canyon – Page Arizona Photography

Wanna get in on the Secret?

Like mystical places?

Like absolutely beautiful places?

Set aside the weekend nights of November 4-5 and think about joining Arizona Professional Photographers Association as we head out on the road again for our annual Fall Fest. Of course, since this will be a limited number of people event seats will be opened to AZPPA members first. If there are still places available they’ll be opened to non-members. If you want to be sure to be included in the event you can become a member and get all the benefits including first shot at signing up for events like this…Page Arizona

Page, Arizona is home to the beautiful slot canyons and while some have become quite busy like the well-known Upper & Lower Antelope Canyons, there are still some off the beaten path places you can tour. One is known as Secret Canyon and arrangements are made to tour this as a part of AZPPA’s Fall Fest.

Here are a couple images I made while on a scouting mission with Bruce Roscoe for the association. We’ll be producing a video with more info but here’s a taste to whet your whistle!

secret canyon photo captured with Lumix GH4Secret Canyon – Page Arizona

This image was captured with the Lumix GH4 and the Lumix G Vario f4.0 7-14mm lens. Settings were 1/6th sec at f13 ISO 200 14mm (28mm 35mm equivalent) When in low light high contrast situations like this bracketing exposures is almost a requirement and a tripod is a necessity. A great feature with the GH4 is a dial on top of the camera allows you to quickly access the bracket setting. You can be shooting a single image one moment then with two clicks you are in bracket mode. I have mine set for five exposures one stop apart in this situation. This gives me all the information I need to get detail in the shadows and detail in highlights.

Once back in the studio there are several methods to combine the bracketed exposures including Adobe’s Lightroom and Photoshop. If you are on a MAC computer there’s a new HDR software called Aurora HDR from MacPhun which I have been enjoying. I choose four of the exposures to process. Even though I was on a tripod I had the software align the images in order to assure the best results because pushing the shutter button might have moved the images ever so much. After processing in Aurora I did a little dodging and burning to open up a little detail and guide your eye through the image.

page arizona slot canyon photoSecret Canyon – once again

Settings a gear were the same for this image as outlined above. I added a little trip into NIK filter land for a little glow (which could have been added in Aurora) but I wanted a slightly different look and didn’t want to blow out the highlight on the log. I’m still learning the Aurora HDR software or I would have completed the image in there. Sometimes it’s just a little easier to go with what you know but I have been getting better and better results with Aurora the more I work with it.

Yours in Creative Photography,     Bob

business marketing people photos

Business Marketing Staff Photos

Looking for a way to better serve your business clients?

Here’s a way to make that happen and become more valuable to your clients. Many businesses have staff members that change regularly either through attrition or expansion. Whatever the reason keeping the marketing materials up to date can be difficult if your clints need to assemble the entire staff for a group photo every time there is a change in personnel it isn’t going to happen. You can save your clients money by being creative and offering solutions that meet their needs. Saving money for your clients also means an opportunity to earn more money for you.

facebook_header_sedona_integrative_medicineOriginal advertising photo for Sedona Integrative Medical Clinic

facebook & web header for sedona integrative medical clinicA staff change called for a new group but did not necessitate gathering all employees for a new group photo

sedona integrative medicine facebook headerAddition and expansion were shown again without unnecessarily disturbing the rest of the employees.

To make this work you need to keep notes on lens choice, distance from subject, aperture and lighting settings so there is a consistent look. Shadows and shadow edge transitions need to be consistent for this to look right when adding people to the scene. In this case, we choose a high key rendition because it was a health business. The high key white background has a clean clinical look that helps sell the business. If this was a more formal group, like a law office, I would have opted for a low-key or black background.

I photograph all subjects from both sides without changing lighting direction. This way when it comes time to build the composites I can place people on either side as things change.

With this system in place, the marketing materials can be kept up to date without disrupting the entire office. Each person is photographed individually. If someone leaves for a new job or, as in this case, new people are added to the staff during expansion images can keep up with the change. Being able to adapt the layout without involving the rest of the employees is key.

The individual photos can also be broken out as singular head shots for promotion and other placements in marketing for brochures and advertising collateral material.

These photos were created with the Lumix GH4 with Paul C Buff lighting. A 35″ foldable Octabox with a large silver reflector on the opposite side completes the look. A high key white background makes separation of the subjects for compositing easy. (here’s Photoshop tutorial technique that can help with extractions)

Yours in Creative Photography,     Bob

sunday photo/art quote 4/10

Sunday Photo/Art Quote – Make Money as Photographer

Thought it might be time for a little tongue-in-cheek humor for this Sunday’s Quote from an unknown author…

photo/art quote“The quickest way to make money at photography is to sell your camera.” Unknown

There’s always a kernal of truth in any quote like this!

Do you have a business plan? Do you buy gear thinking it will make you a better photographer? Think that new lens is the be all and end all? If you didn’t answer these questions properly then this quote might not be far off.

A suggestion for rules for new equipment purchases is to make sure a lens or new camera will pay for itself within one to three jobs and that you have an ongoing need for it. If not, and you really need a lens for a particular job, then off to the rental house you go…

If you are not thinking along these lines then this quote might not be far off for you.

Practice your photography with the gear you have and when limitations are apparant THEN it’s time to invest in new gear.

Yours in Creative Photography,         Bob

advertising & marketing interior photos

Marketing & Advertising Photos – Interior

I’ve been photographing advertising and marketing images for Sound Bites Grill in Sedona for the last four years. It’s been great working with Steve & Michele. We’ve been collaborating since before the restaurant opened. They have just redone some decor adding to the collection of guitars displayed on the walls and they understand the need for keeping the imagery fresh and up-to-date.

I made these images with the Lumix GH4, some supplemental lighting and HDR captures. Images were completed using post production in Adobe Photoshop.

restaurant interior photo created with lumix gh4 restaurant interior photo created with lumix gh4 restaurant interior photo created with lumix gh4 restaurant interior photo created with lumix gh4

Different views of Sound Bites Grill interior advertising photos.

Yours in Creative Photography,      Bob

sunday photo/art quote 4/3

Sunday Photo/Art quote – Framing

I know you saw the word framing and might have thought this post would be about finishing your images.

And you’d be wrong.

Today’s thoughts revolve around your thinking when it comes to selling yourself as a photographer or as an artist. How do you present yourself to your potential clients? What is your thought process? Today’s quote comes as a way of reframing your thinking so you put yourself in the shoes of your client  as to their needs and selling that verses trying to sell what you are.

sunday photo/art quote“When you buy a 1/4 drill bit, what you really need is a 1/4 inch hole. Clients don’t need photographers. they need photographs.”  Bill Westheimer

Remember to stay in business we have to be able to sell. But what and how we sell can determine our success…

Food for thought.

Yours in Creative Photography,     Bob

PS – You might want to check out some of Bill’s work he’s got some prett distinctive imagery!

rocky nook april fools sale

Rocky Nook Books – April Fools Sale

Wanna save some bucks on quality photography books?

It’s the Aprils Fools Flash Sale. (flash as in gone before you not it, not flash photography although that’s in there too!) Save 40% on paperback books. Use Coupon Code 40FLASH & 50% on Ebooks using coupon code 50FLASH but only through April 2nd. Check it out now…

rocky nook book saleGood books. Great prices.

Yours in Creative Photography,       Bob

PS – FYI I am a Rocky Nook affiliate so I get a little percentage for sharing this with you that helps support this site and the education provided. Enjoy the discount!

PPS – I highly recommend you looking into Roberto Valenzuela’s books! No Foolin!

sunday photo/art quote 3/27

sunday photo/art quote 3/27

Sunday Photo/Art Quote – Excellence

Let’s go back…

WAAAYYY back.

Around the time  when the calendar was going lower as it progressed toward Anno Domini from the time Before Christ. There was this dude named Aristotle who was a scientist but more importantly to today’s discussion a Philosopher. Even back then he recognized that we need to practice – a lot – to become the best we possibly can be. He might have been near the first to recognize the phenomenon but he assuredly was not the last. Repetition has been touted by all the great instructors as one part of how to become good at what we do.

I believe that a major part of the secret is that little secret sauce of making it a habit. Once formed habits self-perpetuate. This makes it an almost unconscious route toward excellence. We still have to program our habits to be good ones moving us forward and not just rote repetition. We need to continue to study, to learn and to practice what we learn. The secret is to make practice the habit and just make sure we program the practice properly.

aristotle quote“We are what we repeatedly do. Excellence, then, is not and act, but a habit.”   Aristotle, 384-322 B.C.

I feel in order to practice properly we not only need to keep at it, but we need to have some outside help in reviewing our practice. One of the ways I continue to receive outside perspective on my imagery is to participate in Professional Photographer’s of America Photographic Competitions. I respect the jurors and their opinions (FYI I am also a PPA Approved Juror) but I also sign up for the critiques to get additional feedback. It’s not like I need the feedback to earn PPA Merits and awards. I have been fortunate and hold the Master of Photography and Artist degrees and have managed a few awards along the way. The awards and degrees have not been the ultimate goal but been byproducts of my participation in trying to learn more about my craft.

There’s no doubt in my mind that I wouldn’t be the image maker I am today without my participation in PPA’s Photographic Competition.

I encourage you to practice. To learn. To repeat again and again. And seek feedback so you have some outside opinions to help you on your way.

Yours in Creative Photography,     Bob

PS – I am in no way suggesting that the feedback you get will always be spot-on. You still need to run the information received through your own filters. But, I have found on many an occasion that information to be extremely valuable especially when time has passed and I can view my work with a more critical, and less personally involved, eye.

PPS – “10,000 hours.”   Malcom Gladwell

book review visual palette

book review visual palette

Visual Palette Book Review

Lots of information and detail. That’s what I look for in a book.

Are you a photographer just getting started? Find yourself in a photographic rut? Getting the same old photographs from iconic places?

And this one has it.Are you a photographer just getting started? Find yourself in a photographic rut? Getting the same old photographs from iconic places?

Are you a photographer just getting started? Find yourself in a photographic rut? Getting the same old photographs from iconic places?

A pro and find yourself in a photographic rut?

Getting the same old photographs from iconic places?

visual palette book coverMaybe it’s time to take a look at a book called Visual Palette by Rocky Nook Author Brian Matiash.

I always appreciate taking a peek into another artist’s thought process when it comes to finding new ways to view and capture a scene that lay before me. Brian gives a great primer on the basics of composition and then moves the process forward with ways to apply the basics in a more advanced way. The

The images included in the book are solid examples of the point that is being made. Are all stellar? Nope. Some are. But, do they do the job? You bet. This book is about, and should be about YOUR photography. You get to experience Brian’s work and thought process but he is sharing ideas and concepts that you can take out for a test drive.

And that’s what it’s all about. Learning new ideas or being reminded of those long forgotten.

Yours in CreativePhotography,     Bob

PS – here’s a small excerpt from the book to give you a taste of Brian’s ‘voice’…

“I, Photographer
I am sharing the backstory of my life as a student to illustrate a few
points as it relates to you, the photographer. The first, and probably
most important, point to make is that photography absolutely is a
journey with no set destination. There isn’t a geographic coordinate
to plot to, a set distance of miles to travel, or a number of exposures
to take. There is no master class you can complete where you’ll
receive a certificate stating, “You’ve Made It!”
Don’t feel any despair over this. The fact that this is a never-ending
journey should be something to rejoice! I first picked up a camera to
use with meaningful intent in 1996. At the time of this writing—nearly
20 years later—I’m still forging ahead on my path to discover who this
person, this photographer, really is. Sure, I have a solid understanding
of the correlation between the aperture, ISO, and shutter speed
of my camera equipment, but beyond that, I will be a student of this
craft for life. To think otherwise is to resign myself to the idea that I
am done growing as a photographer. And that, dear reader, is a terrifying
thought to ponder.”  Brian Matiash